Twirling timbres of Tiptop titillate, tantalizingly… a modular synth maker has made its own music label, and to kick things off, CDM gets the premiere of a hypnotic music video. First, the music video, made for the compilation’s opening track by Matt Lange. It’s the work of director Nicola De Luca, and I have to admire its simplicity: an entrancing rotating blossom, sculpted in video in a series of horizontal delays and three-dimensional transformations. Description: The video is a metamorphosis of forms that investigates kinetic connections between the motions of rotation and material decontextualization of objects. It takes inspiration from …
Soundware is everywhere, from endless catalogs of loops to yet another pack of sampled vintage instruments. But apart from questionable quality as the market grows crowded, the other simple question is, just how should these packs be assembled? SympleSound is what happens when a sound designer decides to treat the sound pack like an instrument unto itself – not just content, but a set of tools.
In news reverberating with synthesizer lovers and keyboardists everywhere, Keith Emerson died last night in his home in Santa Monica at age 71. Mr. Emerson’s impact on the world of keyboards and synthesizers is hard to overstate. And that impact may be wider now than ever before. If the musical idiom in which he worked was distinctive attached to its particular era, the role of the synthesizer he helped establish is one that now reaches around the world to artists across genres.
Amidst a bumper crop of new, multi-dimensional hardware, it’s a wonderful time for the expressive controller. But Eowave’s unique boutique instrument is one in the classic mold: a long, touch-sensitive strip that can act as a synth or controller. It’s now updated in a new model called the Ribbon 2.
Elektron’s machines are so beloved, they’re almost an electronic instrumental category all their own. But much of that love is focused on the hardware workflow. The challenge lately has been how to make the latest generation of Elektron hardware fit better with other gear – and specifically, the computer. Some of those improvements are coming from Elektron. But some, too, come from third-party developers. And that’s the case with a useful Mac app.
Well, f*** minimalism, apparently. We’ve seen monophonic/duophonic synths. We’ve seen new analog keyboards. What we haven’t seen is analog keyboards that seemed to be designed when an inventory of pads and knobs exploded – in your face. And that’s what the new Arturia MatrixBrute is. It looks like a fake Photoshop mockup you’d see on a forum, perhaps. But it’s real. All real. Close your eyes for a second and let your retinas recover, and let’s sort out what is actually even happening here.
There are plenty of hardware step sequencers out there. But now Arturia has a compact entry friendly to keyboardists. This isn’t about dialing up melodies with knobs. It assumes you actually know how to find melodies on some keys. Clearly building on the success of the BeatStep Pro sequencer hardware, Arturia’s Keystep is a keyboard with both step sequencer and arpeggiator modes. And Arturia has given CDM an exclusive first peek, to share with you.
By now, you’ve heard about KORG’s $499 minilogue analog polysynth, and the next question is: how does it sound? I’ve been playing around with it, and I can at least say this: it isn’t boring. I’m wary of sound samples. Most synths are capable of producing some sorts of good sounds, unless there’s literally something wrong with the way they’re engineered. And likewise, the experience of using an instrument goes beyond what an out-of-context sound can describe. But with that in mind, I’ll share some somewhat random excursions here. My guess is that (cough) more respectable synthesists will post the …
It seems the era of the affordable analog monosynth just gave way to the affordable analog polysynth. Leaked last week, KORG’s minilogue is a US$499.99 4-voice polysynth. Before you dive into our sprawling review, here’s everything you need to know in a nutshell. Keep in mind – we’ve had this synth since last week, so we’re not just copying specs here.
It’s an edge-of-your-seat race against the 555. Our friend Darsha Hewitt went up in front of one of the world’s nerdiest crowds: the Chaos Computer Club’s Chaos Communication Congress gathering in Germany. Whereas some people guzzle bubbly and lean in for kisses and watch balls drop at the turn of a new year, the legendary geekfest involves a marathon of hard-core hacking and discussion, political and provocative. And Darsha didn’t make it easy for herself. She set out to build twenty analog oscillator circuits in just twenty minutes. Maybe that’s not so hard if no one’s watching, but try doing it under watchful eyes, …