blanktape

Look inside the world of cassette tape culture in this short film

The 21st Century is bringing a yearning for physical objects and low fidelity – two threads that perfectly combine in the anachronistic cassette tape. Now, I find talking about cassettes tends to get some chortles, perhaps people mumbling under their breath about hipsters. But as production times and costs rise for producing vinyl, cassettes are a way of producing consumable goods on the cheap, quickly. And that makes them a likely antidote to the ephemeral digital file, in a way that the bland office equipment of a USB stick is unlikely to accomplish. Burn to tape, then, and you’ve got …

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hysteresis-screenshot

Transmissions from the magnetic ooze, in new oqko video premiere

Let’s take an unsettling journey into some black goo. No, trust me – it’s going to be a good time. “Hysteresis” is the new underground audiovisual release from the anonymous duo “-N.” The only way to get the music release is on cassette tape. There was never even a digital master made; they went straight to tape master via analog. And then there’s the video, which premieres exclusively here on CDM – because we’ve got our finger on the pulse of the world’s tastemaker black goo fans. But the video is otherworldly and beautiful. Shot with the grainy quality of …

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motherfer

The MotherF***** is the DIY delay-reverb box of your nightmares

If you want a nice, pristine, versatile delay/reverb, then … this isn’t it. It’s called the MotherF***er 2 for a reason. It’s the creation of Ewa Justka, engineer and musician born in Poland and based in London. (Ewa was also nice enough to co-host the MusicMakers Hacklab with us at CTM Festival this year, where she was a patient and inspirational guide for our artists in inventing all manner of new things.) And this pedal is all sorts of crazy in all the best ways. Keep watching, as there are actually a bunch of different possible sounds in there. And …

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triode_top

MeeBlip users are posting lots of great sounds of our new triode synth

Little. Red. Different. Better. We got into the synthesizer business because we weren’t satisfied with just writing about synths. We wanted to spread a little synth love into the world, too. And wow, have our MeeBlip users responded – flooding the Internets with videos of the new synth. It’s great to see how they’re responding to the instrument – designer James Grahame and I have our own view of it, but now we get to see the user perspective. Maybe that bright red color helped. And yes, the key here is, behind this small number of knobs are a large …

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Photo: Randy Yau, via Barry Threw on Flickr.

In memory of Jean-Jacques Perrey

Soon after the loss of Don Buchla, another legend of synthesis has passed away. Jean-Jacques Perrey died last week. Perrey was a master of whimsy and invention. He’s of course best known for his collaboration with Gershon Kingsley, “Baroque Hoedown,” featured in Disney’s Electric Light Parade. But that’s emblematic of a broader contribution: he’s one of the leading pioneers of the 20th Century in introducing the sounds of electronic synthesis to a mass audience, with noises heard from Sesame Street to TV ads. Here’s the master composer playing his own best-known tune: It’s also notable that, like Bob Moog, Perrey …

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monologue_blue_top

$300 KORG Monologue synth is a sequel, not a mini Minilogue

A 25-key, monophonic version of Korg’s clever 4-voice Minilogue polysynth wouldn’t be a bad idea. And it’s what you’d expect, given the Minilogue came out only at the beginning of this year. But that’s not what the Monologue is. No, the Monologue is more a sequel to the Minilogue than it is just one with less keys and voices. And there are a number of smart ideas here. There’s a new filter. You want some different character with a monosynth than a polysynth, so here there’s a new 2-pole VCF and analog drive for what Korg says gives you “more …

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A. Tilliander, photo by Daniel Karlsson.

Sound check: here’s TM404’s hybrid hardware set from Loveland at ADE

If there’s one thing that can bring more feeling and humanity to club music, it’s improvisation. That’s why it’s such a pleasure to meet people like TM404, aka Andreas Tilliander of Sweden. Andreas’ latest antics included opening up for Richie Hawtin at Loveland at this week’s Amsterdam Dance Event. That’s a regular gig for TM404, playing alongside Rich – and a reminder that you need not underestimate mainstream club audiences. They can enjoy a diet of adventurous dance music, too. And what you get is a thoroughly enjoyable two hours, one that starts easy and hypnotic and dials up to …

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tt303-2-lg

Comparing all the 303 recreations to each other and the original

Someday, I’ll realize my dream of gathering ethnomusicologists and neuroscientists and engineers and we can finally sit down and work out why it is that the 303 is so damned pleasing. In the meantime, we can obsess over the nuances of different 303 recreations. Kudos to ADSRsounds for putting that together. They not only compare the original Roland box to the new TB-03 and AIRA TB-3 renditions, but also the analog clone TT-303. These sorts of comparisons are ultimately subject to your own bias as you watch. But there’s still a lot to glean. The first video is interesting. The …

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noname

Arturia’s DrumBrute is a $499 hands-on analog drum machine

Boom! No, that’s not the sound of a kick drum – it’s the sound of the analog drum machine getting friendlier and cheaper the same way analog monosynths have. Arturia’s DrumBrute is US$499 (449€), and it’s loaded with hands-on sound controls and extra features. At that price and with all this stuff to play with on the front panel, this is guaranteed big news. The sound DNA come from Arturia’s other Brute instruments – so expect edgy sounds and, naturally, another Steiner-Parker filter. (That particular filter design has shown up on the whole family.) Here’s a demo video sent to …

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analogheat_angle

Elektron’s Analog Heat is a new distortion, filter, computer accessory

Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.

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