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Someone tried redesigning Ableton Live, and he’s getting lots of attention

Ableton Live’s dominance over a lot of workflows is unparalleled. But the software itself is looking long in the tooth. There are clearly some features long in coming, and despite some updates, the UI is still largely unchanged since the software’s debut over a decade and a half ago. That’s good in some ways, but it means the software can be clunky on modern displays and in certain use cases. It says something about the love for the software that UI/UX designer Nenad Milosevic would create a deep redesign project, spec, just for the heck of it. If Nenad’s redesign …

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Inside the transformational AV duo of Paula Temple and Jem the Misfit

Paula Temple and Jem the Misfit are working on the latest iteration of a project about transformation. It melts and fragments, crystallizes and forms, from its rich palette of hybridized techno and ambient textures, sonic and visual alike. And now, it’s set to be involved in some way in transformation beyond just the confines of a single performance – as a statement about what society might do differently and how artists can contribute. With NODE Forum in Frankfurt am Main, Germany at the end of the month, the duo will premiere Nonagon II, a sequel to their stunning 2014 AV …

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Groovebox, a music app rigorously designed to give you a place to start

There are two stories about this app, and which one you care about depends on who you are. If you’re still someone trying to get into music making, the important thing to know about Groovebox is, it’s never going to leave you stuck for inspiration with a blank, silent screen. The moment you add a drum or synth part, you also get a pattern going. There’s a groove there immediately, and it’s up to you to tailor it to suit your taste. If you’re a more advanced user, you might assume the story ends there. But this app does actually …

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Don’t miss Chagall’s mesmerizing live glove performances, new video

For up and coming cyber-pop talent, look no further than Chagall, the Amsterdam-born London-based cyborg diva. Chagall van den Berg (full name) was an early adopter of the mi.mu gloves, a wearable interface that’s the latest generation of a tradition of interfaces that dates back to Amsterdam’s own STEIM research center and pioneering work by Michel Waisvisz. (Even if you have no interest in glove-based interfaces, Waisvisz can arguably be credited for producing the model of human/computer musical interaction as we now know it – it’s worth understanding.) And Chagall herself is emblematic of the kind of brainpower-meets-virtuosic performance of …

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Dub Machines gives you powerful delays as plug-ins; get Diffuse free

The right delay is more than a filter. It’s an intoxicant; it’s a powerful hallucinogenic trip. We’re not so much technicians when we use them as we are shamans. Now, of course, the right way to do this theoretically has been to lug some vintage analog gear, or some specialized digital equipment. But in the recent past, the computer has gotten better at providing rich analog models and digital effects. Not a little better – a lot better. Having a good analog model also opens up something else. We’re starting to see effects and production that combines analog effects (like …

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Andrew knows how to YouTube, makes fidget spinner music

It happens. You get older. Slower. You wake up one day, and you’re definitely not a YouTube star with your own Patreon account and free sound pack downloads to go with it. You didn’t even figure out that there was a big trend involving something called fidget toys, “spinners” and “cubes” that kids use to … fidget … with. And already that trend is big enough that someone is making music with them. This story might be about me. It might be about you. But it’s okay – because Andrew Huang is there. His followers are telling him about the …

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Founders David Zicarelli (left) and Gerhard Behles (right).

A conversation with David Zicarelli and Gerhard Behles

Today’s Ableton have announced they’re acquiring Cycling ’74. There’s no two better people to talk to about what that means than the founders and CEOs of the two companies, Ableton’s Gerhard Behles and David Zicarelli of Cycling ’74. That’s big news. But it’s also a long time coming, based on a relationship that has evolved over three decades. And the history of these two companies is deeply intertwined – not just because of Max for Live. Without Max, it’s almost certain there would be no Ableton. Behles says Max was the first music software to really inspire him. Max was …

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Maschine 2.6.5 makes it easier to manage ideas, routings

Ableton has accustomed a lot of us to the idea of having a grid of bits of ideas we can trigger and layer (among other similar metaphors in drum machines and the like). So of course that same functionality would make sense elsewhere. Maschine Jam took Native Instruments’ groove workstation into a different direction by focusing on how you generate, transform, and arrange ideas. Now that focus on workflow is finding its way into the whole Maschine family, both in the form of refinements to Jam and new functionalities elsewhere. So, as NI quietly rolls out Maschine 2.6.5, all Maschine …

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Inside Skinnerbox’s live sets, including a song they play backwards

“xobrenniks era ew olleh.” Skinnerbox, the duo of Olaf Hilgenfeld and Iftah Gabbai, are now so comfortable in their roles of playing live that they’re playing backwards to spice things up. (It seems there was some effort involved here – like, learning a song backwards in order that they had composed it the way they desired when reversed. I just find it oddly enchanting watching things defy gravity and roll across cymbals.) Playing with other people can feel like a mind meld. There’s a special discipline to working things out alone, to be sure. But it’s when you play with …

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This dummy’s guide to making techno is oddly compelling to watch

How simple is techno – that genre that seems unstoppable, from Asia to Antarctica? It’s simple enough that it can be reduced to … six steps. No, kind of – seriously. I expected to have my intelligence insulted by this video, and yet … uh, well, I’m an addict, because it just made me want to go make some new percussion samples. The approach is oddly on point and – let’s be honest – looks like fun. You don’t need six steps, even, as I’m not sure what that acappella is about. (The video was evidently created by artist Hobo, …

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