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Demian Licht on transmitting knowledge, being a demon of the light

Demian Licht is building a portal – one connecting us to a new future, one scrapping the parts of society holding people back, one linking the world. She’s not just making techno – she’s making a statement about the future with her music and practice, one that resonates with Detroit’s pioneers and the bleeding-edge aspirations of a new generation today. Oh, and there’s some strange physical portal involved, too, one purportedly located at the geographic center of Mexico – uh, maybe. But you might want to watch that spot. So, not only did we want to hear more about Demian …

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groovepack

Download Radiohead’s grooves for use in Ableton, for free

When you think Radiohead, you think grooves, right? Okay, I think no one said that, ever. But sure enough, someone has gone and extracted the weirdo time signatures and rhythms from classic Radiohead tunes and made them a downloadable, free pack of grooves for Ableton Live. Now, if at this point you’re saying you’ve never used the groove extraction feature in Ableton Live, this could be a great excuse to learn. Explanation: for this pack I extracted grooves from every song of every radiohead studio album & consolidated them into a collection of .agr files you can apply to any …

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From the artist, here's a Female Criminal illustrating the two-volume music she's shared.

Don’t miss Demian Licht’s wonderfully terrifying new release

Demian Licht’s music is frenetic and frightening, but precise, cinematic sonic thriller with an insistent pulse. And the Mexico City-based artist has done it again, following up in less than a year the first installment of her Female Criminals with Female Criminals, Vol. 2. CDM is talking to Demian this week, but I wanted to give you extra time with the music first, in case you’d missed it. as premiered on Crack Magazine At a moment in techno when so much music falls back on the same tropes, Female Criminals is film noir and not just dark. Club drum sounds …

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Someone at Bitwig is working with Ableton Link on GitHub

One postlude to the Bitwig announcement – yes, someone at Bitwig has forked Ableton Link support. Have a look: Thanks to one sharp-eyed Twitter reader for catching this one! https://github.com/bitwig/link The reason is interesting – ALSA clock support on Linux, which would make working with Link on that OS more practical. Now, Ableton has no obligation to support Bitwig as far as integrating Link into the shipping version of Bitwig Studio. Proprietary applications not wanting to release their own code as GPLv2 need a separate license. On the other hand, this Linux note suggests why it could be useful – …

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Watch a talk explain perfectly why humans make music with technology

Why do you make music? You make music because you feel something – and you found it because you felt something. And what’s the point of music technology? It’s to put us in that space, to give us access to those feelings, and then to translate them to others. That’s the message in a TEDx video from Perth, Australia, by stellar electronic one-human performer Claudio. And she puts it perfectly, in a way that perhaps people who love music but haven’t become full-time musicians can fully understand. So she walks through her performance rig – if you’re reading this site, …

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Now you can sync Ableton Link to your Eurorack with this open gizmo

Ableton Link has become the de facto, configuration-free, seamless sync and jamming protocol for software – with or without Ableton Live itself. (Even VJ app CoGe just joined the party.) Now, it’s time for hardware to get in on the fun. Vincenzo Pacella has been in touch for a while as he hacks away at a solution to connect Ableton Link to analog hardware and Eurorack. Now, it’s ready for prime time, as an inexpensive, easy-to-build, open source project based on Raspberry Pi. Jamming with Ableton Link is as easy as this: And then, all your analog gear can groove …

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Image: Licht Pfad.

TouchDesigner 099 does everything with live visuals – now on Mac, too

It makes things look prettier, with something called “physically based rendering.” It has crazy compositing and capture powers. It’s networked with Web support, talks to DMX gear, and intelligently handles all your MIDI gadgets and capture cards and everything else. It handles VR with HTC Vive. And that’s just a few examples of what is new or improved in version 099. TouchDesigner is a name you’ll see coming up regularly mentioned in projects. It’s an all-encompassing visual development environment, using a patching (or “dataflow”) metaphor, like Pd, Max/MSP/Jitter, vvvv, and others. That interface is one of the best looking zoomable …

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Forte festival - Portugal, 2016. Photo by Dina Brudi-Pascal.

Inside Orphx’s terrific live technique, mixing modular and computer

Orphx are simply enchanting – doubly so live. Veteran experimentalists and master virtuosos of live performance, their music is heavy and industrial, but endlessly imaginative and groovy. Onstage, they genuinely improvise – there’s spontaneity and interplay. And that creative energy plays out both in their imposing live schedule and in their prolific studio output. The duo, consisting of a clever matching of skills of Canada’s Rich Oddie and Christina Sealey, had a devastatingly good year in 2016. There was the masterful full-length Pitch Black Mirror. There were remixes and collaborations (like Eschaton, with Ancient Methods). And there were those face-melting …

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Minitaur, (CC-BY) Audiotecna Música.

Get a pile of free one-shots of vintage instruments for Ableton Live

Get a gift that keeps on giving: a massive trove of one-shot samples of classic instruments that begs you to make your own sounds. That’s the latest freebie packaged for Ableton Live (though you could also snag the samples for other tools, too). And, wow, here are some beloved instruments: Prophet 12, Prophet 08, Minitaur, SubPhatty, SH101, MS20m, Bass Station II, Custom SEM/Doepfer modular, VL-Tone (drums), Mattel Synsonics (drums) I’ve made no secret of being a fan of Francis Preve’s sound design prowess, honed in years of work for companies like Roland and Ableton. His latest FM pack was a …

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Ableton or FL Studio or Bitwig, Maschine Jam integrates with everything

First, there was software – and mapping it manually to controllers. Then, there was integrated hardware made for specific software – but you practically needed a different device for each tool. Maschine Jam is a third wave: it’s deeply integrated with software workflows, but it can swap from one tool to another without having to change how you work.

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