Home Alone Remixed Live on Ableton, Launchpad; Mega APC Mashup

Home Alone (Ableton Live Remix) from Keenan Gaynor on Vimeo. It’s the holidays, a time for family, and to ponder when controller mappings meet one-shot clip triggering, cable TV, weird child neglect, and brutal violence against slapstick criminals. Yes, of course – it’s the time-honored tradition of Ableton Live and Home Alone. There’s the 2010 original remix on Launchpad. But, unlike the Home Alone movie, the sequel’s even better. Last year, Keenan Gaynor quietly updated the remix on a Novation Launchpad Mini. And clearly he’s picked up some better techniques in Live. (Pro mode, anyway!) So, even though the original …

Loop points, at last. Side-by-side editing on iPad, too. Photos courtesy NI.

iMaschine on iOS Gets Smarter; How Apps Can Help You Make More Music

They may not be as powerful as their desktop counterparts. But by going with you, mobile apps can help you find inspiration and creativity in moments that would otherwise be lost. And mobile drum machine app iMaschine adds two subtle features that mean a lot more possibility – or at least takes a step in the right direction. iMaschine 1.2, released at the end of last week, adds integration for both Audiobus and Apple’s own Inter App Audio (the latter less-widely implemented, but used in popular apps like GarageBand). The upshot: you can now combine Native Instruments’ mobile drum machine …


AKAI Rhythm Wolf Review: Analog Doesn’t Always Mean Better

Dance music, it seems, has come full circle. Techno’s roots began with affordable oddball hardware, abused into new genres. And now, the appetite for cheap little boxes that make grooves is back. But does “cheap” and “analog” always make for a winner? Well, not necessarily. But let’s find out why. This is the AKAI Rhythm Wolf. When we first saw it, it was clear people would want it, because physically, visually, it has the things you’d want – even before you get to the accessible price. There are velocity-sensitive pads for each part, coupled (cleverly) with x0x-style buttons for simple …


Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …


Explore a Hyperactive Explosion of Sound, As Mouse on Mars Turns 21

Musically speaking, Mouse on Mars are like that kid who can’t keep still. In a good way. But perhaps now is a perfect moment for that nervous energy, that quirky, disruptive approach to sounds. It can be refreshing colliding with the duo’s endless, too-much-coffee-when-saying-yes-to-projects collaborations, and anarchic playful love of noise. Because the anxieties of music can leave people creatively constipated. It can drive people to either a chin-stroking disdain for audiences at one extreme, a sort of retreat into abstract sounds with fear that anyone might feel a physical urge when listening, or buttoned-up commercial conformity at another. This …


Music That’s All Human Body and Objects, No Instruments: Biotronica with Ain TheMachine [Interview]

Music is all around us, yadda, yadda – we hear these aphorisms all the time, but to most, making music is still about the classical idea of instruments. Not so for this Madrid-based artist, who has transformed his body and all the objects around him into an instrument. The results are mad and magical – and CDM’s Matt Earp talked to the artist to find out just how he put this all together, and what it has to do with music like flamenco. There’s a noisy, lively spot for co-working in Neukölln, Berlin called Agora – a space full of …


MPC Software 1.7: Direct Looping, Better Mixer, Track Automation, Proper Export, and Hybrid Synth

Let’s get one thing straight: now that Akai has made the jump from hardware to hybrid hardware/software, the hardware they make is very, very good. The MPC Studio is slim and messenger bag-friendly, when Native Instruments’ Maschine is big and luggable. The MPC Renaissance is more of a “throw it in your station wagon” affair, but it feels fantastic – the pads are brilliant. The downside has been software. But Akai is making headway there. I’m not convinced the changes are going to make anyone switch, but I can imagine what Akai is delivering here should make existing users very …


New Akai Pro Rhythm Wolf Drum Machine Demo Video Surfaces

Akai’s Rhythm Wolf looks good. And its US$199 price impressed. But when we finally heard some noises out of it back in July, many were disappointed. And, as so often happens with music gear, we’ve mostly following a non-functioning unit at Musikmesse (certainly unfinished and possibly even damaged at the show). A new $200 drum machine still sounds like it could be a lot of fun. Fortunately, it seems the waiting is over. Our sources say that review units should be arriving this month, so expect a CDM review. And we’ve seen an unofficial video appear that showcases a production …


$200-$250 Right Now Gets You Hardware and Full-Featured Traktor or Serato; Deckadance Solo Free

Okay, if you’ve got some old version of your DJ software, or (ahem) a pirated copy, or want to get your DJ rig together from scratch, this month there are really no excuses. As covered yesterday, AKAI is bundling their new AMX controller and audio interface with a full-blown copy of Serato DJ. The timing for Serato fans is perfect: Serato DJ finally integrates what had been a muddled product lineup (ITCH?) under a single, rebuilt product. It’s tough-to-impossible to DJ well without some kind of basic audio interface and cueing interface, so the AKAI bundle gives you the smallest-yet …


Serato DJs Get Slim-Line Controllers at Last, with New Akai Hardware

Serato DJs swear by their software. But one thing they haven’t had lately is a lot of choice in DJ controller hardware. Sure, there’s now a range of hardware getting updated for the latest software. But even after a transition to the new Serato DJ platform, almost all of this hardware is of the “really wide with two big wheels” variety. That big hardware is a big problem. It leaves out Serato DJs working with vinyl who just want some added control of the software. It adds two big platters, which are arguably something you don’t need in the first …