synthbikebw

Summertime means less synth, more Synth Bike

Electronic musician – mad scientist – inventor LOOK MUM NO COMPUTER is taking his synth bike on tour, finally answering the question “how can I have more synth, but get exercise and a tan?” And for all of you stuck in a windowless basement studio, that means he can do his jam in places like the landmark Tempelhofer Feld airport in Berlin. It’s busking, with wheels. Synth shop Schneidersladen is another obvious destination: And the invention itself is just mental – a bunch of electronics strapped to a bike, with the advantage of mobile sound and even backpack recording, now …

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Sonic Robots' Glitch Robot.

Here’s how Mouse on Mars are using robots to expand their band

Analog and digital? That’s just a small slice of the pie. The post-digital / post-analog world uses those two ingredients but adds others, like biological, photochemical, optical, and perhaps most importantly, kinetic. Instead of electrifying screens and circuits, then, you can also make stuff move. Mouse on Mars, in collaboration with the Sonic Robots project of Moritz Simon Geist, are making just such a collective – human meets robot. And it makes some sense not just in technological terms, but aesthetic ones. The German collaborative get as playful with robotic use of objects and percussion as they do in their …

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viktoria

Watch this crew go transhuman in the absorption chamber

“Well, it’s not really anything new” (or some variant) is a phrase heard at music and media shows perhaps as often as “I’m going for a smoke” or “where’s the toilet?” But this raises a question. Forget for a second what an audience thinks is new – sound or look or technology or whatever. What would get you to do something different? What would get you out of your comfort zone? What would get you to push yourself – even just a few steps? That’s been the idea behind all the collaborative labs I’ve gotten to organize, but for last …

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skinnerbox4up

Inside Skinnerbox’s live sets, including a song they play backwards

“xobrenniks era ew olleh.” Skinnerbox, the duo of Olaf Hilgenfeld and Iftah Gabbai, are now so comfortable in their roles of playing live that they’re playing backwards to spice things up. (It seems there was some effort involved here – like, learning a song backwards in order that they had composed it the way they desired when reversed. I just find it oddly enchanting watching things defy gravity and roll across cymbals.) Playing with other people can feel like a mind meld. There’s a special discipline to working things out alone, to be sure. But it’s when you play with …

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cellf

This cybernetic synth contains a brain grown from the inventor’s cells

Digital? Ha. Analog? Oh, please. Biological? Now you’re talking. The core of this synthesizer was grown in a lab from actual living cells sliced right out of its creator. Skin cells are transformed into stem cells which then form a neural network – one that exists not in code, but in actual living tissue. Now, in comparison to your brain (billions of neurons and a highly sophisticated interactive structure), this handful of petri dish neurons wired into some analog circuits is impossibly crude. It signifies your brain sort of in the way one antenna on an ant signifies the solar …

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spline_00

Robert Henke, finding beauty in ever-iterating work with lasers

Robert Henke in his post-Ableton life has continued to see his stock rise on the media art scene. But in some ways, that’s a funny thing. You’ll very often see Robert in one of two guises – as club act, or large-scale AV event. Yet the very thing that makes his style so distinctive is somehow the opposite of what you normally expect from those arenas. Robert’s approach is meticulous, detail-oriented, compulsive. In some sense, I think that’s what makes it scale. Rather than crank the volume, push emotions, and embrace spectacle (in the AV/concert) and the visceral (in the …

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howtotechno

This dummy’s guide to making techno is oddly compelling to watch

How simple is techno – that genre that seems unstoppable, from Asia to Antarctica? It’s simple enough that it can be reduced to … six steps. No, kind of – seriously. I expected to have my intelligence insulted by this video, and yet … uh, well, I’m an addict, because it just made me want to go make some new percussion samples. The approach is oddly on point and – let’s be honest – looks like fun. You don’t need six steps, even, as I’m not sure what that acappella is about. (The video was evidently created by artist Hobo, …

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premierement_01_cover

With Autist and Rainbow Arabia, pop retro futurism meets the club

Electronic music’s popular future is unquestionably tied up with techno nightclubs – for better and for worse. And that’s perhaps no more true than in Berlin, birthplace of Traktor and Ableton Live, in this nation that birthed major DAWs and modular revivals, then became a beacon for the use of said tools to make dance music. So the question is, where do we go from here? Are clubs about producing effective repetition (literally), or are they also some kind of laboratory for new hybrids of styles? I’m involved in a second time in a Thursday night experiment of sorts at …

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generative-video-1200x675

This music video generates landscapes from a wild alien duo’s music

If you haven’t seen it already, Meier & Erdmann absolutely nailed it with their video for the tune “Howler Monkey.” First, it doesn’t hurt that this is a crisp, funky, uncluttered earworm gem. Second, the video is dazzling. Here’s the thing: there’s absolutely no reason why sound visualization needs to be so boring and familiar. There’s a lot to learn here. Even just change the colors goes a long way. Here, the familiar spectral view over time is carefully tuned to form fantastical landscapes, the camera panning around lazily. I keep re-watching the video partly because so much was carefully …

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shamir

An earnest album, recorded to four-track, as Shamir looks for hope

We often describe quality pop and songwriting as effortless, as easy. But what about when it’s awkward, uncomfortable? Aren’t those the moments that describe longing? When Shamir Bailey says he recorded his album to four track, the first thing I’m obligated to consider is, of course – he might be lying. And ground hum and hiss shouldn’t be accepted as any form of authenticity any more than should an Instagram filter. But there’s no question artists today bear some burden of the polished album, whether in the form of the tools we use and their opportunities for endless obsessive adjustment, …

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