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FEEDBOXES are autonomous sound toys that play along with you

We live in an age when we can jam along with machines as well as with humans. And maybe it’s about time that they fed us some clever grooves instead of, you know, fake news and stuff. Our friend Krzysztof Cybulski of Warsaw, PL’s panGenerator shares his FEEDBOXES. They’re “autonomous” sound objects, capable of responding to audio inputs with perpetually-transforming responses. It’s all thanks to elegant use of feedback loops – meaning you can toy with these techniques yourself. Now that’s a better kind of echo chamber. It also makes use of the awesome, free PdDroidParty by Chris Mccormick, which …

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MICKEYPHON is a terrifying giant robot head that’s also a musical instrument

Inside the computer, music software very often looks like it always did – faux mixers and multitracks and piano rolls. But in the hands of designers, musical objects are appearing as something very different. And those iconic mouse ears seem to be … following you.

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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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On Apple Watch, Sound Design Translates into Haptic Feel

You already know sound is something you feel, physically – you know this from the sensation in your head on headphones, from your gut as a PA produces big bass, from the bodily experience of thunderstorms or the siren on an ambulance. But we may soon live in a world where increasingly the role of sound design is wrapped up in interaction – where those sounds can produce physical sensations and haptic interactions. And whether or not the Apple Watch is used by musicians and DJs with new apps, it could add to possibilities for sound designers. Wired has a …

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Beats Bits Atoms: Fish Play with Cameras, Paint and Pixels and Light Become Sculpture

◥ BEATS, BITS, ATOMS from ◥ panGenerator on Vimeo. Call it post-digital, call it tangible. But whatever you call it, there’s new work that skirts boundaries between the sculptural and the virtual, integrating physical media in ways that surprise and delight. In the latest projects of Polish-based collective panGenerator, shown recently in a solo show in a renowned Warsaw gallery, techniques are interwoven in projects that take on quirky, whimsical personality. Oh yeah – and fish finally get to play with camera tracking, too, not just humans. panGenerator member Jakub Kozniewski shares with CDM, and describes the projects thusly: kinetic …

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Dodecahedronists, Unite: An Audiovisual Controller, Gestures and Polyhedra, Open Hardware

I love this controller, but I think we should keep it Platonic. Solid. Sorry, geometry humor. See, the controller in question is constructed as a convex regular polyhedron, such that all its faces are themselves congruent regular polygons meeting at each vertex, and … uh, never mind. Above, a stunningly gorgeous video from Polish media art group panGenerator, with some lovely chiming music following by the evidently-now-requisite dubstep demo. (Tip all of us could use, guys and gals – makeup. Styling. Now, they just need some post-production so you can’t see the IR sensors or the wires.) Hedoco, also based …

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A Kinetic Sonic Organ Sculpture, Made with Cans

In the latest example of kinetic, sound-producing sculpture, an Arduino-controlled organ of moving cans makes eerie, beautiful descending noises. Jakub Koźniewski, a member of the panGenerator collective, sends in details of that group’s work, sponsored in this case by the stuff in the cans: Kinetic audiovisual installation for burn displayed during burn Selector Festival 2011 Movement of the cans is controlled by 9 independent servos connected to the Arduino board while the sound is purely analogue – air pumped by 9 ordinary mattress pumps blows into the “whistles” at the top of plexiglass pipes. Tone is modulated by the current …

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