Diaspora is an attempt to build a social network that contrasts with the locked-garden vision of Facebook, one built on open source software, open exchange of information, and distributed – rather than centralized – communication. I already let slip that we’ll be rebooting our own social endeavor, Create Digital Noise, in the new year. But it’s also telling to see the first noises emerge on Diaspora.
If you wrote off this service when it was in early testing, perhaps overwhelmed by its ambition and crowd-sourced nature, you may be pleasantly surprised. As users gain invites, the service is surprisingly stable and usable – at times, indeed, more so than the offerings of giants Google and Facebook. Most notably, features like tagging make it possible to actually focus on a task. (Compare what would happen on the rivals: even Google’s Circles can be more a chore than a useful feature, and Facebook still tends to dump everything in giant, overcrowded buckets of chatter.)
I’m game for any excuse to get together and make music with people, whether at a website, a studio, or in someone’s kitchen. So, here’s this experiment – Jóhannes Gunnar Þorsteinsson kicked off the first Diaspora sound project:
Here is the initial foundation track for the #diasporanoise2011 open collaboration project. Initially the rules are the following, Once you comment in this thread and ask to join you will be assigned into a queue according to the number of your comment. Apart from that, the rules are completely freeform. You can add a layer of sound to the original recording, or you can completely remix it, cut it up or even destroy it. When you are done you upload the bounced track to your upload service of choice with the same naming scheme as the link below. (yournumber_yourname_diasporanoise2011.wav), if you decide to upload more than one tracks for some reason, zip them together but use the same naming scheme.
There is no actual time limit, (at least not for now) but try to stick to max 1-3 days per person. Recordings and work at this nature is usually done improvised (and that’s usually where the magic happens) so more time shouldn’t be needed. Of course if more time is needed for some reasons then just let us know and I am sure we’ll understand.
I refer affectionately to many kinds of music as “noise,” but this certainly fits the bill – some experimental soundscapes going on, like this one (I enjoy it!):
04_juredimec_diasporanoise2011 by sundrdisko
Diaspora users can find the whole thread – and lots of tracks to hear – at:
If you’re really, really desperate for an invite, explain why in comments and perhaps one of us can hook you up.
You’ll find in this thread that what happens for many musicians is various places to host sound, from Dropbox to self-hosted files to the increasingly-ubiquitous SoundCloud. Diaspora itself lacks audio upload features, but on the other hand, there are some limitations to what even a sound-focused service like SoundCloud offers in collaboration features. (For instance, I recently ran up against the inability to run private groups or easily download bunches of stems on SoundCloud, which makes even a simple remix collaborative easier on other services. More on that soon.)
I’ll be continuing this conversation with readers over coming weeks and in more formal ways, but why not kick it off now: what would you want in a social website, or in collaboration? Leaving out fancy real-time collaborative environments, how would you most want to come together with fellow music lovers and geeks and make some stuff? Having used online communities since the days of BBSes, CompuService, and GEnie, I find often it’s basic, elemental communication that makes things work, so if you had only a select feature or two, what would they be?
(thanks, jure, for the tip!)