nanoloop, beginning life as a Game Boy cartridge, helped ignite a craze in chip music by intuitively combining sequencing and sound. Now, its creator wants to make his own hardware.
Day in, day out, a lot of producers spend a lot of time editing in Ableton Live. Here’s a free tool that automates some common tasks so you can work more quickly – easing some FL Studio envy in the process.
“Play your KORG volcas with bits of metal instead of your fingers” isn’t one of the Oblique Strategies, but maybe it ought to be.
K-Devices have brought alien interfaces and deep modulation to Max patches – now they’re doing plug-ins. And their approach to delay and tremolo isn’t quite like what you’ve seen before, a chance of break out of the usual patterns of how those work. Meet TTAP and WOV.
Hainbach continues to make beautiful sounds with esoteric or forgotten gear – this time, the “saddest drone machine,” a used HP 3782A Error Detector telco device.
There’s yet another firmware update for Novation’s Circuit, the inexpensive synth/drum groovebox. 1.8 adds new internal expression features like non-quantized recording, plus custom MIDI channels for use with external gear.
Nine designers created graphics scores. Next, nine musicians will interpret them. LETRA / TONE festival is one of the more compelling experiments in festival programming – an adventure in crossing media. Here’s what it looks like.
Electronics are redefining what “sound” means – by remapping other signals into our audible spectrum. The latest is SOMA’s invention Ether, a “microphone” for electromagnetic fields. If that sounds familiar, this one’s a bit different than some EMF devices that came before.
In the original modular synth era, your only way to capture ideas was to record to tape. But that same approach can be liberating even in the digital age – and it’s a perfect match for the open VCV Rack software modular platform.
We talk a lot about survival tips for the music industry, but rarely does that get into the personal. So the moment is right for Discwoman’s Frankie Decaiza Hutchinson to tackle music’s greatest obstacle: ourselves.