screenshot_632

Google explores how machine learning could navigate the history of art

You might have some art history under your belt. Now experimental artists are giving the machines a chance to do the same. It’s called Google Arts & Culture Experiments, and it takes a new angle on machine learning. The concept: let those algorithms find new ways of venturing through the history of art and human culture. This isn’t just about the machines, either. Continuing the Chrome Experiments series, the search giant is enlisting artists and creative coders to try an inventive take on what this might mean. After all, while the machine learning may be for the AI, it’s the …

READ MORE →
FL's new look, as of version 12, won't burn your retinas.

FL Studio keeps rocking – now with mobile integration

FL Studio, the program once known as Fruity Loops, is one of those indestructible gems of music software. It’s the thing people may sheepishly admit to using – only to proceed to gush about their love for it. And it just keeps chugging along with updates. It’s a reason to love music software: while some creative tech turns into a monoculture (cough, Adobe), music remains obsessively eclectic. This update’s surprises? How about a US$49 add-on emulation of the 303? Oh, and, Willy Wonka style, that enters you to win an original 303 or a modded TT-303 hardware clone? Or what …

READ MORE →
notationsurfacestudio

How expressive input, immersive 3D might make PCs cooler than Macs

“Pro.” “Creative.” They’re words that are repeated so often in computing it’s easy for some people to forget what they mean. By definition, though, if a “professional” is getting paid for their work, investing in more power to get their work done has a return on investment. And being “creative” on a machine means pushing it to the limits of expression. This may be the post-PC era after all, but that ought to mean we get computers that focus ever more on those use cases. Remember Jobs’ infamous quote about trucks? Embedded in his thinking was an answer to what …

READ MORE →
isadora-glsl-shader-without-text

Isadora 2.5, new chapter for creativity server, 3D shaders

In the landscape of live visual tools, Isadora is something special. Despite being known mostly in certain circles – its name itself is a nod to the world of dance (Isadora Duncan) – it’s uniquely adept in those worlds. When it comes to mixing live visuals and interactivity with modern dance and theater, for instance, Isadora (now on both Mac and Windows) is essential. Why Isadora I always had special admiration for Isadora, and its creator, Mark Coniglio. In fact, his was one of the first computer performance tools I ever saw – his original project, called Interactor. I was …

READ MORE →
1-Tim-Murray-Browne---Anamorphic-Composition-No-1-UI-2

A composition you can only hear by moving your head

“It’s almost like there’s an echo of the original music in the space.” After years of music being centered on stereo space and fixed timelines, sound seems ripe for reimagination as open and relative. Tim Murray-Browne sends us a fascinating idea for how to do that, in a composition in sound that transforms as you change your point of view.

READ MORE →
vrdj

This is a glimpse of what virtual reality could do for DJing

Virtual reality is suddenly a high-profile topic everywhere, from Facebook to gaming. And while such ideas have been around as long as computer graphics, consumer tech is finally catching up with the vision. Here’s the thing: now as we move from sci-fi to reality, it’s not totally clear what this tech is for. Sure, it’s fun for immersive games, but beyond that? One way to find out: try it yourself. Benjamin S. Hopkins writes us having done just that. This is definitely a hack – a proof of concept experiment to see what might be possible. But what’s clever about …

READ MORE →
screenshot_384

Your unconscious meat body plays this online drum machine

I am a damp rag of exposed flesh, my limbs ill-defined blobs drifting in some undetermined direction as I float through space – wet steak in a wormhole. But then there’s a parade of translucent boxes against this surrealist-nightmare distorted planet, and a triumphant series of chime rings out. A clear pattern is articulated from the murk, a rhythm emerging from the disarray. No, no – hold on, don’t stop reading, I’m fine. I am actually describing to the best of my ability the experience of using one #$(&*ing insane browser music toy created by our friend Sam Rolfes. It’s …

READ MORE →
maxcooper

Sail a Sea of Sound, in Beautiful World of Max Cooper and Tom Hodge

Producer Max Cooper, alongside his collaborator Tom Hodge, this week shares an intimate reflection on what motivates him in sound and science. In the video for Sonos Studio, the Belfast-born musician describes loving when sound “wraps you up in this warm … sea.” But there’s a system that reveals itself, even as the scientific method can unfold the mysteries around us. So if this music sounds personal and secret, perhaps it has a direct analog to Cooper’s past life as a scientist, the “introspective side of science,” as he puts it. That is, ” whether it’s a piece of music …

READ MORE →
tumblr_inline_n2a7pjgWNk1s0usyd

This 3D Oscilloscope Drawing Music Might Make Your Brain Fall Out

You’ve seen oscilloscopes. You’ve heard sounds. You’ve seen oscilloscopes make visual representations of those sounds. You’ve maybe seen oscilloscopes used to make drawings while making sounds. And of course you’ve seen 3D models. But you probably haven’t seen oscilloscopes used to draw 3D models that make sounds while the sounds match the oscilloscopes in a 3D sound visual extravaganza … which then becomes an entire album with software that goes with the album so you can also use the oscilloscopes to draw 3D models to make sounds. Say what? Okay, let’s put it another way. Imagine an Etch-a-Sketch and a …

READ MORE →
envelopimage

Envelop Wants to Make an Ambisonic 3D Venue and Tools

3D, spatialized sound is some part of the future of listening – both privately and in public performances. But the question is, how? Right now, there are various competing formats, most of them proprietary in some way. There are cinema formats (hello, Dolby), meant mainly for theaters. There are research installations, such as those in Germany (TU Berlin, Frauenhofer) and Switzerland (ZHDK), to name a few. And then there are specific environments like the 4DSOUND installation I performed on and on which CDM hosted an intensive weekend hacklab – beautiful, but only in one place in the world, and served …

READ MORE →