Image Credit: ESA/DLR/FU Berlin, CC BY-SA 3.0 IGO.

European Space Agency just gave away a bunch of space media for use

Quick — think about the planet you live on. What does Earth look like from above? Probably, some very clear imagery just popped into your head – iconic Apollo-era photography, or perhaps the more contemporary view of the planet from the orbit of the International Space Station. But our generations – ours, our parents’ and grandparents’ generations – are unique in human history. We’ve been given these images by the radical breakthrough of our species leaving Earth, via our own human spaceflight and myriad machine exploration missions. Earth imagery may well have even saved our species. The Atomic Age gave …

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The man from KORG himself. Thanks for dropping in! We're loving what you're doing.

Visionary Tatsuya Takahashi leaves a huge legacy as he departs KORG

It’s not an exaggeration to say that Tatsuya Takahasi and his team at KORG has changed the face of the modern synth industry. And I can even say that literally. “Tats” has become a household name in the international synth community in a way no other Japanese engineer, designer, or leader has. (Compare, for instance, Hiroaki Nishijima, creator of the MS-20 – a name people rarely know as readily as they do the synth.) Korg products are still the work of big teams, like any large maker, but Tatsuya has been a public figure, outspoken and eloquent in the description …

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colin

This nearly 12 hour modular synth marathon is actually entertaining

You might think that rigging a giant rack of modular synths and burying them in a tangle of synth cords and then live streaming a performance jam on them for nearly twelve hours straight is self-indulgent and overkill. And you’d be right. But if you also thought it would be no fun to watch, that it’d be joyless and involve lots of noodling, you’d be very wrong. Very wrong. Like – maybe you should get about twelve hours free. That’s because the guy behind this insanity is talented synthesist Colin Benders. And not only is he an amazing musical performance, …

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handhelddrum

Here’s a cool handheld drum machine you can build with Arduino

“I’m the operator with my pocket calculator…” — and now you’re the engineer/builder, too. This excellent, copiously documented project by Hamood Nizwan / Gabriel Valencia packs a capable drum machine into a handheld, calculator-like format, complete with LCD display and pad triggers. Assembly above and — here’s the result: It’s simple stuff, but really cool. You can load samples onto an SD card reader, and then trigger them with touch sensors, with visible feedback on the display. All of that is possible thanks to the Arduino MEGA doing the heavy lifting. The mission: The idea is to build a Drum …

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There’s a new wave editor for Mac and Windows, and it looks promising

Most hardware and software for music making has generally gotten better, but not the dedicated audio editor. This once-proud genre of music software has fallen on hard times. Tools have been acquired, discontinued, received too-few updates. Some of the better tools we’re left with look like they came from another decade. And that’s too bad. Because having a tool devoted solely to day-to-day audio chores is a really good thing. Maybe you’ve got a set of samples you want to crop and clean up to load onto your drum machine or into a software sampler. Maybe you’re sorting through a …

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maschineupdate

This video show you how Maschine maps to external MIDI gear

There are some questions about just how Maschine 2.6 works with MIDI gear after our story yesterday. Well, the fine folks at ADSR tutorials have gone and made a really clear, step-by-step walkthrough – and they even chose our very own fire engine-red MeeBlip triode to use as a demo. (That’s an easy choice, as the parameter assignments are pretty straightforward.) Have a look: Integrating MIDI brings a number of benefits: 1. Control gear right from your Maschine hardware, if you choose. 2. Easily record and playback automation and performance states. 3. Add randomization, draw in automation, and more. 4. …

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Maschine now makes it easy to work with external gear, spice up patterns

There are those things in music making that are just pure joy. There’s finding a particularly nice groove or pattern, or getting that really juicy synth or effect parameter to morph just so. And there’s getting to use all those toys and external gear you really love. So, while Maschine 2.6 is just a “point” release, I think it works out being one of the most welcome updates to come to Maschine’s loyal audience of groove makers yet. It gets at both these points. First, it inherits all the clever stuff added to Maschine Jam for adding variations and randomization …

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Disc rot. Photo (CC-BY) prwheatley1.

The first generation of CDs is already rotting and dying

Digital media is a double-edged sword. Digital data itself can be duplicated an unlimited number of times without any generational loss – meaning it can theoretically last forever. But digital storage on physical media is subject to failure – and that failure can render the data inaccessible. In other words, archivists (including you) have to transfer data before the media fails. And we’re already entering an age when one of the most popular formats is reaching the start point for common failures. A report by Tedium (republished by Motherboard) demonstrates one of the most alarming failures. Some media, evidently using …

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gefangenenchor

Enter the wondrous world of Walter Giers’ electronic sound art

Few people could make circuits into art quite like Walter Giers. He made them into visual objects, into aesthetic and design statements, into loud and even “annoying” performative constructions, into instruments. They aren’t simply utilitarian means to an end, but imaginative medium. Electronic Beats takes a look into Walter Giers’ mind this week in a new film, featuring interviews with family members that reveal some of his way of seeing the world. Off to Schwäbisch Gmünd, we go: The featured works here: 00:20 – Weisser Vulkan (1979) 1:08 – Erotischer Zyklus (1975) 1:14 – Hänge-Kugellautsprecher (1968) 2:14 – PE II …

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John Cage.

Two hours of video covers over a century of history of sound art

And hello, spring semester. Here’s an exhaustive (and fascinating) lecture on the history of sound art – by a philosopher. Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts. The film comes to us from the Barnes Foundation, the superb arts institution in Philadelphia.

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