Note from the Editor: Music for Dance, Music and Movement

“Dance music” is a term that has lately become maligned all over again. And the press is often fond of deriding the music of machines, as if drum machines and computers are sentient alien technology that climbed out of the smoldering remains of a wrecked UFO rather than the handiwork of someone’s imagination. For me, though, these two materials – movement and machines – are the reason I do what I care about this field, exploring new sounds in a way that is human and gestural, whether the music is in an experimental concert at 8p or a party in …

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Arpeggionome for iPhone Makes Amazing Patterns in Arrays of Pulsing Circles [App, Music]

Out today, Arpeggionome is the iPhone follow-up to an iPad grid instrument, making lovely, elegant cascades of notes from a screen full of circles. The work of San Francisco-based electrical engineer Alexander Randon, it’s especially nice to see not just the app itself, but the music the developer makes with his own tool. Watch the video, and you’ll get a feel for how he makes his creation musically expressive. Evidently inspired by both the Tenori-On and the community of monome apps, Arpeggionome has a number of features that set it apart from other tools. It’s tough to find iPhone apps …

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Melodies in Triangles: Christopher Willits on Playing Grids of Push [Tutorial Video]

You can think about melodies and harmonies in geometric shapes. In fact, instrumentalists playing piano keys or guitar frets have already been doing that for some time. What’s happening with grid controllers like Push – among other alternatives – is that it’s now easy to rearrange melodic setups to see and play these relationships in new ways. Musician Christopher Willits has started a series of videos called CREATE (hmmm… like that name somehow), through the creative community platform Overlap. Willits tells CDM, “I really love this instrument. I’m excited to work with it more and become really comfortable. Like any …

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Flight of the Bumblebee: Ableton’s Push Gets Its First Virtuoso Demo – And Lovely Piano Ambience

The melodic layouts of pads on Ableton’s new Push hardware do place notes in closer proximity, allowing you to perform virtuosic materials with added ease. Well, some added ease. You can bet what you see in this video isn’t that easy. Yes, even before Push is available to the public, there’s already one insane video on YouTube of Flight of the Bumblebee. In fact, I’m not sure how anyone will top this, exactly, even once Push is publicly available. While requiring less dexterity than the piano might, this still requires some dexterity – and practice adapting to a layout that …

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Vienna in the snow, ca. 2008. Happy winter, Austria - this EP is a fitting soundtrack. Photo (CC-BY-SA) gego2605.

Cool Yule: Smart Austrian Ambient Electronica Album, Benefits Homeless

Call it experimental electro, ambient house… whatever the genre, Parque is smart, chilled-out music from Vienna. Full of cinematic cross-cuts and sharply-contrasted sound design, the EP “Amerika” is bathed in pleasantly-mellow melancholy. It’s only a debut, but an impressive one. The love and time put into production shines through. We’re pleased to introduce CDM reader Bene, aka Parque, to the site and listeners. And the Bavarian-born, Vienna-based Bene has a nice benefit in mind as he makes his holiday-timed release: All incoming proceeds until end of this year (minus Bandcamp and PayPal fees) will be forwarded to a Viennese homeless …

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hopecover

Hope: In Piano Gestures and Glitches, a Gorgeous Free Compilation from Japan

kaiwa; from mitsuru shimizu on Vimeo. Quietly melancholic piano gestures and reversed piano hammer strokes collide like waves against glitch-infused rhythms in hope3.0, the output of elementperspective. The “sound & design label” from Osaka weaves together a diverse group of promising Japanese artists, showing in many cases sonic maturity that belies their young average age. The balance between minimal, glittering piano prettiness and raw, digital rhythms is perfectly on evidence in the music video at top, for Mitsuru Shimizu’s triumphant “kaiwa;” – a real highlight of the set. The photographer and self-described “sound proposer” produces visuals and sounds alike here. …

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King Britt, performing in the garden. Photo:

The Bee and The Stamen: Complete Live Stream, King Britt Interview, As Nature Meets Electronic Music

For just a moment, take your mind somewhere a bit different. First, imagine the computer as part of nature, not something separate from nature. And then, put your head inside the mind of a bee. (You might not want to operate heavy machinery, just in case you start to imagine you’re seeing things through a compound eye.) That’s the journey we’re on with King Britt, the veteran producer from Philadelphia. He’s remixed everyone from Miles Davis to Tori Amos, but now, he remixes the world of the bee. And given how small we ultimately all are, perhaps that’s a worthy …

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scape3

Brian Eno Back to Ambient Roots, in iPad App with Peter Chilvers, Upcoming Album

Brian Eno’s influence on music, particularly music termed “ambient,” is such that it might itself blend into the background. But make no mistake, work like Music for Films and Music for Airports has left an indelible impression on the sound of a lot of music, and moreover in how we think about sound and structure. A newly-announced album on Warp promises to return to the long-form, expansive compositional ideas of those works, in a 75-minute opus called LUX. (More on that at bottom, though we can’t hear it yet.) But perhaps it’s even more appropriate to look at Eno’s work …

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circlesremixed

Fax, Circles Remixed EP, and the Post-Ambient, in Mexico And Beyond [Good Listening]

“Post-” is a prefix that comes up in an art world struggling with overlapping genres and non-linear history, one you’ll no doubt here today on an anniversary of a truly terrible day in Manhattan. But what does it mean to come after something, and where can it go? It’s sometimes best to simply listen to music to answer that. A clarion, original musical voice from Mexico, Fax – Ruben Alonso Tamayo – treads lines between ambient, minimal techno roots, and straight-up minimalism in electronic music. It’s no surprise he’s also a designer; there’s a sense of color and surface taking …

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A Bandcamp-Only Label of the Future? Australia’s Enig’matik Records and the Art of Detail

Artists and labels alike search for a sound and a business model that can flourish in this brave, new age in music. Against that struggle, Oz’s Enig’matik is something special. We’ve got more coming with this crew, but first, CDM’s Matt Earp takes an look inside what makes this record label work with its founder, in a way I think may resonate with other independent outlets and creators. And, oh yeah: true to form, Matt goes a bit deeper to chart the larger trends here, and a post-Tipper musical landscape. What’s that mean? I’ll let him explain. -PK It’s been …

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