skinoftheirlight

Take a beach holiday on an alien planet with these ambient videos

You’re under stress. Trapped in a fluorescent-lit prison of your own making, chained to your desk behind the cold glow of your computer. You dream of being a futuristic cosmonaut-tourist, truly getting away from it all. French-born photographer/filmmaker Diane Drubay has what you need. Her hyperreal, dreamy videos use real seaside footage, warped into acidic colors. To gaze into her sunsets and rippling surfaces is to give yourself the holiday in the Alpha Centuari system you’ll never have. (Okay, it really is all Earth – maybe Earth is space-ier than you thought.)

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redrectangle

This 1971 Dancing Rectangle from Poland Predicts Modern Techno, AV

Sonic history in electronic music may be made with technology, but it’s also the output of someone’s brain. As such, it’s natural that liberated creativity can produce all kinds of possibilities. And it should be no surprise that history sometimes comes in cycles. Or… make that rectangles. Speaking of Poland, this short animation, crafted in 1971, features spooky sounds that would be at home on any modern dark techno floor. Entitled “Prostokąt dynamiczny” – literally, “dynamic rectangle” – the animation is by experimental filmmaker Józef Robakowski, with music by the incredible Eugeniusz Rudnik. We saw Rudnik yesterday in our piece …

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30drop

You Haven’t Heard of 30drop, But You Should Hear This New LP [Techno]

30drop has mysteriously arrived from Detroit Underground (aka “detund”), those purveyors of strange and wonderful techno and experimental music. You may think you’ve heard of 30drop, but apart from the release last week, you almost certainly haven’t. Oh, sure, there have been releases — a second EP showed up in December — but for the most part, this act has flown under the radar. As per usual, detund are digging up precisely what isn’t on trend or rising in popularity, an unknown artist making cooly-weird noises. But the pace is picking up – and this looks to be one of …

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reichpattern

See the Phasing, in a Visualization of Steve Reich’s Piano Phase

Pianophase.com from Alexander Chen on Vimeo. You can already hear it. And now, in a hypnotic, rotating visualization, you can see Steve Reich’s melodies shift out of phase. It’s latest work from Alexander Chen, the Google-employed artist who we’ve seen working with wine glasses and Google Glass, visualizing Bach, and sonifying subway schedules. This time, a radial visualization elucidates the subtle but beautiful play of piano lines in the seminal minimalist work. Live in your browser: http://www.pianophase.com/ More:

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Your Demoscene Moment: Organic Geometries, Acoustic Sounds, Beating Heart

Ah, so it turns out that demoscene animations don’t all have to feature bad trance music. (Sorry, had to be said.) Srdce is simply exquisite, fluid animations of blades of grass, waveform vibrations, geometric tangles, and the exploding fragments of a beating heart set to a touching song. It came in second at the Outline 2014 demoparty. Trans-cultural bonus: you get a (Slovak or Czech?) rendition of Emily Dickinson. “Srdce” means heart in Czech; the team originates from Slovakia. With beautiful instrumentation (banjo!), it’s a lovely way to spend two minutes. And all of this fits in 8MB of Windows …

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Ryoji Ikeda's The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

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Ryoji Ikeda’s The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

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City of Light: A Sparkly, Geometric Wonderland at Barneys, by Joanie Lemercier, All-Star Team

No wooden gingerbread houses and fake snow here. Visualist Joanie Lemercier teamed up with a dream team of artists to transform New York’s Barneys into a shining future fantasy. In Light Fragments, the city that never sleeps hosted the electronic artist from the City of Light, along with some very fine friends. The audiovisual installation took over Barneys’ show windows and a pop-up gallery. In “City,” paper, projection mapping, and 3D animation became an imagined skyline, teaming Joanie with artist Davy McGuire. “Quartz,” with digital rockstar Kyle McDonald, produced a parametric crystalline structure that refracts light into constellations of glowing …

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Ryoji Ikeda's Test Patterns Dazzles in Duisburg [Video]

The perception of digital media and electronic arts has changed. These media once caused riots; they once earned angry cries of artificiality (even the very term “synthesizer” was derogatory). They alarmed and shocked even recently. And then, more recently, use of raw digital sounds, of glitches and hard edges, were seen even by digital art critics as commentary on the digital life. Something has happened. It’s not just young people for whom this stuff is “native.” It’s all of us. And it should come as no surprise that people carrying powerful computers with an array of sensors in their pockets …

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Ryoji Ikeda’s Test Patterns Dazzles in Duisburg [Video]

The perception of digital media and electronic arts has changed. These media once caused riots; they once earned angry cries of artificiality (even the very term “synthesizer” was derogatory). They alarmed and shocked even recently. And then, more recently, use of raw digital sounds, of glitches and hard edges, were seen even by digital art critics as commentary on the digital life. Something has happened. It’s not just young people for whom this stuff is “native.” It’s all of us. And it should come as no surprise that people carrying powerful computers with an array of sensors in their pockets …

READ MORE →