No, not the better-known Speak & Spell. TI’s 1981 Touch & Tell was a singular moment in speech synthesis. Here’s its story – and a beautiful circuit bent mod.
As haunting, oceanic wells of sound sing achingly in the background, Tokyo-based ambient musician Chihei Hatakeyama talks in a new documentary about what inspires him.
Just because everyone you talk to may know Ableton Live in and out doesn’t mean you do. Ableton have quietly posted an official series of videos that covers the basics, quickly.
You stare at its interface for hours on end. Why not give your eyes something different to look at? Now Ableton Live 10, too, gets access to custom colors.
Digital production isn’t just about electronic music – it’s about producing the likes of Preservation Hall Jazz Band, too. Here’s Che Pope on his “GSD: Get Sh*t Done” method.
Electronic music is understood by the general public mostly through artists – tech is just something in the background with knobs. But there’s more to the story than that.
Modal Electronics have done ultra high-end boutique, and they’ve done cute, cheap craft synths. But now they’re gunning for a sub-$300 instrument that looks consumer-friendly – and packs some 32 oscillators and more.
Sound processing machines have always tread a line between necessary tool and creative effect. The latest mixing and mastering bundle from Eventide promises on both those fronts.
What makes creativity work in music? What happens in the brain? Susan Rogers has uniquely contemplated those questions both alongside artists like Prince and in research into the mind.
Spitfire’s latest LABS plug-in release is out, with the theme “DRUMS.” Here’s how to get started with it – and why it may make you feel like you magically know how to actually play and properly record an acoustic drum kit.