accordioning

This group of practitioners is imagining the future of the accordion

I can see that look in your eyes. That thirst. “Please, Peter, regale us with esoteric information about contemporary accordion playing technique.” Absolutely. Let’s do this. You see, for all the extremist ideologies social media and the Internet are amplifying, well, at least experimental accordion practitioners are finding each other, too. And maybe it’s worth listening to them. The keyboard is dominant now in electronic music, after all. And they make keyboard-based music sound different. For instance, there’s this beautiful work by Martin Lohse and Bjarke Mogensen, “Passing 1,” set to Hubble imagery: And one 2013 gathering pulled artists and …

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ghostshipmain

Grieving for Oakland’s lost, imagining what comes next

“Community” is a word we use too much, until it doesn’t mean anything. “The dance music community.” “The electronic music community.” And then in extreme moments, it’s a word whose meaning again becomes plain. That was the sense for a lot of people over the weekend, as news rippled of the people lost in Oakland. Friends grieve their friends and lovers. They grieve lost role models and sources of music and inspiration. These events touch people who were intimate — and touch people who were strangers. A person you played with once, a person you heard once … or your …

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blanktape

Look inside the world of cassette tape culture in this short film

The 21st Century is bringing a yearning for physical objects and low fidelity – two threads that perfectly combine in the anachronistic cassette tape. Now, I find talking about cassettes tends to get some chortles, perhaps people mumbling under their breath about hipsters. But as production times and costs rise for producing vinyl, cassettes are a way of producing consumable goods on the cheap, quickly. And that makes them a likely antidote to the ephemeral digital file, in a way that the bland office equipment of a USB stick is unlikely to accomplish. Burn to tape, then, and you’ve got …

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hysteresis-screenshot

Transmissions from the magnetic ooze, in new oqko video premiere

Let’s take an unsettling journey into some black goo. No, trust me – it’s going to be a good time. “Hysteresis” is the new underground audiovisual release from the anonymous duo “-N.” The only way to get the music release is on cassette tape. There was never even a digital master made; they went straight to tape master via analog. And then there’s the video, which premieres exclusively here on CDM – because we’ve got our finger on the pulse of the world’s tastemaker black goo fans. But the video is otherworldly and beautiful. Shot with the grainy quality of …

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Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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delia

Delia Derbyshire gets her own road

Here’s a sure new pilgrimage site for electronic music fans. Late great composer Delia Derbyshire of the BBC Radiophonic Workshop will have a street named after her in her hometown of Coventry, as reported by the BBC. And because Delia is more than a composer, but a state of mind: Pete Chambers BEM, director of The Coventry Music Museum, was among those to campaign for the recognition. He said: “Originally it was to be named Derbyshire Road, but I suggested “Way” instead, so it gave a double meaning, as Delia was a genius and strong personality and really did do …

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pauline_newyorker1

Pauline Oliveros, who transformed how we listen and think

This year continues a stunning series of losses of some of the most important pioneers in electronic music. But of all those, Pauline Oliveros is without peer – an innovator in the art of listening itself. And we’ve learned she’s died at the age of 84. No one else in music has a resume like hers. She was capable of turning the accordion into an avant garde electronic instrument. She had a black belt in karate. She was one of the original members of the San Francisco Tape Center, a defining figure in the entire west coast electronic scene. She …

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fluxpadpuppet

Exploring wild sound experimentation on iOS, Mouse on Mars style

When you pick up an instrument someone has designed, without even thinking about it, you absorb a little thinking about how to make sound. And just like singing with other people is different some singing alone, that feeling can be a great one. So why shouldn’t software or hardware instruments give you the same experience? What I like about Mouse on Mars is that Jan St. Werner and Andi Toma have something to say beyond their own music. They’re fierce advocates for experimenting with sound – in their solo projects, in teaching and lecturing, in their personality. And that’s embedded …

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Photo, Lucas Genaro Rucci. Via SHAPE Network.

EQUALITY NOW, a raucous Peder Mannerfelt anthem at the right time

Good timing. Sweden’s Peder Mannerfelt delivers a triumphant single, “EQUALITY NOW” as the opening salvo of a 3-track vinyl/digital coming beginning of December. And it’s splendidly forceful. But wait, there’s more. Mannerfelt is a prolific producer and artist, solo under his own name, as The Subliminal Kid, or working alongside Van Rivers on production. That’s included collabs with the likes of Fever Ray, plus output on Digitalis, Avian, and his Peder Mannerfelt Produktion label, when he isn’t recapturing the sounds of central Congo (really). Okay, blah, blah. Here’s what I’ll tell you about seeing Peter Mannerfelt in person: every single …

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risset

Jean-Claude Risset, who reimagined digital synthesis, has died

We’re in a strange time, as we big farewell to a great generation of pioneers of electronic music. French composer Jean-Claude Risset’s work can still tickle our perception and challenge what’s possible. He helped expand the frontiers of what digital synthesis can do for our ears, and brought the technology to the European continent. And this week, he left us at the age of 78. The sound for which Risset is best known is perhaps the most emblematic of his contributions. Creating a sonic illusion much like M.C. Escher’s optical ones, the Shepherd-Risset glissando / Risset scale, in its present …

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