Let’s be clear: electronic music is what it is because of a spirit that emanated from people outside of what was popular, not inside. And underground isn’t just about what’s undiscovered. It’s also about people who are too often purposely sidelined: people of color, queer and trans and gay and bi- and lesbian people, people who don’t look like models, people who other people say are weird, people who don’t fit in for all sorts of reasons. Nerds, even. If you’re reading this site, honestly, you’re probably one of those people, if at least for the reason that you might love weird sounds. (It’s okay to love that out loud.)

So when we talk about affirmative action for those groups – yes, including advocating for the broad minority of “weirdos,” a group in which I am in full support – we’re not just doing it out of some kind of imagined political coolness. We’re doing it because the music we love isn’t just about fame and success or even just about skill – though those things can be well and good. They’re also about soul. Call it the soul of freakiness.

If anyone thinks that’s exclusive, you’ve totally missed the point.

Deep in the underground. Photo: Sequencer.club.

Deep in the underground. Photo: Sequencer.club.

Now, the real-world places for such oddness come and go. They have to be actively renewed each generation, and when it comes to music venues, they rely on fragile networks of people and unpredictable fortune with zoning rules and real estate and law enforcement. (Yeah, be thankful for every party that even starts, let alone finishes before being shut down by noise complaints or some such.)

The good news is, the geographical birthplace of a lot of what we think of in techno and house is making a comeback. The Midwest and Northeast in the USA are finally renewing themselves. People globally are more aware than ever of Detroit, in its history and presence. Cities like Pittsburgh are more vibrant than ever. Even titan New York City, while it still has those idiotic cabaret laws on the books, is far richer than it was seven years ago. (I should know – I moved out right at a relative low point.)

In fact, part of what America needs right now is blogs.

So log out of Facebook for a second, close those tabs for the mainstream electronic music media outlets, and get ready to pour through sequencer.club.

Its soundcasts make a perfect work soundtrack, and its long-form reading is worth reading end-to-end. It’s published not from Berlin, Germany, but Buffalo, New York, bringing you the happenings of the club scene in places like Rochester. (I have a feeling Rochester is not going to get a Resident Advisor profile any time soon.)

Let’s review.

The site has features like an exhaustive survey of Detroit, one more complete and more insightful than you’ll get out of larger publications:

313: Return To The Source / The History

The latest release, and the reason I heard about the site at all, comes from Noncompliant, the Indianapolis-based veteran who’s finally getting some notice on the wider scene (former project name: DJ Shiva). Lisa’s mixes are required listening any time you hear someone say “I’m kind of bored with techno.” Seriously, force headphones onto them, Clockwork Orange style, and see if they can say the same after the mix is on.

Yes, there are queer and trans artists front and center – with good reason. There’s a story here, about how the search for musical expression was tied up with loving and looking in a way that didn’t fit with the society around them. This is a story worth following, though, because it’s about the music we all love – and it’s a story with a happy ending.

As Jarvi puts it:

“I love music because it saved my life. It can say everything I can’t put into words. The music itself doesn’t judge me, it guides me. Without music I would never know the rave scene. I would never have found my chosen family in the underground where you can be anyone you want to be, as freaky and weird and out there as you want. Like-minded individuals all there together because the world doesn’t see us as the creative and beautiful individuals we are. PLUR forever.”

Yeah, that’s obviously more than a cool wristband – I know when a lot of people say “music saved my life,” they mean it literally, and even if you do nothing more than write manuals for synthesizers, that’s something you should think about every morning when you get up to go to work.

Jarvi’s mixes are terrific, but I love these raw, powerful tracks, so let’s embed those:

On that same topic, I know that while so-called identity politics speak to certain sets of people, mental health is essentially a universal need, and one uniquely bound up with music making. So, just as Maya Bouldry-Morrison aka Octo Octa’s profile deals with being trans, it also touches ways in which music helped deal with anxiety. As she tells the site:

“If I’m just having a hard day for no apparent reason then my self-care is to clean my apartment, work on music, take a bath, and maybe go for a walk to clear my head. It may or may not work, but trying anything beyond just shaking and thinking about how screwed I am helps.”

Well, I imagine Maya’s mix might contribute to self care for all of us, too. I totally love this mix:

Also, for anyone who’s unclear about why it’s important to some people to have defined spaces, and to choose those environments, she speaks to that:

I’m especially happy right now being more involved in the queer community. I’ve identified as queer since I was a teenager, but since I never came out to my parents my queerness wasn’t something that I would publicly discuss. Therefore I also wasn’t seen as someone who was queer and I wouldn’t necessarily be invited to play queer parties even though I really wanted to. They were the spaces I felt the most comfortable in.

There’s a lot more as far as music and philosophy in that interview, so do give yourself time to read the whole thing:

http://sequencer.club/sequencer-spotlight-octo-octa/

The site also has profiles of amazing musical humans who happen to be “true Detroiters” like Bruce Bailey. Bruce’s mix I think could heal any damaged heart with grooves:

By the way, there is as always a deep dialog going on between cities in Europe and the heartland USA. So, sure, someone like Kamal Naeem may be in Berlin now, but he keeps in touch with his upstate New York roots, those hills where the Moog synthesizers were born (and where he started the superior label Blank Slate).

Check out his profile and mix, too:

Sequencer Spotlight: Kamal Naeem

Actually, just go read the whole damned site end to end, which is more or less what I’m doing now, but one last signal boost for this absolutely essential story:

Harm Reduction Efforts Make Dance Floors Safer

And some final inspiration, from Detroit’s wonderful Erika:

erikaoct

“Letting go and dancing is a fundamental human thing that we’ve been doing for thousands of years – seeking a trance state through which to let go. It’s not about being a man or woman, it’s about being an animal trying to have a transcendental experience.” – Erika

Like / subscribe / share / tell your friends / stop people on the street / please help support independent media:

http://sequencer.club/

  • Amen to that!

  • nothingnatural

    (I have a feeling Rochester is not going to get a Resident Advisor profile any time soon.)

    And that, IMO, is a good thing. The drama of the past couple of days have reminded me why what I do and am interested in with regards to techno is, by choice and by necessity, detached from the RA hotspots and big names/labels. I want to see Noncompliant, Jarvi, Octo Octa, and all of the rest of us outsiders thrive, but we’ll need to do it outside of the main channels. The master’s tools, and all that. (Peace to Audre Lorde.)

    • To be fair, RA specifically have profiled some of these artists. 🙂 So that isn’t just a swipe at RA – I can’t cover every city, either!

      I think we’re really lucky that in larger outlets, too, there’s a commitment to interesting acts. But just as we need to support those artists, we also need to support labor-of-love outlets like Sequencer.

    • But yeah – at the same time, it’s good the world doesn’t end at RA … or at the end of my own perspective, for that matter! It’s good there’s always more to discover. And no press outlet is ever the final arbiter on what that is.

  • mohre m

    people who don’t look like models, people who other people say are weird, people who don’t fit in for all sorts of reasons. Nerds, even. If you’re reading this site, honestly, you’re probably one of those people one of those people one of those people one of those people one of those people who don’t look like models like models like models.
    If you’re reading this site, honestly, you’re probably don’t look like models.

    • Holy on, logical fallacy there. Those aren’t mutually exclusive categories.

  • Unsure as to where the “people who don’t look like models” comment fits into this. Unfortunately “people of color, queer and trans and gay and bi- and lesbian people” are often wrongly denigrated for being born ‘different’ (in the opinion of ‘mainstream’ cultures) . Why should people born with ‘good looks’ be maligned in a similar fashion?

    • Really? Because we work in an entertainment industry that still values (particularly) women’s bodies/looks over our skills. That this has to be explained is fucking exasperating.

      • The comment that i cited from the article – “people who don’t look like models” – has nothing to do with gender, sexuality or race. The Author of the article bemoans people being ‘sidelined’ for various reasons yet goes on to make a backhandedly negative point regarding physical aesthetics. If you read a little further, there is also a minor mention of the unimportance of ‘skill’. Your ‘exasperation’ bemuses me.

        If you actually read my question and then your response:

        Q: “Why should people born with ‘good looks’ be maligned in a similar fashion?”

        A: “Because we work in an entertainment industry that still values (particularly) women’s bodies/looks over our skills.”

        Do you really believe in discriminating against individuals due to your perception of the ‘entertainment industry’ ? That is effectively what you have indicated in your response.

        • Kurtis Hord

          rave is not for sale. you can die trying. see a lot of non-DIYers, and mall people try to appropriate my culture and heritage over my 18 years in this space. they do not last. keep money out of the temple

          • What relevance do your comments have to this discussion and why are they addressed to me?

          • Kurtis Hord

            seemed like you were arguing for models, as if dismissing the type is somehow the same as dismissing a marginalized class. i don’t think an exalted (by the mainstream) “class” or “type” needs a voice, or protection. also, it’s boring.

          • Seemed? You clearly did not read exactly what was written and decided to create your own subtext in place of fact.
            Also, the response failed to address the comments you made related to ‘your’ culture and heritage and why you felt the need to bring money into the discussion.
            What is it that you find boring here? Marginalizing people due to their genetics or the misreading and misuse of the English language?

          • Kurtis Hord

            cool!

  • misksound

    Noncompliant!! Lisa’s properly SLAYING these days—it’s fucking awesome—and i’m proud of her!

  • R__W

    Today’s electronic music evolved from disco, which was music for the pretty people.