Make an interface simpler, and you might push your musical expression further. That’s the realization you have using fluXpad, a new drawing app. It’s not that it’s a dumbed-down rendition of other tools. It’s that doodling with sounds is a totally different experience than the point-and-click fine editing you might be used to.
Drop whatever you’re doing and watch this video of a rabbit and a guinea pig playing Korg. It’s likely to be one of the most amazing synth jams you’ve ever seen.
We’ve reached the point where your identity, your nationality, your genre, your gender could be … the Internet. We interviewed Born in Flamez recently. But I really appreciate the new video for Electronic Beats, in that it’s not so much an artist feature as a manifesto – and a challenge.
“Electronic music needs to be wilder” was the challenge issues by Matt Black (NinjaTune, Coldcut) last year at Ableton Loop at a talk I moderated. But maybe this could be interpreted as “into the wild” in a difference sense. At the moment, I’m part of an ongoing series of residencies that takes that in a different direction – taking music performance (electronic, electro-acoustic, and acoustic) into unexpected natural environments.
It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.
You can learn a lot from a drummer. The best grooves of all time are meticulously constructed – and understanding them means understanding a lot about rhythm and form. So these are objects worth study. What your Web browser can do is make that study easier – even if you’ve never touched a drum kit. That comes at the right time, too. Thanks to the power of the computer and electronic music hardware, we’ve all of us become composers or expanded our compositional horizons. We may not imagine that we’re composing drum parts when we mess about with drum machines …
A funny thing happened on the way to supposedly all inclusive on-demand libraries of music. A lot of the music simply disappeared. Well, Qrates wants to bring it back – and in physical form, too.
What do you do when an EDM movie turns into one of the worst flop of all time? Simple: make an even worse EDM movie with even less experienced personnel. Because… um… millennials?
I’m going to let you start off with whatever bad rock puns you can think of. (Rolling Stones, rock music, uh whatever.) Done? Great! Okay, now let’s talk about the mysterious ringing rocks of Montana – and how you can grab some free sounds to use in your music right now, just in case you can’t make it out to the great American west at the moment.
For lovers of shadows, dark dimensions spent wandering other states of being, and unrelenting rhythms, Danish composer/musician SØS Gunver Ryberg produces wonderlands. And that makes her music a perfect match for the game weavers of Playdead. Their follow-up to spine-chillingly creepy-good Limbo is this summer’s Inside. It does what’s so hard to do for this kind of title: it loses none of the elegance of the minimal original, while expanding in scope and maturity. And then there’s that score / sound design, made in collaboration with game maker Martin Stig Andersen.