ceephax2

Live Insanity: Ceephax Acid Crew [Video]

I had the craziest dream. Super vivid, and it just kept going. Seriously, like it seemed to last a decade. Instead of playing electronic music live on gear that made sounds, so you could keep track of what you were doing with physical buttons and switches and things, all the boys and girls were using laptops. But that wasn’t the weird part: what was strange was, people were just putting whole tracks on those computers. I know what you’re thinking – so they were DJing, right? But no! They were just playing tracks one after another all the same tempo. …

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poundforpound

Watch How Much Hardware You Can Jam With On a Budget

Who said electronic musical bliss required deep pockets? We’ve seen a steady flow of budget-minded gear over the last few years. What makes this equipment special isn’t just that it’s cheaper. It also has personality and produces distinctive sounds, loads of hands-on control, and fits compactly into carry-on luggage, meaning it’s a no-brainer on the road and in small live performance spaces. That’s encouraging more people to play live. MeeBlip owner Zachary Hollback sent over a video that sums up why this can be fun. This isn’t necessarily about inventing new kinds of music: it really is, in the mode …

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Roland AIRA Series, 1.10: Everything Gets Smarter, USB Backup and Restore

Roland has updated the firmware for the first full AIRA line (TR-8 drum machine, TB-3 bassline sequencer, VT-3 vocal processor, SYSTEM-1 synthesizer) today to version 1.10. There are no new sounds – in case you wanted, say, a 727 drum kit for your TR-8. But instead, the whole range gets USB backup and restore, and functionality around working with patterns and MIDI gets a whole lot smarter. This isn’t just a few fixes; it really does polish off the AIRA series and address a lot of the points I found a bit limiting using them some months ago. And just …

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Roland Drum and Bass Machines as Abstract Art, Suspended in Space

Art from archetypes — so much of what we make is built from the pieces of something that came before. It’s doubly true both in electronic dance music and the machines built to make it. From techno to drum machine technology, a great deal of the future depends on whether we can reimagine the past. The legacy of the Roland TR and TB series hangs heavy over those fields. Heck, they cast their shadow over even what I’m reading this week. I’ve unboxed a set of new Roland AIRAs for review that explode each component, modeling it all over again …

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M-Audio’s Trigger Finger Pro, in Videos: Think Three Devices in One

M-Audio’s first Trigger Finger might be the most ubiquitous controller in laptop music. Pads, faders, knobs. It was almost a stupidly simple equation, but it caught on. The Trigger Finger Pro is something different. It takes on three roles: 1. It’s a controller for included software. If you want hands-on control of software right away, M-Audio has bundled tools that integrate directly with the controller: there’s Arsenal, a kind of drum sampler-style tool M-Audio calls a “production hub,” AIR Drums, a dedicated drum module, and Hybrid 3, a very lovely synth, plus loads of sample content. But what sets Trigger …

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Roland AIRA MIDI Implementation: Now Official for TB-3, TR-8 – and TB-3 Sequences Nicely

This wouldn’t normally be news, but for whatever reason, the Roland AIRAs went flying off the shelves – missing any MIDI documentation. Ahem. We covered a number of these details before, including a Max for Live patch for the convenience of those of you integrating with Ableton. The good news: the hackers were right, and got more or less the entire implementation via trial and error. So, this is still a good resource: AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI The TR-8, then, holds no surprises. I’m just hopeful we see extra functionality …

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Watch An Hour-long, Chilled, Hard, Hardware Live Set from TM404

If you can’t get to a shoreline this week, I wholeheartedly endorse watching the waves crash behind none other than TM404, aka Andreas Tilliander. We had a sort of Roland meditation with him before, and I’m even more fond of this set. Sit back and enjoy an hour of sound. It’s worth reflecting on the resurgent hardware set, particularly with the Roland AIRA lineup some of the most talked-about, popular gear of 2014 (and volca beats still selling, and Rhythm Wolf in the wings).

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Roland Meditation: TM404’s Amazing 303s and Machine Live Sets [Video]

Acid techno is transformed into dub-y trance in the masterful hands of TM404, aka Andreas Tilliander, aka Mokira (under Type and Raster-Noton). In a beautiful video released this month, a lineup of blinking Roland boxes becomes simply mesmerizing. It is technically acid techno, yes, but here those rhythms rotate gently in hypnotic harmony. Not that TM404 can’t also dial his ensemble of analog voices into a dervish-like dancefloor frenzy. That side was on evidence Saturday night in Berlin. Ostensibly, Andreas was there to promote Elektron’s new boxes, as a big Analog Four Keys banner hung behind him, but he might …

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modemachinessid

Chip Grooves: SID 8-bit Hardware Groovebox Preview, Works with iPad Editor [Videos]

German maker Mode Machines has been busy in the cloning laboratory. The latest hardware melds the classic chip sounds of the SID chip with an x0x sequencer a la the Roland TB-303. That surely qualifies as the synth nerd equivalent of combining chocolate and peanut butter.

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kingbritt_sns

Analog Frontiers: Listen to King Britt’s New Fhloston Paradigm EP [CDM Track Stream, FACT Mix]

Finding new sounds in our pulsing electronics means refining our working techniques isn’t just a technical matter. It’s a musical one. King Britt, who has been granted many successful musical incarnations over the years, set off on just such a quest under his new identity Fhloston Paradigm. In a much-watched debut EP for brilliant UK imprint Hyperdub, the Philadelphia artist produces an out-of-this-world, cinematic sonic journey. King is perhaps best known as a name in house music; here, the style is experimental, but the groove rolls behind each track, sequencers softly shuffling along in a way that makes them seem …

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