The question of how to build controls to fly today’s live laptop music sets – whether “DJ,” “live PA,” or something else – remains open. We’ve got an inside look at the newest entry, the most recent device to explore just what should be mapped and tactile, and what should be left behind. Amidst various look-alike mixer-and-deck controllers, it fits in with those pushing to make computer control a hybrid of traditional DJ metaphors and new computer ones.

Meet the Twitch. The result of a collaboration between New Zealand DJ software developer Serato and UK hardware maker Novation, Twitch deviates from a number of norms.

First, while made with Serato, it’s explicitly designed to support Ableton Live and rival NI Traktor via upcoming updates. That’s something we’ve seen among general-purpose controllers, but usually the main selling point of DJ-specific gear is some sort of tight integration. (That said, you will see in the specs that they promise ITCH support for Serato will be “one-to-one.”)

Second, the developers tell us they’re heavily influenced by the monome and controller hacking communities.

What you get is a do-everything controller and audio interface, all in one box. There are beat slicing features, mixing and effects, a replaceable crossfader, and touchstrips that can be used for various purposes, which promises to be flexible enough to suit a range of applications. And unlike some rivals, the inclusion of an audio interface and USB bus power could make this more practical in the typical plug-and-play gig situation. More on how the applications work in the video:

The resulting tool even carries the “controllerist” moniker promoted in the past by artist/technologists Moldover and Ean Golden.

The Twitch has touchstrips, faders, knobs, and buttons, a strange hybrid of a lot of different ideas. I’m still wrapping my head around it – and whether this will feel like a genius cockpit for music or a Frankenstein combo of other controllers. But the Twitch at the very least looks less like the result of a product planning meeting and more like exactly the sort of thing digital musicians, DJs, and readers of this site might design for their own purposes.

It also promises to be more compact. (Akai’s APC made one misstep there – unfortunately, DJ booths are too often measured in handfuls of square inches, and even those atop the flimsy plastic cases that cover the turntables.) Straight from the source:
Weight – 1.8kg (just under 4 pounds)
Dimensions – 350mm W x 275mm D x 65mm height (13.8″ x 10.8″ x 2.6″)
— not bad.

Product Manager Dylan Wood of Serato writes us from Auckland to explain how the design came about, and how it came to fruition. It’s a great glimpse both of their design thinking and how you translate a product like this to the market. Dylan says:

The collaborative design process kicked off a couple of years ago when we first started to talk to Novation. We didn’t have to have too many conversations before we realized we had quite similar ideas about where live performance and controller technology was heading. The very first time we exchanged concept drawings at a Messe show they turned out to be really similar in terms of form factor and control set, which is always a good sign. On my way back to New Zealand after the show I visited the Novation HQ in the UK and spent time with Lars and Matt from the their team to progress the idea of a new style of DJ controller forward. We had this common idea to combine the realtime live feel of Serato DJ software with the Controllerist elements that Novation are known for.

A tip of the hat has to be given to MLR and the Monome community at this point. We’d all be using community apps on the lemur (I was going through a Monome obsession at the time and was mid Arduinome 128 build). After watching endless youtube videos of performers doing amazing things with buttons we came up with the concept of the Slicer. The Slicer is like a rolling window of cue points that moves through a song in time with the music. It does MLR style loop chopping and mashing but over a whole track instead of just short loops. It gives a DJ or performer a way to cut up and re-perform their music without having to edit or sample it manually and was something that no other software is doing in the DJ context. After we’d struck on this as being a core feature for the product, we exchanged a few updated concept drawings and I headed back to New Zealand.

Being at literally opposite ends of the world made for an interesting challenge. As Lars and I worked further on the concept, someone always had to stay up to the middle of the night so we could talk on the phone and keep developing the ideas. We got Lars down to New Zealand and spent a week or so locked in an office around a table listening to tunes and bashing the design into shape.

With the software and hardware engineering talent that we’ve got at both ends we were able to dig deep into some of the new features we were adding, like the Touchstrip, ensuring that we were implementing a solid method of control. The firmware and software interaction our engineers have come up with makes the strips feel really responsive in all the different modes.

Several rounds of hardware prototypes and lots of testing with our in house DJ’s means we’ve ended up with something that feels great, even to someone used to more traditional control like turntables or CDJs. The most arduous of the real world tests devised during this process was to ensure that the Touchstrips would work really well in sweaty, live club conditions. It involved a bare touch strip PCB with a live USB connection, and a jar full of marmalade. A thoroughly English test for the robustness of the product!

The beta process has been a passionate one – as there are a lot of keen musicians and DJs at both companies there have been some fairly epic conversations around exactly how a feature should or shouldn’t work. As well as in house DJ’s we’ve also got a crack team of external beta testers that work with us on various different projects. We heavily utilize private areas of our forum for beta communication and it makes working on projects a little more community based in a lot of ways, as it’s all about conversations with real people that are actually using our products. This kind of iterative user lead feature development process can sometimes take a long time, especially when you’re working on something that is a bit adventurous feature wise, but the results are worth it as you end up with something that feels really good to use, which has been thoroughly sanity checked by real end users.

So lots of software development and plenty of hardware prototypes later, here we are. We’re really excited for Twitch to see the light of day. I for one can’t wait to see the kind of crazy button smashing videos that users are going to post up on youtube of themselves using this thing. It’ll have come full circle at that point.

Thanks, Dylan.

Dylan also sends CDM exclusive video of a stress test of the touch strip … combined with marmalade.

Full specs:

Availability: Early July 2011
Pricing: US$599.99 MSRP / $499.99 street (UK GBP 399.99 including VAT est. street)

Bundled Serato Professional – so not a limited version of the software
Tactile multi-function touch strip
“Slicer mode” for chopping up beats
Compact and portable (they do claim it’ll fit in your bag and the DJ booth – we’ll test that!)
“One-to-one” ITCH control for Serato
Aluminum top plate
2-in, 4-out audio interface
“High-quality” replaceable cross-fader
Software effect control
USB bus-powered
Mic/aux input
Switchable booth outputs (master + cue feeds)
MIDI compatible

Full details: Novation Twitch

  • I like the price and the size of this. The S4 is cool but too bulky and expensive.

  • Marc

    Interesting.  I have had nothgin but serious quality and driver issues on Novation for several years now.  This item stinks of a build for the trend – like much Novation gear.  

    DJ mentality is considerably more abusive than Novation builds.  Those knobs are gonna rip off. From the pictures I can see several fatal engineering decisions. 

    Time will tell, let the DJ's have it – their fail is my gain.

  • Peter Kirn

    @Marc: I'd be curious to hear which elements you find fatal, specifically! (Like I said, I haven't even really had much time to think it through yet…)

  • la_tristesse

    they should have used their led powered encoders from the nocturn series, this would have been an alternative to the bcr 2000 from beringer. I'm really annoyed about the closed drivers from novation. Neither the launchpad nor the nocturn are usuable without a laptop running their software automap. So I wondered why they made this on midi compatible.

  • LoL, it's "The world of DJ-ing and Controllerism"

    But ok, might be fun to play with buttons.

  • Jeff Brown

    As someone much more comfortable writing his own interfaces than hoping someone else will read my mind, I wish I could get my hands on a modular bank of nothing but touchstrips.

    I already use buttons, knobs, faders and a touchscreen.  Touchstrips and a joystick are the only sort of interface extensions left for me to want.  (You might think the touchscreen (an iPad) solves the lacking-a-touchstrip problem, but it's got latency.)

  • This is awesome. I have been using an MPD32 and Fast Track Ultra Pro to DJ/Live Remix for a while and one thing.. it takes up space. I am honestly excited about this. It makes me  wonder if Akai will produce a MPD/APC with built in audio, and midifeedback now.  The natural extension of this is also a stand alone box.. where no laptop would be needed.. I am sure someone will integrate this idea into a box that streams audio direct from SD.

  • also reminds me of two SP-202/303's side by side.

  • Peter Kirn

    @Jeff: Yeah, what we don't get from the manufacturers is generic interfaces. I think that's partly driven by the market – and understandably so – but also by the inflexible, hard-to-use mechanisms by which you assign controllers to software. (And I'll stand by hard to use – there's no reason you shouldn't be able to design a generic interface that a beginner could use the map to what they wanted, but the software is not often built that way.)

  • Emmanuel

    totalllyy it's juste some buttons.
    I love the s4 much more. Design is ill

  • kid versus chemical

    I never dj'ed before, but this and NI's s4 make me want to give it a try.  I've always been bored by the idea of just mixing music for people to groove to, I feel the need to do something creative and not too pre-determined.  But now the lines between dj'ing and live remixing are begining to blur, it's intriguing.  In particular, people like Ean Golden's videos and tutorials really peak my interest, and a controller like this with this price is making me consider giving it a go.

  • Built in audio interface or no? That would be the main concern. What kind of software comes with it? full version or LE?

  • Pierlu

    @ la_tristesse
    It's not true that the launchpad has to be used with automap. I use it as a controller for a pure data patch I developed and i can assure you that I use it only as a pure midi device, no automap involved. Dunno about other products tho.

    As for the twitch, i find more interesting the software/hardware integration than the hardware itself. Dunno if the hardware is just as interesting per se. I suspect not, it's not general porpouse from what i see (as the launchpad is, to name one) But i imagine that for those who use Serato, this is the must have controller.

  • Pierlu

    P.s. And this controller may as well make someone opt for serato as their dj software of choice

  • Peter Kirn

    Yes – also, Novation has moved to providing class compliance as a fallback from their drivers.

  • It's a bit much that in the video they describe Slicer as a feature "Totally Unique to Twitch" and then the developer openly says it is completely inspired from Monome apps (DJ64 allows MLR style mashing over complete songs) not so unique….
    Great looking product though!!!

  • Peter Kirn

    Ooops, I left out a bullet point. It's bundled with Serato ITCH Pro. Don't worry, we'll look at this all again when this thing is actually shipping. Summer feels a long away at the moment.

    @Dot.AY: Yeah, sometimes marketing gets carried away. Of course, slicing isn't unique to MLR, either; the major innovation of MLR was the way in which the slicing is mapped to the hardware – and you don't have any of that minimal aesthetic here. So I think it's fine that MLR was an inspiration; this is a completely different context. But then the marketing can claim something different than what this is.

  • 'controllerist'? 🙂

  • This looks fantastic.  I've never used Novation gear (and those cue buttons looks a little suspect – I like harder MPC style for faster pressing), but to me this is exactly what'd I'd recommend to the beginner DJ.
    You get a solid controller, nice hardware, solid software, and all for almost half the price of the Kontrol S4?  Awesome.
    Plus this looks way better suited as a generic midi controller then the S4 – making it really useful for Ableton and/or the production side of things.
    Only thing lacking would be another input or two, but for $499, you can't beat that.  Not for me, but looks solid – hope it works out for Novation.

  • Karl

    What I like: dropping the huge Turntable-Wannabe-Scratch-Wheels from a DJ controller. As an electronic musician I am likely to use the scratch effect almost zero times, and the strip controller offers a lot of additional functionality (plus one CAN do wannabe-scratching should the need arise).

  • Re: generic interfaces — I'm still using a UC33 for both Live and Traktor; paired w/ the 16 knob Faderfox box, I've got everything I need.

    I wish a dedicated, small (no jogwheel) 4 channel + efx/loops controller would come out. I'm not a fan of toggling a 2 deck device between two sets of decks. Could build my own 4 chan, but time is tight w/ my other projects . . .

  • TOOLtablism.