electricindigo

Join Electric Indigo, Inner8 for an Immersion in Aesthetics

By way of follow up to our chat with Daniele Antezza yesterday, his Inner8 live act with sYn will meet up with another audiovisual collaboration – Susanne Kirchmyer (Electric Indigo), with visualist Thomas Wagensommerer. That takes place at Berlin’s Krake Festival next week, which means we get an extensive conversation with the two artists alongside a canal in the video below. They talk at length about aesthetics, collaboration, and connections to artistic practice: http://krake-festival.de/ Previously, on each of them: Outside dance music, systems of contemplation with Inner8, sYn Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo But …

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Morphing Abstractions to New Thom Yorke Superband, Tarik Barri's Poetry of Flatness

When Thom Yorke starts a new superband – and adds the Chili Peppers’ Flea, Radiohead producer and multi-instrumentalist Nigel Godrich, and percussion from both Joey Waronker (Beck, R.E.M.) and Brazillian virtuoso Mauro Refosco (Chili Peppers, David Byrne) – you can bet people will pay attention to the music. Spoiler alert: the first single has the musical fingerprints of Yorke and Godrich all over it, of course. The album debuts February 25. But there’s also reason to pay attention to the visuals. Dutch-born, Berlin-based audiovisual programmer Tarik Barri got Thom’s call to add visuals to the catchy-but-chilly “Judge Jury and Executioner.” …

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Morphing Abstractions to New Thom Yorke Superband, Tarik Barri’s Poetry of Flatness

When Thom Yorke starts a new superband – and adds the Chili Peppers’ Flea, Radiohead producer and multi-instrumentalist Nigel Godrich, and percussion from both Joey Waronker (Beck, R.E.M.) and Brazillian virtuoso Mauro Refosco (Chili Peppers, David Byrne) – you can bet people will pay attention to the music. Spoiler alert: the first single has the musical fingerprints of Yorke and Godrich all over it, of course. The album debuts February 25. But there’s also reason to pay attention to the visuals. Dutch-born, Berlin-based audiovisual programmer Tarik Barri got Thom’s call to add visuals to the catchy-but-chilly “Judge Jury and Executioner.” …

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transmission2.jpg

Journey Game Out Today; Designing Feeling, Timeless Design

“Can a game move me?” That’s the deceptively-simple quandary posed by producer Robin Hunicke of thatgamecompany on the eve of the release of their new PS3 title, Journey. But it’s a serious question, one that lies at the heart of all we do in creating digital music and motion. I often have conversations with other makers about whether the ephemeral aesthetic objects of our creative output are meaningful. To put it more bluntly: are we actually doing something productive with our lives? (Oh, admit it. The question must have occurred to you now and then.) But this idea of transforming …

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Exploring File Formats, Glitch with Rosa Menkman; Reading, Resources, Downloads

lofi Rosa Menkman – A Vernacular of File Formats View more documents from Rosa Menkman Can hacking the innards of a file give you insight into how the underlying data works – and how to unlock the aesthetic of a digital file? Here’s one way to look at that question. Rosa Menkman, presenting at the Patterns and Pleasure Festival run by Amsterdam’s STEIM, gave a workshop today on glitch aesthetics. Based on her ongoing Vernacular of File Formats work, in particular the document above, she starts with the basics of poking and prodding bytes of data inside a file, then …

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Casey Reas Talks to The Creators Project; Some Aesthetics and Art Behind Processing

Casey Reas, co-creator (with Ben Fry) of the elegant Processing coding environment so beloved now by artists, talks to our friends at The Creators Project in a recent video. Processing may be best known as only a tool, but it’s also become an open source conduit for ideas in aesthetics and digital art. Casey’s impact on its design is profound: the way the tool works, the way the code editor works, and even code examples are all partly his contributions (along with other collaborating artists). And when some of his personal work is a showcase for the tool, that’s doubly …

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braunradio

Music for Dieter Rams: Alarm Clock Becomes Melodic, Minimal Treat; Music and Good Design

Tuning into the design aesthetics of Dieter Rams. Here, a Braun RCS 9 radio design, photograph (CC-BY-ND) by Ruper Ganzer. Composer/producer Jon Brooks has a love piece for the Braun AB-30 alarm clock, and its iconic designer Dieter Rams, entitled, appropriately enough, “Music For Dieter Rams.” “Every sound on this record, from the melodic sounds to the percussion, the atmospheric effects to the bass lines originates from the Braun AB-30 alarm clock.” In turns whimsical and reflective, the minimal soundtrack is inventively melodic. Pads and beats extend in roomy spaces, giving patterns room to breathe, free of ornament or effect …

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Urbanized to Join Objectified, Helvetica, as Design Nerds Get Their Ultimate Trilogy Box Set

Filmmaker Gary Hustwit has become the Francis Ford Coppola of design documentaries (I expect a vineyard soon). His documentaries on type (Helvetica) and industrial design (Objectified) are glorious, intimate sources of visual inspiration. Now, he’s taking his quest to release a third film on cities to Kickstarter. And while Kickstarter seems to be the “it” site of this bootstrapping economic dip, the pitch is pretty good. First, Hustwit on exactly where he came from: In 2005 I began work on my first documentary, Helvetica, which looked at the worlds of typography and graphic design through the eyes of one loved/hated/ubiquitous …

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More Visual, More Immersive: Percussion Lab Picks, Mapping as Means to an End

Live visuals for music continue to mature – not because of any new technology so much as because of improving technique, more refined sensibilities, and closer collaboration between music and visuals. We’ve talked a lot about projection mapping. What’s encouraging is that the use of mapping, apart from being mere gimmick, is becoming a means to an end, a way of putting an aesthetic stamp on a performance and heightening the sense of immersion. Mapping is a way of manipulating the projection surface, as it should be, a way of amplifying the content. It’s good enough that musicians are taking …

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Adding Dimension to Cinema’s Future: A Hypercubist Manifesto, and 3D Aesthetics

The futurists are on the side of 3D, even with silly-looking glasses and 19th-century stereoscopy, while luddites rail against it just because they don’t know any better? Think again. A good, long look at Super Mario Brothers might just change the way you think about time in media – seriously. The advent of photography and cinema brought with them revolutionary ideas about the nature of time, connected to ideas spanning the gamut from narrative to science. So what’s the next big idea in aesthetics and thought? Gabriel Shalom, reaching CDM via Twitter, takes up that question in spectacular fashion in …

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