SOMA laboratory and enigmatic “romantic” engineer Vlad Kreimer have already delivered the strange and wonderful LYRA “organismic” synths. Next up: a drum machine.

The PULSAR-23 takes on that same “organismic” design philosophy, complete with rich, layered, deep space exploration sounds. With a full 23 independent modules, those powers turn to a drum machine design.

And maybe even “drum machine” doesn’t quite do this justice – you could just as easily imagine this as a percussion-heavy synthesizer. There are four independent loop recorders which trigger events, which you can clock into a single groove or leave to independent timing for more experimental rhythms. You can even set each channel to a sustain, so this is a noise/drone synth, too, not just a dancefloor object.

The PULSAR-23 was first announced last year, but now we get to see it move into its production form factor and – wow, it looks great:

It could be a gorgeous standalone machine, or you could see it as part of a larger modular rig. Full specs:

– 4 drum channels: Bass drum, Bass\Percussion, Snare drum, Cymbals\Hi-Hat
– 4 envelope generators with the unique ability to generate a sustain for the drum channels, turning them into noise\drone synthesizers.
– 4 independent loop recorders with the option for individual clocking. They record triggering events, not audio.
– Clock generator with an array of dividers as a very powerful tool for rhythm synthesis.
– Wide range LFO (0.1 – 5000Hz) with variable waveform.
– Shaos – a unique pseudo-random generator based on shift registers with 4 independent outputs, sample and hold and other cool features.
– FX processor with CV control incl. CV control of the entire DSP’s sample rate.
– Distortion.
– 2 CV-controlled gates.
– 2 CV-controlled VCAs.
– 2 controllable inverters.
– 3 assignable attenuators
– dynamic CV sensors for CV generation etc

Plus there’s MIDI control and sync, in addition to all the CV options. And if you want the really important specs – 52 knobs, 11 switches, 100 inputs and outputs for patching.

There’s also – “live circuit bending” whatever that entails, exactly?

This is the video from June 2018, where the PULSAR-23 was still just a bunch of guts – no pretty red case – but at least gives you an idea of the sound possibilities.

No lie here: SOMA will be way on the top of my list of gear to check out at Superbooth. I think this is poised to be a 2019 highlight.

Previously, we checked this out from SOMA this spring:

SOMA’s Ether is a high-sensitivity ear for your electromagnetic world