skinnerboxcurve

Skinnerbox’s free M4L Device is the MIDI curve Ableton forgot

Ableton Loop in its second year was a vastly expanded event, with more people, more interactions, and a greater sense of community. And it was more hands-on. The workshop with Skinnerbox, the duo that makes such robust use of Live, well, live, was overflowing. But now there’s a gift for everybody, not just those lucky enough to pack into the Berlin session. It’s simple, but that makes it handy to learn from. And it’s quite useful. (I like stuff like that for learning patching for the first time. Sometimes you need a screwdriver, not a CNC machine.) Curve does what …

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triqtraqlive

Ableton Live export comes to an SDK, plus Triqtraq, Patterning

So, this just happened – Ableton quietly announced an SDK for working with file export. That follows up the company’s wildly popular Ableton Link platform for sync and jamming, which is available both as an open source project and as a mobile and desktop SDK. Novation’s Blocs Wave uses this export functionality, as mentioned today here on CDM. But it’s got company. Here is Ableton’s official video explaining what’s happening: Ben from Patterning and Sebastian from Triqtraq join Martin from Ableton to show this off. And those apps now have support today: http://www.olympianoiseco.com/apps/patterning/ http://www.triqtraq.com Don’t have a license for Ableton …

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blocsexport

Start music on iOS, finish it on Ableton Live., with new Blocs Wave

For many of us, finishing something is still a task best left to a laptop. The precision and familiarity of a desktop interface, the favorite suite of plug-ins, a big monitor in the studio, and tools like Ableton Live all add up to something that mobile just can’t beat. But that’s finishing. Starting and sketching are tasks that are ideal for mobile – for those moments when inspiration strikes. Everyone knows this, but the workflow between platforms is often limited to bouncing out audio stems and the like. It’s primitive enough that you might simply not try at all. So …

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Ableton-Live-9_7-Release_1_web

Here’s what you’ll get out of Ableton Live 9.7, available today

Ableton Live 9.7 – the final stable download – is available today. (A public beta was released over the summer.) It’s got a host of improvements for the latest Push hardware, but there are advantages for everyone.

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The DX7 - one of three instruments in a new library for Ableton Live. Photo (CC-BY-SA) Bernd Sieker.

Go full retrowave with a magical FM synth library for Ableton

FM is a conundrum. On one hand, it’s the ideal form of synthesis, capable of a rich range of sounds and transformations. On the other, it’s hard to actually get all that sound under control – the very thing that range would make you want to do. And accordingly, a lot of sound libraries have just skipped over FM altogether. Not our man Francis Preve and Symplesound. Here’s the concept: make FM fun and playable again. Make FM something where you want to start toying around and turning knobs, without fear that you’re going to get lost in a muddle …

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Serato DJ 1.9.3 1600x630

Serato’s Ableton Link sync could change how you DJ

Quick! Name one good reason to use a computer running DJ software instead of just toting along some USB sticks to play on a CDJ! Well – one answer is, maybe your DJ set involves more than just mixing two decks. And with Ableton Link support, Serato is the first DJ software to open up to easy, peer-to-peer sync. It could change how you play.

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linkjamming

Jamming standard: Ableton is opening Link to everyone, starting today

Ableton Link is coming to desktops, and going completely open source. And that means the best tool for wireless sync and jamming is about to get a lot more popular. On iOS and for Ableton Live users, Ableton Link is already a revelation. It allows any number of different apps to sync up with one another without fuss. That includes two more machines running Ableton Live, of course. But it could also be two apps on an iPad, or an iPhone and an iPad, or an iPad and a copy of Ableton Live. It completely changes live jamming: instead of …

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bengal

Bengal could be the Ableton synth you’ve been waiting for

Years ago, when Ableton’s Operator FM synth designed by Robert Henke made its debut, it was a revelation. Its clear panel design and flexible architecture made FM synthesis more accessible to countless Ableton Live users. But now Operator, while still a great go-to instrument, certainly deserves some competition. And that makes Bengal special. The production of Max for Cats (and Christian Kleine, another key designer of Ableton instruments), Bengal also innovates in the area of clear design and architecture. And with a semi-modular design, it goes further than Operator in opening up avenues for creative sound design.

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Ableton-Live-9_7-Beta_1_web

Ableton Live 9.7 in beta, with slicing and beatmaking news

Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.

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push2deskstand

We’re coveting this walnut desk stand for Push 2

Ableton’s Push hardware is making it onstage, but whether or not it suits that purpose for you, it’s an absolute godsend in the studio. Hands-on control of parameters, always-ready grid access to melodies and percussion, and tools for starting ideas from clips to sequences to playing live make it feel indispensable to those of us it’s won over. So, why not give it a handsome home?

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