Peoplemeter: Experimental Film, Score Imagine a World Populated by the Things We Left Behind

As umbrellas scurry about like spiders, inanimate metal objects scuttling through emptied streets, and electronics send clicks and crackles between robots, Peoplemeter produces a post-apocalyptic world without humans. Microscopes and endoscopes shoot these objects in revelatory ways, as the musical score amplifies their sounds. These objects are animated through various effects, ranging from stop motion to more abstract portraits as textures. Director Incredible Bob makes these intimate moments a kind of cinematic object theater. The sound, too, literally comes from inanimate ephemera, transformed into experimental instruments by musician WoO of the BelgradeNoise collective. The trailer is already compelling. More details …

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First Look at ArKaos’ Video Mapper Tool [Screenshots], as the VJ Developer Goes Pro

It’s a mad, mad, mad, mad world of mapping. Mapping as a technique can be accomplished in any tool, and its use predated specific end-user tools by a number of years. But 2013 seems the year that the ubiquitous MadMapper will see some serious competition as other tools specifically move in on its turf, with specialized facilities for creating custom geometries in projection and lighting. And so, we see in screenshots a better look at how ArKaos’ offering will look. Works for me: competition is healthy, and each of the visual software vendors has its own cadre of devoted artists. …

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First Look at ArKaos' Video Mapper Tool [Screenshots], as the VJ Developer Goes Pro

It’s a mad, mad, mad, mad world of mapping. Mapping as a technique can be accomplished in any tool, and its use predated specific end-user tools by a number of years. But 2013 seems the year that the ubiquitous MadMapper will see some serious competition as other tools specifically move in on its turf, with specialized facilities for creating custom geometries in projection and lighting. And so, we see in screenshots a better look at how ArKaos’ offering will look. Works for me: competition is healthy, and each of the visual software vendors has its own cadre of devoted artists. …

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When Reason Met MIDI Out: How MIDI, Virtual CV Work in the New Reason 7 [Pictures, Details]

It’s been a long time coming, to say the least. But you can be sure that even when Propellerhead do something as basic as MIDI output, they’ll do it in, well, a Reason way. So, it was intriguing to hear Reason was adding MIDI out precisely because in Reason it’s integrated with virtual patch cords and connections that make it work differently than in other hosts. And that means we wanted details. Propellerhead’s Leo Nathorst-Böös answers some of our questions, as CDM awaits the beta version. Most helpfully, we have some new images, so you can see better what’s going …

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Generative Genius: Free Max for Live Patch Lets You Schedule Scenes at Any Clock Time

Bars and beats are great. But people find applications for sound and music that go beyond traditional tools. That has already made Ableton Live a popular choice for triggering audio events and the like. But even Live tends to be biased toward conventional musical time. Sound and multimedia shop Aconica rolled their own tool to create a solution, the brainchild of sound and media artist Martin Backes, and now that tool is available to Ableton Live users for free. (Max for Live, now included with Live Suite as of Live 9, is required.) The name of the plug-in gives away …

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Gantz Graf, the Max for Live Plug-in: Reactive-Visualizing Your Tracks

Hang about. I may have given away the punchline in the headline, and now there’s not much more to say. “Hey, is there a plug-in out there that I can just switch on and visualize music with?” I can’t count the number of times I get asked this. That could make the following a very popular download, indeed. Animator Alex Rutterford’s original Gantz Graf video, interestingly, was not reacting to audio. But generative technique has moved on since then, so aping the style of the visuals in a patch makes some sense. The results aren’t perfect, but they do demonstrate …

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Insane, Starship Control Panel Controls Sound Morphing-Synth in 3D: COSMOSƒ

If I’ve said it once, I’ve said it a thousand times: manipulating sound presets should be as intuitive and powerful as regulating plasma coolant flow to the antimatter injector on a warp drive nacelle. I mean, knobs? How quaint. COSMOSƒ is a graphical morphing engine for sound, a standalone synthesizer with a wild, sci-fi interface. You can actually set up polar coordinates and navigate sounds through a sphere, in three dimensions. The sound engine is all internal, but looks like a lot of fun. (For more of this sort of thing, see the excellent, free and open source IanniX, which …

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Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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A DJ App for iPad That’s Modular, For Exactly What You Want: d(- -)b from touchAble Creators

d(- -)b brings the colorful, visual, touchable waveforms that are part of the draw of iPad DJing. But to that, it adds another trick: custom, modular layouts, letting you choose up to six decks, for instance. Two decks, or more decks? Horizontal, or vertical waveforms? Which controls? DJ app designers normally have to make such decisions for their users – and users must, more or less, take what they’re given. Not so with the odly-named, just-released d(- -)b iPad DJ app. Using a grid to neatly-align elements, it lets you choose what you want on-screen, and whether two decks or …

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Resonate Gathers Bleeding-Edge Digital Media in Serbia; Watch it in Videos

Resonate 2013 – SR from Resonate Festival on Vimeo. The collision of talent and ideas online is a powerful force, but it’s nothing compared to the energy that’s released as you put people together, in person. So, I’m excited to be traveling next week to Belgrade for Resonate Festival, both to meet the community of artists, curators, and students in Serbia, and also the many folks traveling from around Europe and the world. I hope we can all report back. I was going to start to try to run down who’s there, but there are too many women and men …

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