Percussa micro super signal processor

You’ve got your synth sounds. You’ve got your orchestral sample libraries. And they’ve always been separate – until now.

Output, the California-based sound design shop, have already built a reputation around sound libraries that mix this with that and bank on novel and on-trend sound design concepts. And roughly this time last year, they took this approach to combining string orchestras and synth strings.

But bringing the analog + acoustic blend to wind and brass may be even more vital because, well, brass and winds are a fairly particular thing to have to design… I mean, let’s be honest, how many people really look forward to brass and winds?

So, what you get are sounds that will genuinely get you excited instead of make you cringe. And oddly, combining in tape loops and vintage instruments makes this category sounds more contemporary.

As per usual, the Output experience isn’t just about calling up a preset you like, but being able to easily dial in exactly the blend and flavor you want.

Let’s break down that interface. Even from the overview screen and macro controls, you get a view to the layered sample-based sound engine beneath (plus some pretty abstracted brass wind bodies):

As in past Output products, once you get into Sources, you see the core of the sounds. Output’s products start with a wide arsenal of sounds that feel a bit like getting to steal a top producer’s hard drive. (Please don’t do that. But you get the idea.) Here, this includes one-shots, more continuous textures (“pads”), and crunchy tape loops, which basically involve the acoustic sources, the vintage synth sources, and then “everything else” / more off-the-wall bits (categorized as “creative”). That’s what gives the resulting stew a forward-thinking sound.

“Rhythm” is where invariably you can go from “oh, isn’t this sound cool” to “oh, I can actually finish this entire track with this plug-in.” Note that you have both synchronized and free (“flux”) modes, and the ability to layer modulations atop your modulated sounds.

This is, again, why Output stuff so nicely merges between preset-dialing and creative sound design – just changing an individual element can have an enormous impact, if you like.

There’s also the usual, tasty-sounding effects section.

If there’s any criticism here, it’s that Output have stuck with their existing sample-based architecture, rather than open up the possibility of, say, some physical modeling. (Underneath the hood here, it’s all the Kontakt sampler.) On the other hand, those models can be processor-intensive and unpredictable, whereas you can dump all of Output’s products on a quick external drive (which is inexpensive these days) and be assured of reliable sound results. I am curious what Output may have next, though, whether they’ve got more ideas for this approach or something else altogether.

Oh, one more thing – this all supports Native Instruments’ NKS, which means I’ll give it a try with the likes of Maschine and the new Komplete Kontrol keyboards, as there’s some interesting potential for live performance with the snapshots and such. Stay tuned for that!

Cost: US$199. But betcha earn that back on a good commission with it.

Requisite video walkthrough:

More:

https://output.com/products/analog-brass-and-winds