Musical Physics, Baby! A 3D AV Sequencer Box, Physics Resources for Max

The Box from Mike Todd on Vimeo. Knobs and faders, we love you on hardware. But when it comes to the unlimited possibilities of the computer, we know how to get the party on: “Add some physics bodies.” (See below; that’s really a quote.) Mike Todd, whose work we’ve seen before on CDMotion, sends us a physics-based sequencer/synth built in Max/MSP and Jitter. It’s a quivering, humming three-dimensional world of sound, in which visuals and noise are entangled in a single design. (Ableton Live acts as a sound engine.) As Todd says, he’s “not sure which CDM site this would …

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AudioGL presents a new vision of visual music creation, extended into space. Images courtesy the developer.

AudioGL Beta Arrives, Complete With Futuristic 3D Musical Creation Flythroughs

Here in flatland, ideas for musical interfaces may have become largely well-trodden. Not so in the third dimension. And so, one of the most unusual audiovisual interfaces has now hit beta, ready for you to explore. And that does mean “explore”: think navigation through spinning, animated galaxies of musical objects in this spatial modular sound environment. With the beta available, you can determine whether that´s a bold, new final frontier, or just the wheel, reinvented. The work of Toronto-based artist and engineer Jonathan Heppner, AudioGL is a stunning vision of music creation in 3D space, with modular synths, advanced user-editable …

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Mind-Boggling Power, as note~ Adds Timelines, Piano Roll, Notation to Max/MSP

Introduction to note~ for Max from Musikforschung Basel on Vimeo. For musicians, this could be the Max external to end all Max externals. Max has long been a powerful, open-ended environment for creation. But sometimes you want a piano roll, or a score, or a timeline. Efforts to do that in the past have been sketchy at best. note~ gives you all these things in a single add-on. At its heart, it’s a classic MIDI sequencer. It records and plays back sequence, and lets you edit note values. That’s already fairly revolutionary to have in the Max environment. But then …

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Chain, Chain, Chain: Crazy Nodal Note Sequencing Departs from Everyday Step Sequencers [Kontakt]

Ready to step beyond normal step sequencers? Skip ahead in the tutorial videos here, and you’ll see what’s possible: elaborate grid patterns that don’t just play looped patterns ad infinitum. Now, as in milkshakes and ice cream cones, sometimes vanilla is just fine. For instance, this week, Nord released Nord Beat, a free step sequencer for iOS. And, apart from being free if you’ve got the iThing to run it, it’s a nice offering. You can chain together multiple loops of steps, and there’s a clever mode for switching to finger drumming. The system works: you get four tracks, velocity …

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In Drifting Circles, Ambient Patterns Off the Grid: Sona on iPad, a New Take on Simon

Sona iPad App ECAL/Ruslan Gaynutdinov from ECAL on Vimeo. Like animated graphic scores, software interface is becoming a palette for musical experimentation. Sona is latest, beautiful combination of interface design, musical composition and visualization, and ambient instrument. You’ve seen works like this before, naturally, but this one – recalling the off-the-grid patterns of ambient master Brian Eno – is especially nicely executed. It also illustrates a point: this kind of work is now routinely done as a student project, but then distributed to the world, not only confined to thesis reports or conferences. This also goes a long way to …

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Traversing a Score in 3D Space: Free IanniX Explores Strange, New Worlds

IanniX — From UPIC to IanniX from IanniX on Vimeo. In the beginning, there was the bar. Actually, wait – that came later. In the beginning, there were sketched outlines of notes. And the notes became fixed in pitch space, and then, increasingly, in time, in divided measures from left to right. And so, what we know today as Western music notation came to be. But then, in the 20th Century, composers began to undo the rigid boxes that score produced. First with pen and paper, later armed with the computer, composers connecting graphic and sound started to violate those …

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The Hand-Cranked, Antique MIDI Sequencer (High-Res Images, Details)

Music, ephemeral and fleeting, to many of us wants tangible embodiment, some physical sense of the tug we feel from its unseen vibrations. We’ve regularly featured the image of the circle as a sequence; even as music software prefers left-to-right piano rolls and scores and tracks, it’s a logical shape. Here, Finnish sound artist Martin Bircher looks to a last-century invention to build a mechanical expression of the sequencer. From an antique music box, comes MIDI, as in the video above. And if that’s too discordant for you, have a look at the original video below. Even in comparison to …

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Max for Live Gems: Easier MIDI Mapping, Automation Recording, and Alternative Sequencing

As Max for Live has matured, this tool for extending the functionality of Ableton Live has played host to a growing wave of brilliant custom tools – enough so that it can be hard to keep track. This month saw a few that deserve special mention. In particular, two tools help make MIDI mapping and automation recording easier in Live, and point the way for what the host itself could implement in a future update. (Live 9, we’re looking at you.) And in a very different vein, from Max for Live regular Protofuse, we see an intriguing alternative approach to …

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3D Modular Sound Gets Real: Stunning AudioGL Demos, Crowd Funding, Beta Coming to You Soon

Electronic music making has had several major epochs. There was the rise of the hardware synth, first with modular patch cords and later streamlined into encapsulated controls, in the form of knobs and switches. There was the digital synth, in code and graphical patches. And there was the two-dimensional user interface. We may be on the cusp of a new age: the three-dimensional paradigm for music making. AudioGL, a spectacularly-ambitious project by Toronto-based engineer and musician Jonathan Heppner, is one step closer to reality. Three years in the making, the tool is already surprisingly mature. And a crowd-sourced funding campaign …

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Some Number on the Floor: Uncanny Sequencer for Ableton Live

Labeled as ready for IDM or “Braindance” music, The Uncanny Sequencer could be something tasty for those tired of regular rhythms. The creation of Julien Bayle, The Uncanny Sequencer is a graphical, generative, multi-part sequencing Max for Live device built for Ableton Live. At its core, it creates polyrhythms and irregular rhythms by making the appearance of each beat probabilistic rather than determinate. Thanks to Julien for sending this our way. (Matrixsynth and Synthtopia deserve credit for being faster.) Features, as described by its creator:

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