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Bastl’s Thyme is an advanced digital effect inspired by tape

What if you had an effect in hardware that acted like tape – with tape heads, adjustable speed, and so on? But what if that tape were … digital, instead of analog? And what if it were run by a … robot? And sequenced? Wait, huh? Well, step again into the wacky imagination of Bastl Instruments. They showed off an early prototype of this concept back in 2015, only to have the hardware go off the radar for a while. Now, it’s back in a more or less completed instrument, one that delivers on that early potential. It’s called Thyme. …

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Behringer to make an analog Minimoog clone for around $400

Since the classic synth has made a resurgence, the entry of low-cost remakes was pretty much a given. And no brand is perhaps more associated with cut-rate gear than Behringer. So, while the 12-voice Behringer DeepMind 12 has only just arrived on the market, the company is already teasing some kind of sub-$100 synth line a well as the $400-ish (proposed) BEHRINGER D. It’s a clone of the original 1970 Minimoog Model D, in a desktop case (no keyboard). And, well, it’s … as advertised, at least as far as what they’ve shared. And it puts an analog remake in …

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DU-VHS = what TV would be if it were glitchy, nerdy, and underground

Our friends at the hypergeeky, futuristic Detroit Underground have built an app. And it’s full of videos, layered in a VHS-style retro video interface. DU-VHS is available now for iOS (iPad and iPhone both), and as a Web app accessible through any browser, all for free. Step inside, and you’re treated to an explosion of electronic sound and image – burbling, bleeping hyperactive musical textures, and degraded retro-videocorder lo-fi renditions of videos. There are music videos, loads of live performances, and even interviews and synthesizer odds and ends. It’s the work of designer Jean Christophe Naour. If you’re wondering why …

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Image Credit: ESA/DLR/FU Berlin, CC BY-SA 3.0 IGO.

European Space Agency just gave away a bunch of space media for use

Quick — think about the planet you live on. What does Earth look like from above? Probably, some very clear imagery just popped into your head – iconic Apollo-era photography, or perhaps the more contemporary view of the planet from the orbit of the International Space Station. But our generations – ours, our parents’ and grandparents’ generations – are unique in human history. We’ve been given these images by the radical breakthrough of our species leaving Earth, via our own human spaceflight and myriad machine exploration missions. Earth imagery may well have even saved our species. The Atomic Age gave …

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68 pots cover this controller so you can go knob crazy

More is more? Now, you can show up at your next gig armed with a box full of pots – 68 of them. Faderfox is a controller maker who works in extremes: either extremely tiny controllers, or massive cases full of faders and knobs. The PC44 is very much in the latter category. The PC44’s sibling is and predecessor is an unassuming 4×6 grid of pots called the PC4. The PC44, though, is maximalist by comparison. You get an 8×8 matrix of potentiometers with rubber knobs. And there’s a single push-button encoder with detents (labeled “value,” at the top). Four …

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Robin Fox talks epic AV performances and rare synthesizer archives

There’s barely a performance medium that Robin Fox hasn’t touched, not a form with which he hasn’t moved us. From laser AV spectacles to exhibitions to work with contemporary dance (including the wonderful Chunky Move), this Australian artist is the kind of multi-faceted mind we adore. And so we sent Anahit Mantarlian for a marathon interview, so we can all geek out accordingly. -Ed. Audiovisual experimentalist Robin Fox has been busy. In 2016, the Australian composer and laser charmer toured Europe, presented his latest show RGB to Atonal Festival, performed at the inaugural MUTEK.JP Tokyo, and opened an organization (alongside …

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What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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AMULETS shows how to make a tape loop out of a cassette

AMULETS is Randall Taylor, a one-man experimental looping ambient artist out of Austin, Texas who works with tape loops and guitar. And to start off the year, Randall wants to show you a key element of his technique – making tape loops from cassette tapes. Tape loops, as associated with the likes of Steve Reich, began mainly on reel-to-reel decks. Using a cassette means some more precise surgery. There’s the cassette housing to contend with, mainly – which means disassembling and then (importantly) re-assembling a delicate plastic case. And the tape itself is smaller, too – 0.15 inches rather than …

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New tools for free sound powerhouse Pd make it worth a new look

Pure Data, the free and open source cousin of Max, can still learn some new tricks. And that’s important – because there’s nothing that does quite what it does, with a free, visual desktop interface, permissive license, and embeddable and mobile versions integrated with other software, free and commercial alike. A community of some of its most dedicated developers and artists met late last year in the NYC area. What transpired offers a glimpse of how this twenty-year-old program might enter a new chapter – and some nice tools you can use right now. To walk us through, attendee Max …

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Forte festival - Portugal, 2016. Photo by Dina Brudi-Pascal.

Inside Orphx’s terrific live technique, mixing modular and computer

Orphx are simply enchanting – doubly so live. Veteran experimentalists and master virtuosos of live performance, their music is heavy and industrial, but endlessly imaginative and groovy. Onstage, they genuinely improvise – there’s spontaneity and interplay. And that creative energy plays out both in their imposing live schedule and in their prolific studio output. The duo, consisting of a clever matching of skills of Canada’s Rich Oddie and Christina Sealey, had a devastatingly good year in 2016. There was the masterful full-length Pitch Black Mirror. There were remixes and collaborations (like Eschaton, with Ancient Methods). And there were those face-melting …

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