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Watch a talk explain perfectly why humans make music with technology

Why do you make music? You make music because you feel something – and you found it because you felt something. And what’s the point of music technology? It’s to put us in that space, to give us access to those feelings, and then to translate them to others. That’s the message in a TEDx video from Perth, Australia, by stellar electronic one-human performer Claudio. And she puts it perfectly, in a way that perhaps people who love music but haven’t become full-time musicians can fully understand. So she walks through her performance rig – if you’re reading this site, …

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The new MPCs in videos, including how those clips work

Following Akai’s announcement of the new standalone MPC models – MPC X and MPC Live – they’ve also released some videos. Sound on Sound has a walkthrough: And there’s the requisite promo film from Akai: It’s important to note that adding standalone mode here doesn’t mean taking away anything from the computer/hardware combo. The software on the standalone MPCs is identical to what was previously available via the controller — even besting it, thanks to the MPC 2.0 software launch. Plugged into your computer, you get all the advantages you’re used to. You can add plug-ins, control MIDI on the …

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The big'n.

Akai’s standalone MPCs revealed – and they could replace your laptop

Welcome to the post-PC drum machine age. After years of leaving fans of standalone MPCs in the cold, Akai have unveiled machines that promise the flexibility of computer software – minus the computer. Specs and photos went live on the Sweetwater website this morning with complete specs, and now are also live on Akai’s site. (I’m unaware of whether or not today was the date Akai intended to lift embargo, as CDM was never under one.)s http://www.akaipro.com/product/mpc-x http://www.akaipro.com/product/mpc-live The MPC Live is probably the one you want, in a compact form factor and with a not-insane US$1,199 street price. And …

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What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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Leaks hint at new standalone Akai MPCs coming this year

Now that software increasingly comes with hardware, why not have it also run standalone? That has seemed inevitable for some time. Yet, for years, MPC fans have been without a standalone hardware option from Akai. Pioneer, Elektron, and others will sell you drum machine hardware that runs on its own, but not Akai. That seems set to change. Now, multiple leaks from employees of dealers selling Akai hardware suggest standalone hardware is imminent. (Dealers have increasingly become a weak point in keeping upcoming hardware confidential – recent Roland announcements have demonstrated.) You might not even have to wait for January’s …

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The likely end of Rane as we know it, with inMusic acquisition

Not all independent music gear makers last. And so we’ve learned this week that Rane, the Seattle area-based company founded way back in 1981, will see new ownership with a buyout by giant inMusic (of Numark, M-Audio, Akai, and related). That means, if nothing else, a transformed landscape for DJ mixers. At one end, you’ve got the big conglomerates – Japan’s Pioneer DJ, America’s inMusic. At the other, boutique makers are staking out increasingly specialized, low-quantity product. This sheds still more light on the significance of the new mixer from Richie Hawtin and Xone creator Andy Rigby-Jones. With Rane out, …

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Arturia’s iSpark is a Link-connected iOS drum machine

We know an iPad can augment a music setup. But the question for many is, can it replace a computer? Arturia’s iSpark isn’t shy about what it accomplishes. It really looks a whole lot like the company’s drum machine on desktop, only remade for iPad. And it even works with the dedicated SparkLE controller – meaning you now can go pad controller + iPad as you could controller + computer. It also comes with Ableton Link, for easy syncing and jamming with other apps, other iPads/iPhones, and Ableton Live (in any combination).

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Akai MPC Touch is an MPC with a multi-touch screen

MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access. There’s just one catch: you will still need the computer. Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad? Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight.

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Akai Launches New MPD Pad Series, with More Controls

Akai is a name synonymous with pad controls, via their MPC. But the MPD line of controllers hasn’t gotten a lot of attention lately – until now. Today, the company unveils a big update to the MPD line. The numbers are parallel to the MPD18, MPD26, and MPD32, but these are really new pad controllers. They remain inexpensive but add additional hands-on controls and features, as well as a redesign of the pad sensing that Akai says is “ultra-sensitive.” Sounds a bit like something condom packaging would say, but Akai’s flagship MPC Revolution has terrific pads, so I’ll forgive the …

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This Video Demonstrates How Akai’s New Keyboard Controls Everything

It’s a horse race. Two keyboards – one from Native Instruments, one from AKAI – really want to be the interface between you and every plug-in you own. And we’re getting closer to find out if either deserves your attention. You’ve heard this story before. Sure, you have powerful software on your computer screen. But when you want physical control of those instruments beyond just playing keys, you’re left either manually mapping controls or reaching for your mouse or trackpad. So, over the years various solutions have tried to solve this automagically. There was Automap, seen in Propellerhead Reason and …

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