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Someone tried redesigning Ableton Live, and he’s getting lots of attention

Ableton Live’s dominance over a lot of workflows is unparalleled. But the software itself is looking long in the tooth. There are clearly some features long in coming, and despite some updates, the UI is still largely unchanged since the software’s debut over a decade and a half ago. That’s good in some ways, but it means the software can be clunky on modern displays and in certain use cases. It says something about the love for the software that UI/UX designer Nenad Milosevic would create a deep redesign project, spec, just for the heck of it. If Nenad’s redesign …

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Inside the transformational AV duo of Paula Temple and Jem the Misfit

Paula Temple and Jem the Misfit are working on the latest iteration of a project about transformation. It melts and fragments, crystallizes and forms, from its rich palette of hybridized techno and ambient textures, sonic and visual alike. And now, it’s set to be involved in some way in transformation beyond just the confines of a single performance – as a statement about what society might do differently and how artists can contribute. With NODE Forum in Frankfurt am Main, Germany at the end of the month, the duo will premiere Nonagon II, a sequel to their stunning 2014 AV …

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Don’t miss Chagall’s mesmerizing live glove performances, new video

For up and coming cyber-pop talent, look no further than Chagall, the Amsterdam-born London-based cyborg diva. Chagall van den Berg (full name) was an early adopter of the mi.mu gloves, a wearable interface that’s the latest generation of a tradition of interfaces that dates back to Amsterdam’s own STEIM research center and pioneering work by Michel Waisvisz. (Even if you have no interest in glove-based interfaces, Waisvisz can arguably be credited for producing the model of human/computer musical interaction as we now know it – it’s worth understanding.) And Chagall herself is emblematic of the kind of brainpower-meets-virtuosic performance of …

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Ableton have now made it easy for any developer to work with Push 2

You know Ableton Push 2 will work when it’s plugged into a computer and you’re running Ableton Live. You get bi-directional feedback on the lit pads and on the screen. But Ableton have also quietly made it possible for any developer to make Push 2 work – without even requiring drivers – on any software, on virtually any platform. And a new library is the final piece in making that easy. Even if you’re not a developer, that’s big news – because it means that you’ll likely see solutions for using Push 2 with more than just Ableton Live. That …

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Andrew knows how to YouTube, makes fidget spinner music

It happens. You get older. Slower. You wake up one day, and you’re definitely not a YouTube star with your own Patreon account and free sound pack downloads to go with it. You didn’t even figure out that there was a big trend involving something called fidget toys, “spinners” and “cubes” that kids use to … fidget … with. And already that trend is big enough that someone is making music with them. This story might be about me. It might be about you. But it’s okay – because Andrew Huang is there. His followers are telling him about the …

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Exclusive: Ableton acquires Max maker Cycling ’74; what you need to know

Ableton is announcing today they have fully acquired Cycling ’74, the California-based company best known for producing Max and Max for Live. It’s perhaps an auspicious moment for Cycling ’74 as the company reaches its 20th anniversary – and 20 years of availability of the MSP tools for synthesis and sound processing. But if acquisitions would normally make you nervous, the close existing relationship of the two companies, and the plans as they’re describing them, should put those concerns to ease. Gerhard Behles and David Zicarelli, founders and CEOs of Ableton and Cycling ’74, respectively, tell CDM that the deal …

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Founders David Zicarelli (left) and Gerhard Behles (right).

A conversation with David Zicarelli and Gerhard Behles

Today’s Ableton have announced they’re acquiring Cycling ’74. There’s no two better people to talk to about what that means than the founders and CEOs of the two companies, Ableton’s Gerhard Behles and David Zicarelli of Cycling ’74. That’s big news. But it’s also a long time coming, based on a relationship that has evolved over three decades. And the history of these two companies is deeply intertwined – not just because of Max for Live. Without Max, it’s almost certain there would be no Ableton. Behles says Max was the first music software to really inspire him. Max was …

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Ableton built a free browser playground to teach how music works

I think there’s a common myth that music production tools somehow take away from the need to understand music theory. I’d say exactly the opposite: they’re more demanding. Every musician is now in the position of composer. You have an opportunity to arrange new sounds in new ways without any clear frame from the past. You’re now part of a community of listeners who have more access to traditions across geography and essentially from the dawn of time. In other words, there’s almost no choice too obvious. So I also believe that every musician and producer ought to have access …

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The best music tech April Fools – and some of them are real

April Fools may have become a wasteland of bad jokes and actually-misleading news items, but our ever-inventive music tech community has come up with some stuff that’s rather clever. And then some of that, in turn, is actually real. Here are our favorites from this year: Ableton Sax for Live easily wins April Fools 2017 – on the quality of its demo video alone. (Those are some well-known Ableton figures delivering these stellar performances, too.) But the best part of Sax for Live is, it is actually a real, free download. And the instrument, designed by Ableton’s ace sound designer …

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Demian Licht on transmitting knowledge, being a demon of the light

Demian Licht is building a portal – one connecting us to a new future, one scrapping the parts of society holding people back, one linking the world. She’s not just making techno – she’s making a statement about the future with her music and practice, one that resonates with Detroit’s pioneers and the bleeding-edge aspirations of a new generation today. Oh, and there’s some strange physical portal involved, too, one purportedly located at the geographic center of Mexico – uh, maybe. But you might want to watch that spot. So, not only did we want to hear more about Demian …

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