Minitaur, (CC-BY) Audiotecna Música.

Get a pile of free one-shots of vintage instruments for Ableton Live

Get a gift that keeps on giving: a massive trove of one-shot samples of classic instruments that begs you to make your own sounds. That’s the latest freebie packaged for Ableton Live (though you could also snag the samples for other tools, too). And, wow, here are some beloved instruments: Prophet 12, Prophet 08, Minitaur, SubPhatty, SH101, MS20m, Bass Station II, Custom SEM/Doepfer modular, VL-Tone (drums), Mattel Synsonics (drums) I’ve made no secret of being a fan of Francis Preve’s sound design prowess, honed in years of work for companies like Roland and Ableton. His latest FM pack was a …

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NI just gave away a bunch of morphing toy sounds from your childhood

Mighty morphin’ nostalgia rangers. That Fisher-Price “Pull-a-Tune” xylophone. The plastic turntable Fisher-Price musicbox. L.G.B. and Lionel locomotives. A tin robot. Even if these don’t bring up memories of your own childhood playtime or your family’s playthings or (uh, depending on age) a visit to the local toy museum, they’re full of charming, magical sounds. And in a free sample library from our Berlin neighbors at Native Instruments, you can mess around with them in a morphing 3D interface. It’s just what you need to produce some ghastly, gothic, creepy horror soundtrack to scare the living f– Oh, wait. Sorry. Holiday …

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Maschine adds Ableton Link, for jams with DJ, production software

For some time, Maschine has topped the list of “things we wish had Ableton Link support.” Well, wish granted. And now that means easy jamming with DJ tools and production tools, on desktop or on iPad. Maschine now adds Ableton Link for seamlessly sync and live jamming over wires and wireless with a whole bunch of stuff. That includes Ableton Live, of course, but also Serato DJ, Max/MSP, Pure Data, and a whole mess of iOS apps. Instead of having to bother with MIDI sync, you just switch on Link and everything syncs – with any tool or any user …

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A bit of what you should know about event power and electrical safety

Ted Pallas contacted us and wanted to create a short primer on power, in response to the terrible fire at Ghost Ship in Oakland, CA. Any fire anywhere is a reminder that knowledge of electricity, how it works and how it impacts safety, is essential to any of us organizing or playing electronic music live. This won’t provide everything you need to know, by a longshot, but it’s a good step toward knowing a bit more, and I hope we continue taking those steps together in future. The rub of electronic music and visual media is that both performance and …

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Ableton or FL Studio or Bitwig, Maschine Jam integrates with everything

First, there was software – and mapping it manually to controllers. Then, there was integrated hardware made for specific software – but you practically needed a different device for each tool. Maschine Jam is a third wave: it’s deeply integrated with software workflows, but it can swap from one tool to another without having to change how you work.

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We added MeeBlip to TB-03 and TR-09 for really too much bass

You can now really have a ridiculous amount of fun playing live without a ridiculous amount of gear. That’s certainly the sense I get with Roland’s Boutique series, among other recent entries. In just a fraction of the size of the original AIRA, you can add a synth, a bassline, or a drum machine. And it’s not just Roland. In the under-$500 category, there’s loads of desktop gear from Korg, Waldorf, MFB, Novation, and Arturia, plus even compact modular/semi-modulars like the Make Noise O-Coast and Moog Mother-32. It’s all affordable, and all really easy to port around. What I like …

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Eowave made a complete synth voice for Eurorack module

The brief: take up a nice little slot in Eurorack, pack a whole synth voice, but still provide enough patching to stay interesting. That’s the new Domino Eurorack module from the folks at Eowave. So, you get a saw/square oscillator, ladder-style filter, decay envelope, and VCA. It’s vanilla stuff, but well executed. And most importantly, they’ve nicely balanced the controls and patch points, so you have something that’s accessible and versatile. Frankly, I think it solves a lot of problems for people. Rather than piece together everything you need one module at a time, this gives you the sorts of …

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In-depth: Cubase 9 adds integrated Sampler Tracks, lots more

Cubase 9 is here, and Steinberg are touting improved stability and performance, and lots of user-requested features. That includes new goodies like a built-in Sample Track for manipulating audio, plus history in the mixer. At last, all the Cubase releases are synced – Elements, Artist, and Pro all hit Cubase 9 at once. (Steinberg says it’s the first time that’s happened.) But this is also intended to be a clean break. 32-bit plug-in support is out – 64-bit only. There’s also meant to be improved compatibility as a result, and a scanner tool will hunt out plug-ins you’ve got that …

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PushPull is a crazy futuristic squeezebox instrument you can make

PushPull will blow apart your idea of what a typical controller – or an accordion – might be. It’s a bit like a squeezebox that fell from outer space, coupling bellows with colored lights, sensors, mics, and extra controls. And you can now make one yourself, thanks to copious documentation. You may have seen the instrument in action in the last couple of years ago – gasping in the dark. PushPull Balgerei 2014 from 3DMIN on Vimeo. But with more complete documentation, you get greater insight into how the thing was made – and you could even follow the instructions …

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This group of practitioners is imagining the future of the accordion

I can see that look in your eyes. That thirst. “Please, Peter, regale us with esoteric information about contemporary accordion playing technique.” Absolutely. Let’s do this. You see, for all the extremist ideologies social media and the Internet are amplifying, well, at least experimental accordion practitioners are finding each other, too. And maybe it’s worth listening to them. The keyboard is dominant now in electronic music, after all. And they make keyboard-based music sound different. For instance, there’s this beautiful work by Martin Lohse and Bjarke Mogensen, “Passing 1,” set to Hubble imagery: And one 2013 gathering pulled artists and …

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