Forget for a second that Pioneer is the CDJ and DJM company. Their latest TORAIZ goes a radical new direction – making what might be the biggest mainstream hardware sequencer since the MPC and Octatrack.
One of the largest forums for music tech nerd-kind this week reports the loss of its founder: Muff Wiggler’s creator, Mike McGrath, has died. The Internet responds.
Machine learning is synthesizing death metal. It might make your death metal radio DJ nervous – but it could also mean music software works with timbre and time in new ways. That news – plus some comical abuse of neural networks for writing genre-specific lyrics in genres like country – next.
The Behringer effect: TC-Helicon, once known for its high-end gear for vocalists, is now a badge on a line of products copying the layout and design of existing IK Multimedia products.
AKAI’s MPK mini was already something of a sleeper hit – a simple MIDI controller keyboard that was small enough to be irresistible. But the latest revision makes it useful even all by its lonesome.
Fidelity? High-quality sound? No – degradation! And if you don’t have a ragged VHS deck or cassette Walkman handy, these free effects racks in Ableton Live will sort you out.
The Aphex Twin-ification of synths continues – and who’s complaining? Novation’s Bass Station II gets some mind-warping mental sound features, including key-by-key madness from Richard James.
We’ve been waiting, but now the waiting is done. Propellerhead has added the VST performance boost it had promised to Reason users – meaning plug-ins now benefit from Reason 10’s patchable racks.
For the first time in Reaktor, you now get patching right on Eurorack-style modules – and there’s even an edition you can use entirely for free. Blocks Base is a free edition; Blocks Prime is included with the full version of Reaktor. Here’s a first look:
Max 8 – and by extension the latest Max for Live – offers some serious powers to build your own sonic and visual stuff. So let’s tune in some videos to learn more.