Ableton quietly made the Push pads way more powerful

Ableton Live 9.6.2 is here. Apart from a slew of bug fixes and some improvements to how the Link connection indicator works, there are a lot of improvements to Push, via software and firmware – even down to details like making the potentiometers more jitter free. That’s all well and good. But the important thing is that some of these small details could really change the way you work with Push for the better. The big one: you can now copy and paste clips to any slot on the Push, just by touching the pads. It’s a little thing, but …

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Ableton hacks: map anything, even Kontakt and Reaktor

Isotonik’s £22 PrEditor is the powerful mapping functionality Ableton forgot. It lets you customize the mappings of a variety of controllers to your music software, opening up custom controller arrangements and tailored interactions to support the way you play. And the latest version does still more. Hackers and patchers will love this – whatever tool they use. If you use Reaktor, that environment is available – doubly useful now because of Reaktor’s beautiful Blocks modular environment. (There are quite a few things I prefer in Reaktor, so being able to map its controls to my Push means I may completely …


Watch a live looper performance troll itself

YouTube is a mystery – completely arbitrary videos getting down votes for no reason, arbitrarily angry comments, spam, conspiracy theories… well, one artist has decided, if you can’t beat ’em, join ’em. Artist Arkaei has made a very respectable live looper performance using Ableton Live and Push 2. And rather than wait, he’s delivered it with its own angry comments. Call it con-troll-erism. (Uff, let me really apologize for that.)


Watch this free monster patch for Elektron machines, in action

This one’s too good to wait. Gustavo Bravetti, the Uruguay-born producer and DJ, is already something of a maximalist. He’s the sort of person who can rock alternative controllers live on a mainstage in front of massive festival crowds – the powerful counter-example to the notion that such high-pressure gigs have to be press-play. And now, he’s been hard at work on a powerful tool for expanding the possibilities of performance on Elektron’s hardware, all using Push for control. I could ramble on, but the best way to follow this is to watch the extensive tutorial video he’s just posted:

Michal at work.

Conversations in live techno from the Polish underground

Techno is a thread in Europe that can bring people together, and be a lingua franca. That phenomenon can earn detractors and champions alike; the common currency threatens to devolve into sameness. But one thing I’ve found looking beyond centers like Berlin: there’s extraordinary talent on the horizon, answering to the beacon capital techno cities. If techno is giving people musical commonality, it’s also encouraging people to push their music such that they can extend beyond a hometown or home residency.


Push 2 hardware now works in Bitwig – including on Linux

There may be an Ableton logo splashed on it and integration designed specifically for Live. But one of the nice things about Ableton’s Push and Push 2 hardware are that, at their core, they’re open. Everything sends and receives standard MIDI messages. As we’ve seen, even the display is hackable. And that is admirable not only from an engineering standpoint, but because it means the hardware you invest in has a life beyond just specific drivers and software updates. Now, that extends even to rival software Bitwig Studio – which means you can even use a Push 2 on Linux.


You can now access the Push 2 display from Max

Ableton’s Push 2 has a big, beautiful, color display. But what goes on that display is limited to what Ableton has built in – or, rather, it was, until now. London-based producer/hacker sigabort has already built a Max object that lets you access the display directly as a high-res, color texture. Max boffins, this means you can even use Jitter objects directly. And for those who have no idea what the previous sentence just meant, think of it this way: Max patches will now be able to create their own full-color visual outputs, for practical or entertainment purposes. (Max for …


Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …


What Push 2 will do for you – even if you don’t own Push 2

Yesterday’s Push 2 review covered what Ableton is bringing to users via new hardware. But what does that mean if you have the original Push – or no Push at all?

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Ableton Push 2 Hands-on Review

The new Ableton Push is here. From a distance, it looks like the same rectangular grid with some color screens. But using it person is an entirely different experience. We’ve gotten to spend an extended time with the new Push, so we can let you know what that’s like. Here’s the simplest way to put it: Ableton has kept the same basic layout and form factor of the original, yet somehow made every single detail better. From hardware refinement to software integration and functionality, everything feels like 2.0. Ableton repeated that they’ve completely re-engineered Push themselves. But even if they …