You can tote a USB stick and plug into CDJ decks, yes. And now, if the club starts buying Pioneer samplers, you can do the same with sample sets.

It’s bringing us from “USB stick as record bag” to “USB stick as live rig.” Here’s the gear:

Pioneer made a CDJ-shaped sampler – what does that mean for DJs?

And the software that makes it all happen … is …

Not really very exciting. But let’s have a look anyway, just so we understand the process.

Basically, Pioneer’s DJS-TSP Project Creator – named in the way only a Japanese music gear maker would – gives you a picture of the layout of the new Pioneer samplers, and the ability to manage projects and samples.

So, even if you don’t own a DJS-1000 or the previous TORAIZ SP-16, you can sit with this thing and load up some custom samples, then bring a USB stick with you to a studio or club that does have the sampler. You can load and offload projects, load and offload individual samples (though sample file format is restricted to what the hardware supports), and you can name scenes and clips.

And … that’s it.

Of course, that’s fine. This is a librarian for samples, essentially. Though it’d be nice to make other edits to sample settings without the hardware.

That may make this headline seem, well, like an overreaction:
Ableton and Native Instruments should worry about the DJS-1000

Well, okay, I wanted “maybe a little bit worried” to be the headline, but it didn’t fit.

While this particular editing software is nothing glamorous, though, I think Ableton, NI, and others ought at least to pay attention. Remember that Rekordbox had similar, humble beginnings – before it blew into its own Traktor-style DJ software and took over the world. Pioneer could consider making standalone software that does the actual sampling and editing, perhaps on desktop and mobile, that then can act as a satellite to the hardware samplers.

The point stands, though. Clubs that have this gear installed may be less amenable to complicated live or live/hybrid rigs. USB sticks are really, really convenient. And the competition for computer/software combos is increasingly standalone hardware – whether that’s Pioneer, Elektron, Akai, or something else entirely. The lines are blurred enough that computer-tethered tools need at least to hold their own as a value proposition.

A few minutes mucking around with this may remind you that, heck yeah, the computer tools may still be better. Or you can look at something like Akai’s MPC line – we’ll be hands on with the latest version of that soon. It behaves like computer software, and even works with a computer, but also works untethered like standalone hardware – without sacrificing computer software flexibility.

I do think that we’re starting to see the tools and workflow change for live, though. Time will tell. Until then – download the manual and software here:

  • Dubby Labby
    • Uh, which part? 🙂

      This is what I understood the software to be at this point… more about what happens down the road, and crucially, how many installs the hardware sees.

      • Dubby Labby

        In the other post about Ableton I think (maybe I’m wrong) that I told you it was only a accessory app atm not integrated into RB neither… but I was just kidding about the meme due you feel over reacted. 😉
        I’m mostly agree with your vision and it seems you are the only blog (afaik) wondering some paths and generating some discussion in this field.

  • The Fantastix

    What I don’t fully understand is, why isn’t this software integrated in Rekordbox 5?
    Pioneer recently released the DDJ-XP1 (2×16 pad) pad controller, which controls the sampler in Rekordbox.

    They ‘could have’ developed Rekordbox, the DDJ-XP1 and the DJS-100 in tandem, giving them roughly the same features.

    This way you could have used the same software to prepare your (DJ) sets and your sampler projects, export it all to usb sticks and use that at the club.

    • Dubby Labby

      I feel it was but timming and deadline aren’t right “sync” lol

  • Robert Spectral

    DJS-TSP Project Creator is a huge disappointment. You cannot even set which samples are loops.

  • eh

    its a very valiant effort in response to criticism… hope they continue on this path and integrate the line up to the standards they have continuously set themselves. Even if everyone uses this with a laptop as a sample player/sequencer, just as everyone currently uses CDJs with serato… these other companies better stop messing around with shitty screens they found on the shelf that wouldn’t last a week installed in a nightclub.

    • eh

      to be fair to the fanboys, you right… the octatrack would probably last a month and a half, i’m talking mostly about push and maschine