Percussa micro super signal processor

MOMUS in Chelsea, laptop performance

Laptop performance gigs: MOMUS displays one (atypical) way to present your live performance persona. We forgot the “Find a way to keep your face warm” tip. Photo by Tamara Weikel, taken in a Chelsea (NY?) gallery.

Getting good gigs is a challenge for all genres, and it touches even more issues when computers are involved. So, as we’d hoped, Liz’s tips for getting booked has generated a lot of discussion. In addition to comments here on CDM:

The wonderful community at EM411 has some discussion, including a great tip: bring VHS tapes or books to prop your computer atop the booth turntable.

LivePA, a great blog dedicated to these topics, takes issue with the “no dead air” advice. I’ll defend it, though: “dead air” might not mean the same thing if you’re not doing dance music, but it’s still essential to keep some connection with the audience. (And silence, I think, is not the same thing as dead air. I’ve had performances where I created each. Greatly prefer the former to the latter.)

I somehow missed it in the chaos of my RSS reader, but LivePA also has a beginner guide of its own. Whereas Liz focused on the practical, LivePA covers some of the questions to ask yourself about what music you’re making. It’s an ideal complement to Liz’s take:
My personal “Getting Started” for LivePA

There’s far too much for one comment thread or article, so I’ve also set up a new sticky discussion in the Create Digital Noise “Share Your Work” thread:

Getting good music/visual gigs — let’s share advice

Take the poll to let us know how you’re feeling, and let’s start sharing tips on (and challenges with) breaking into the scene, from Canberra to Arkansas City.