groovepack

Download Radiohead’s grooves for use in Ableton, for free

When you think Radiohead, you think grooves, right? Okay, I think no one said that, ever. But sure enough, someone has gone and extracted the weirdo time signatures and rhythms from classic Radiohead tunes and made them a downloadable, free pack of grooves for Ableton Live. Now, if at this point you’re saying you’ve never used the groove extraction feature in Ableton Live, this could be a great excuse to learn. Explanation: for this pack I extracted grooves from every song of every radiohead studio album & consolidated them into a collection of .agr files you can apply to any …

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puppetmotel

Enter the surreal 1995 world of Laurie Anderson multimedia

Ah, the mid 1990s. We used terms like “new media,” and the idea of a record label of sorts devoted to the multimedia CD-ROM seemed natural and futuristic. It was the era of the Voyager Company, a pioneering media firm that spawned the Criterion Collection (via beautifully curated LaserDisc editions of great films), and an interactive line for Windows and Mac. Voyager is a story all its own, but I think Laurie Anderson’s Puppet Motel stands out. The breakthrough in technology at the time was that rich media could be distributed to a wide variety of platforms. On the Mac …

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screenshot_1

Hearing a Steve Reich phase with two iPhones is oddly hypnotic

You’ve got Steve Reich on your speed dial, right? He calls now and then? This is totally a realistic experience of what happens in your daily life? I’m sure it is. http://stevereichiscalling.com/ Texting, of course, is similar, me and Steve. “U up?” “U up?” “U up?” “Up?” “Uu up?” “up??” “Uuu up?” “up? U” “Uuuu up?” “up? Uu” “u— True story. Also I recently installed the Steve Reich Weather app, because it tells me if It’s Gonna Rain. Thank you, you’ve been a lovely audience, I’ll be here all night!

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djm-250mk2-angle

Pioneer just hit a sweet spot with their new DJ mixer

There’s been a noticeable uncanny valley in the DJ mixer market. At one end, you’ve got a whole bunch of dirt-cheap DJ mixers – but quality is, let’s say, questionable. At the other, you’ve got some really beautiful high-end stuff, but that’s even getting progressively more boutique and expensive. (Though if I do win a lotto ticket I’m getting my own rotary, of course.) And in between is … well, not much, frankly. But that’s what makes the DJM-250K2 interesting – it’s got the high-end features you want, stripped of the stuff you probably don’t need, at a very aggressive …

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landscape2

STEREO FIELD is a beautiful touchplate instrument and controller

This might just be a real spiritual successor to the Cracklebox. (That’s the classic – and very nicely unpredictable – creation of Michel Waisvisz, one associated with the research program at STEIM and many of the ideas about expression and nonlinear sound ever since.) STEREO FIELD is a sound box / controller centered around touch plates, marked with concentric overlapping circles that represent the interconnection of two analog stereo circuits. It’s a sound generator: you can make some (raw sounding) analog, atonal sounds by patching its circuitry to an output. It’s also a sound processor: use incoming signal to combine …

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From the artist, here's a Female Criminal illustrating the two-volume music she's shared.

Don’t miss Demian Licht’s wonderfully terrifying new release

Demian Licht’s music is frenetic and frightening, but precise, cinematic sonic thriller with an insistent pulse. And the Mexico City-based artist has done it again, following up in less than a year the first installment of her Female Criminals with Female Criminals, Vol. 2. CDM is talking to Demian this week, but I wanted to give you extra time with the music first, in case you’d missed it. as premiered on Crack Magazine At a moment in techno when so much music falls back on the same tropes, Female Criminals is film noir and not just dark. Club drum sounds …

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fission-gui

Eventide want to change how you think about processing audio

Digital signal processing is some futuristic stuff. It may not be able literally to let you traverse space and time as relative dimensions, but it can treat time and frequency separately and mash them back together. And that’s already freaky enough. Now, Eventide – the folks you know probably for their classic hardware and reverbs – are pushing that notion right into their marketing, dubbing their approach “structural audio.” Structural audio sounds a bit like a panel presentation you went to at an Audio Engineering Society conference that sounded fascinating but completely lost you and then you went looking for …

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Komplete Kontrol adds scales and modes, cooler chords, Reaktor Blocks

If you just want a nice MIDI keyboard, frankly, you’ve got loads of options. So Native Instruments’ Komplete Kontrol S-series of keyboards has got to do more. The 1.8 release that came out yesterday takes a step in the right direction, with enhanced scale and mode support and enhanced integration with both Reaktor Blocks and Maschine. And Reaktor Blocks might be the winner here. Reaktor Blocks. This is almost an afterthought in this release, but to me, it’s the nicest feature so … the heck with it, I’m going to talk about it first. You can now control the clock …

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internet

Amazon S3 outage hit SoundCloud, reminds us dangers of centralization

Those of us in music more or less noticed today, “hey, my SoundCloud audio isn’t loading” — while the rest of the Internet went crazy because lots of things were broken. But the reason was Amazon S3, the “cloud” storage service provided by the retail giant. Early indications appear, though, that SoundCloud’s audio playback and buffering difficulties are the result of degraded performance of Amazon S3 storage. http://status.soundcloud.com/ See, on the outage in general (still ongoing as I write this, amidst some really confusing messages from Amazon): Amazon’s AWS S3 cloud storage evaporates: Top websites, Docker stung [The Register] Now, …

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bitwiglink

Someone at Bitwig is working with Ableton Link on GitHub

One postlude to the Bitwig announcement – yes, someone at Bitwig has forked Ableton Link support. Have a look: Thanks to one sharp-eyed Twitter reader for catching this one! https://github.com/bitwig/link The reason is interesting – ALSA clock support on Linux, which would make working with Link on that OS more practical. Now, Ableton has no obligation to support Bitwig as far as integrating Link into the shipping version of Bitwig Studio. Proprietary applications not wanting to release their own code as GPLv2 need a separate license. On the other hand, this Linux note suggests why it could be useful – …

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