In the audiovisual field, it’s hard to top the virtuosic collaboration of Christopher Bauder and Robert Henke. Robert Henke, known to many as Monolake, has himself taken on lasers as visual instrument alongside his signature electronic sounds (controlled in Ableton Live, the software he co-founded). But pair him with long-time collaborator Christopher Bauder (of WHITEvoid), and you have an epic duo.
We all have a short time on this planet, and some of us are lucky enough to get to work on tools that people use to make music. You can count on your fingers the number of people who had the kind of influence that Don Buchla had on electronic music in the last century. And this week, at age 79, he’s left us.
You’ve probably already been inundated in social media with this news — London’s nightclub fabric saw its license revoked overnight last night. But there’s more to this story than simply another casualty of urban nightlife. With so much ink being spilt on this issue (uh, pixels being killed?), there are a few points to highlight.
Make an interface simpler, and you might push your musical expression further. That’s the realization you have using fluXpad, a new drawing app. It’s not that it’s a dumbed-down rendition of other tools. It’s that doodling with sounds is a totally different experience than the point-and-click fine editing you might be used to.
Drop whatever you’re doing and watch this video of a rabbit and a guinea pig playing Korg. It’s likely to be one of the most amazing synth jams you’ve ever seen.
We’ve reached the point where your identity, your nationality, your genre, your gender could be … the Internet. We interviewed Born in Flamez recently. But I really appreciate the new video for Electronic Beats, in that it’s not so much an artist feature as a manifesto – and a challenge.
“Electronic music needs to be wilder” was the challenge issues by Matt Black (NinjaTune, Coldcut) last year at Ableton Loop at a talk I moderated. But maybe this could be interpreted as “into the wild” in a difference sense. At the moment, I’m part of an ongoing series of residencies that takes that in a different direction – taking music performance (electronic, electro-acoustic, and acoustic) into unexpected natural environments.
It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.
You can learn a lot from a drummer. The best grooves of all time are meticulously constructed – and understanding them means understanding a lot about rhythm and form. So these are objects worth study. What your Web browser can do is make that study easier – even if you’ve never touched a drum kit. That comes at the right time, too. Thanks to the power of the computer and electronic music hardware, we’ve all of us become composers or expanded our compositional horizons. We may not imagine that we’re composing drum parts when we mess about with drum machines …
A funny thing happened on the way to supposedly all inclusive on-demand libraries of music. A lot of the music simply disappeared. Well, Qrates wants to bring it back – and in physical form, too.