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Korg turned their Arp Odyssey into an iPhone, iPad app

Let’s be clear: Korg’s ARP Odyssey remake is a thing of beauty. But it’s now also available as an app … one with awkward spelling that’s nonetheless rather awesome looking. Meet ARP ODYSSEi. (Hey, that “i” has been on the beginning of words for eons now. Maybe it wants to flip to the other side.) ODYSSEi is a modeled version of the ARP Odyssey. And it’s a bit like an “Odyssey+”. It’s got the three filter types and drive from the new 2015 Odyssey reboot (the hardware). But iOS brings other features: Voice assign mode – with chord playback Arpeggiator …

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Meet Skram, the free iPad app full of patterns and synths

We’ve reached the mature age of music apps. You’re likely to use fewer of them, and the landscape is saturated with the most popular ideas. It’s also clear that iPad, not Android, is the viable tablet platform. But the few apps that are left standing as serious music tools are better than ever. They’re easier to integrate with your computer and standalone hardware, and they feel more like instruments and less like toys. They walk some line between making music production more accessible to beginners, and offering refreshing simplicity to people who are mixing them with other gear. And Skram, …

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Conductr Controls Traktor and Ableton All in One iPad App

If you want to control Ableton Live from an iPad, you’ve loads of options. If you want to control Traktor – not so much. The best all-in-one option is Traxus Control, which is free (though it requires Lemur). Now, one app does everything. The same app has modes for both Ableton Live and Traktor – meaning you can tote one iPad and be ready for both the live set and the DJ set. And on the Traktor side, you get fluid integration with Native Instruments’ DJ software – ironically, when NI themselves have no such controller app. And the advantages …

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This iPad App Turns Elektron’s Analog Rytm Into a Hyper Drum Machine

It samples. It slices. It mangles. It generates. It mutates. It’s like what happens when a drum machine is invaded by nanobots, and they start improving everything. Let me explain. Take your favorite iPad samplers. Now, imagine they’re the basis of samples in an analog Elektron drum machine – colourful slicing interface and all. Then imagine this same iPad app does what Elektron themselves seemed unable to do: making an easy, logical way of transferring samples. And then, imagine that this app also can spawn new rhythms for you. It’s as if you took everything powerful about the Elektron Analog …

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Cubasis + Audiobus: Complete Solution to Record and Edit Sounds from iPad Apps

Audiobus may have just gotten its killer app. See if this scenario is familiar to you: you’ve got some instrument or effect on the iPad or iPhone, and you’re making some cool sounds. But you want to actually get to recording more than one track of that instrument, perhaps even as far as arranging it into something resembling an actual song. You could plug the audio jack of the iPad into your laptop, or go through the dance of trying to get files off your iPad. But there you are, comfortably reclining on the couch with a drum machine, and …

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Novation Puts Launchpad in a Keyboard, Makes iPad Apps Part of the Experience [Q+A]

What should a keyboard controller do for you in 2013? Should you plug it into Ableton Live and get colored control of clips? Or leave the laptop at home and use it with an iPad for synths and loops? Novation takes on both those ideas in their latest offering. Back in fall 2009, CDM was the first to get a hands-on with Novation’s Launchpad. At the time, this was big news. Grid controllers had gained popularity in the handcrafted, niche monome community, but hardware built just for Ableton Live with an integrated, light-up grid was something novel. Maschine, Push, and …

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Samplr is an OP-1-Inspired iPad App Focused on Touching, Slicing Waveforms

On computers and most hardware, waveforms have been a “look, but don’t touch” affair. Now, that view is coupled with multi-touch capabilities. Samplr is, as the name implies, an app that focuses on working with sound. With rhythmic slicing modes and multi-touch manipulation of samples, it’s a lovely-looking way to surf sounds from your fingertips. Some of the sonic modes, and certainly the visual appearance, take more than a passing inspiration from Teenage Engineering’s OP-1 hardware. That said, the actual modes are a bit different, though they draw on some of the “tape” concepts, and the actual workflow with touch …

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Brian Eno Back to Ambient Roots, in iPad App with Peter Chilvers, Upcoming Album

Brian Eno’s influence on music, particularly music termed “ambient,” is such that it might itself blend into the background. But make no mistake, work like Music for Films and Music for Airports has left an indelible impression on the sound of a lot of music, and moreover in how we think about sound and structure. A newly-announced album on Warp promises to return to the long-form, expansive compositional ideas of those works, in a 75-minute opus called LUX. (More on that at bottom, though we can’t hear it yet.) But perhaps it’s even more appropriate to look at Eno’s work …

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Visualize Music: A Video in Imaginary Worlds, an iPad App, from Herrmutt Lobby

Richard Colvaen – ‘Polimetria’ from Vlek Data on Vimeo. We enter worlds imaginary and realist, visual work in music videos and documentary and iPad user interfaces, today with our Belgian friends from Vlek. At top, a surrealist music video to Richard Volvean’s track “Polimetria.” I try to stay away from Belgian women, myself; they’re always pulling me into alternate dimensions and turning me into geometric pendants and s***. (Maybe I don’t want to be a necklace today, okay?) From late last year: Track taken off Vlek05 – AMAI#3/4 split 7″ feat. DZA, Herrmutt Lobby & Richard Colvaen. Stream the 7″ …

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Rauschenberg-Like Collage in a New iPad App: Composite

The iPad as artistic tool is not without its flaws. Finger painting, effectively, on its screen is nowhere near as precise as using a dedicated digital stylus like a Wacom, and lacks tangible feedback (as actual finger painting would give you, delightfully). And as a digital tablet, conventional painting metaphors can feel stretched. That hasn’t stopped people from making extraordinary work, as has been widely publicized, but the tablet computer has yet to come into its own as a unique, new medium. That’s to be expected: it’s early days. But that’s also why it’s so compelling to see the work …

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