roedilus

Roedelius: Dreamy, Ambling Ambience from an Electronic Legend [Videos]

Born in a very different Berlin in 1934, Hans-Joachim Roedelius is an elder legend of electronic music and piano, having helped establish the voice of German krautrock and ambient music. (Think Cluster, Harmonia, Aquarello.) But today, he is as active in international tours as artists a fraction of his age, freely pouring out music. And his music itself is liberated, flowing … youthful. In a live performance captured recently at the arts space Mindpirates, he joins the excellent multi-instrumentalist and bass player Armin Metz. With great swells of sound amidst a nicely-meandering, jazz-like exploration of notes and mists, the two …

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Good Trips: Bubbling Colored Goo in Live AV for Laurel Halo [Hyperdub], Konx-om-pax

Laurel Halo: 2012 European Tour Trailer from Hyperdub on Vimeo. Trips through Europe are just a bit more trippy with the aid of Scottish visualist Konx-om-pax. His visuals will be along for the ride as Hyperdub’s Laurel Halo makes her way through Europe this fall, the perfect foil to her dubby experimental machinations live. At just 26 years old, the artist has fitted his strange, colored oscillations of 3D goo to some bass music giants, with beautiful results. Here’s what the folks behind Laurel Halo have to say about this latest collaboration, as she launches her autumnal tour: [The] AV …

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Geo-tastic Augmented Sculptures by Jean-Michel Verbeeck; Stumbling for Words for a Meme

. / HEXASTRUCT from Jean-Michel Verbeeck on Vimeo. You’ve seen work like this before, but keep watching – Jean-Michel Verbeeck’s execution is exquisite. Let me throw a phrase out there to describe this meme around projection mapping and augmented projection: Neo-Baroque Abstract Expressionism Post-minimalist Trompe L’oeil (I mean those – I’m not just turning into one of those arty bollocks generators.) At top, one of the “stacks of blocks” variety, but I also enjoy the more reason geometric superhero figure below. Details after the jump. . / INNOVATES from Jean-Michel Verbeeck on Vimeo.

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Face Substitution, Face Scrambling, Straight Out of Sci-Fi

Virtuoso coder and prolific digital artist Kyle McDonald is at it again, here in collaboration with similarly expressive and skilled coder Arturo Castro. Together, working in openFrameworks, they make use of a face tracking library to turn the image of a face into new, terrifying visions once imagined only in science fiction. Here, going beyond a pirate hat or mustache, they transform the appearance of the face. (I hesitate to use the word “avatar” because I start to think of 90s “new media” or James Cameron films, but — damn. Yeah. This is what everyone was imagining.) Arturo and Kyle …

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Video as Instrument: The Fairlight CMI’s Visualist Sibling, the Fairlight CVI

The Fairlight CMI, the ground-breaking digital synth created by Australians Peter Vogel and Kim Ryrie, is well known for its contribution to music. Think names like Peter Gabriel, Hans Zimmer, David Bowie, Herbie Hancock, Kate Bush, Bono, and … hang on, I’ll stop before this becomes a very long list. With tablet input and sophisticated sampling capabilities, the CMI holds up reasonably well against even modern tech, even if it cost as much as a luxury car. (See Keyboard Magazine‘s 2006 write-up.) But less known is the CMI’s influential visual sibling, the CVI — Computer Video Instrument. Introduced to the …

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M-Audio Torq DJ Tool in Action, On Test; More DJ Bling

M-Audio may not spell the word “connective” / “conectiv” right, but they’re getting some very positive feedback from their new DJ line, including Torq (the DJing + vinyl control solution), Conectiv (the audio interface), and X-Session Pro DJ control surface. I’m hearing great comments here from readers, and there’s other word around the Interwebs. Some early bugs, as would be expected with a new product, but it sounds as though they’re getting effectively squashed. And with a US$99 version for beginners and affordable prices on the “pro” products, this stuff could catch on fast. Here’s what looks like a great …

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MPC Bling: Complete Technique’s Audio Jewelry, White Gold and Jewel MPC 3000

Love your audio gear so much you wish you could wear it around your neck, but a loudspeaker on your throat would a) strangle you and b) make you look like too much of a dork to attend high-society functions? Complete Technique jewelers feels you. From sterling silver turntable cartridges plated in gold with embedded cubic zirconia to tiny silver pendants of speakers, CT manages to say both bling and audio geek at once. (Prices hover at just over US$200 to start.) Their custom pieces are when things start to get really interesting, however. Via the always-hilarious Don’t Believe the …

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Should CDM Launch Video Sibling?

Video is increasingly part of performance, and you’ll notice the major VJ hardware makers — Roland/Edirol and Korg — also happen to be musical instrument manufacturers. Roland and Edirol are even building in automatic communication between their keyboards and their VJ hardware, from low to high end. I think video will increasingly become part of what digital musicians do; many of the VJs I know double as musicians (myself included). I had to cut VJing from my upcoming book Real World Digital Audio for space reasons, but Keyboard Magazine even has a regular live video feature. That said, would you …

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PLX-500_black_front_low_0705

Pioneer really want to sell you a turntable, with $350 PLX-500

Pioneer clearly seek to own DJing – and they’ve now got a pretty solid play for every piece of that landscape. The latest piece: a direct drive turntable with USB connection, ready to play, scratch, or work with control vinyl (and Pioneer’s increasingly ubiquitous Rekordbox software). Price: US$350 – affordable enough to appeal to even casual DJs as a set of two.

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From "Grid Index," Carsten Nicolai catalog, raster-noton.

raster-noton founders on how they found visual inspiration

Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as the label has expanded in its musical scope in recent years, it has retained a sense that aesthetics themselves matter, that its artist roster are capable of painting with sound and exposing the process of using technology. Understanding where that comes from visually is key …

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