Boom! No, that’s not the sound of a kick drum – it’s the sound of the analog drum machine getting friendlier and cheaper the same way analog monosynths have. Arturia’s DrumBrute is US$499 (449€), and it’s loaded with hands-on sound controls and extra features. At that price and with all this stuff to play with on the front panel, this is guaranteed big news. The sound DNA come from Arturia’s other Brute instruments – so expect edgy sounds and, naturally, another Steiner-Parker filter. (That particular filter design has shown up on the whole family.) Here’s a demo video sent to …
Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.
Our MeeBlip synth is back. It’s still a tiny box you can add to a synth setup. It’s still just US$139.95. But now, it packs some improved features – and bigger-than-ever bass.
We all have a short time on this planet, and some of us are lucky enough to get to work on tools that people use to make music. You can count on your fingers the number of people who had the kind of influence that Don Buchla had on electronic music in the last century. And this week, at age 79, he’s left us.
Just in under the wire before Roland hosts their own product shindig next week, Korg are here with a new volca to announce. The latest handheld instrument in that blockbuster line is something of an outlier: called “kick,” it’s more specialized than the rest. But it does look like more than just a box for making bass drum sounds (though it’ll do that if that’s what you’re after).
Eventually, even the most impassioned synth lover gets bored of mixing oscillators together. You need a little spice in your sound life. You need Karplus-Strong synthesis. Commonly associated with physical modeling strings, Karplus-Strong can also be thought of as a flexible feedback system of delayed, filtered noise. Okay, that’s a lot more abstract than imagining fake strings, but I say that for a reason – because it’s a system with lots of component parts, you can use it to create a wide palette of sounds. Some might sound like strings. Some might sound more artificial. Some might sound like percussion. …
Okay, enough teasing already. Behringer has a 12-voice polyphonic synth called the DeepMind. And now let’s talk about exactly what to expect, in one place.
Pioneer clearly seek to own DJing – and they’ve now got a pretty solid play for every piece of that landscape. The latest piece: a direct drive turntable with USB connection, ready to play, scratch, or work with control vinyl (and Pioneer’s increasingly ubiquitous Rekordbox software). Price: US$350 – affordable enough to appeal to even casual DJs as a set of two.
It’s called the Circuit-Bent Digital Waveguide™ 扰动数字波导. Or the DU™ DU-KRPLS. And straight out of the “that’s not a bug, it’s a feature” files, it’s got intentionally wrong code in it. But that’s a good thing.
Richard Devine’s Vimeo account is something special. It’s certainly partly theater – there’s something entirely alien about seeing a nest of gear, tangled in cables and blinking, as if modules have achieved sentience and starting interconnecting themselves. But behind that facade of nerdy chaos is some real thought about how to make sounds by creating unexpected combinations of signal processors. It’s something I’ve been discussing with a lot of people lately – this interplay between stability and instability, automaton and entropy.