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Surprise, Final Cut Pro could be the MacBook’s killer feature

Here’s an unexpected twist in the plot: Final Cut Pro, the product that perhaps more than any other earned ire from users for not being “pro,” might be the thing that sells you on the Mac. Why? Final Cut Pro is really, really fast. After all, paper specs don’t matter. It’s really world performance in the software you use that counts. And there, Final Cut Pro is a bit of a champ. Indie tech reporter / filmmaker Jonathan Morrison has a snappy review that gets to the point. Now, first, you’ll read a lot of reviews complaining the MacBook Pro …

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How expressive input, immersive 3D might make PCs cooler than Macs

“Pro.” “Creative.” They’re words that are repeated so often in computing it’s easy for some people to forget what they mean. By definition, though, if a “professional” is getting paid for their work, investing in more power to get their work done has a return on investment. And being “creative” on a machine means pushing it to the limits of expression. This may be the post-PC era after all, but that ought to mean we get computers that focus ever more on those use cases. Remember Jobs’ infamous quote about trucks? Embedded in his thinking was an answer to what …

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Visualists, here’s the info on the GPU in the new Macs, Surface Books

The audiovisual performance is very much alive as a medium. I’m just coming off two festivals full of inspiring, stunning live visuals (alongside installations and virtual reality artworks). (One was MUTEK Mexico, the other the AV-centric Lunch Meat in Prague.) Live visuals are the definition of an edge case, to be sure – artists appropriating technology developed primarily for gaming – but life is beautiful on the edge. The big demarcation point in computers for visual work is really the absence or presence of a dedicated GPU. Intel’s integrated tech has gotten better on paper, but it’s still in my …

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The new MacBook Pro will work with your gear – if you add adapters

Apple’s new MacBook Pro series – regardless of screen size – ships with four connectors, all of them USB-C. That may lead to some confusion, because these aren’t the USB ports most people know from their current laptop. Let’s take a quick inventory of the gear I typically use, which I think it fairly typical: USB sticks (with Rekordbox, for playing on CDJs) A Lightning cable for my iPhone External hard disk, Thunderbolt External hard disk, USB3 Universal Audio Apollo audio interface, Thunderbolt Lots of USB controllers, audio interfaces, etc. Occasionally need Ethernet for the odd connection SD cards from …

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Photo courtesy Apple.

The end of the headphone jack isn’t the end of wired headphones

Not much need be said about Apple’s elimination of the headphone jack. Yes, wired headphones remain a superior solution for some applications. But because Apple is shipping a Lightning-to-audio adapter in the box with the iPhone, this is a non-issue. After all, you’ve already kept track of 1/4″ to 1/8″ minijack adapters for all your studio headphones for years. (Okay, to be fair, by “keep track of” in my case I generally mean “lose,” but, uh… wait, what were we talking about again?) There are certainly reasons for Apple to do this. The innards of an iPhone are crammed enough …

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All about the Behringer DeepMind 12, in one place

Okay, enough teasing already. Behringer has a 12-voice polyphonic synth called the DeepMind. And now let’s talk about exactly what to expect, in one place.

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Rent-to-own Serum means Kanye doesn’t have to pirate it

Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.

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How SoundCloud functionality is evolving

2016 is yet another year seeing big changes in the music streaming landscape. But whatever your feelings about them, there are reasons to closely watch – and even root for – SoundCloud. Of the major players, SoundCloud is the only service that lets you directly upload your own music primarily for the purpose of streaming, with playlists and other features. Well, lately, SoundCloud has continued to change – the service taketh, the service giveth away. New revenue could come to you Let deal with licensing only in brief. Suffice to say, there’s a lot of action there. I’m surprised in …

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How might the Brexit impact music?

As in other industries, the UK referendum to leave Europe has sent shockwaves through the music community. My friends at Das Filter, a superb German-language online magazine about music and culture, wanted to respond. And so they invited a number of us to talk last week. I’ve found myself awkwardly running my mouth about UK politics, which, quite frankly, is not something I am in any way qualified to do, in the way that I would be able to talk about things on the American side. So, British friends – accept my advance apologies, please, and I’m keen to hear …

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The likely end of Rane as we know it, with inMusic acquisition

Not all independent music gear makers last. And so we’ve learned this week that Rane, the Seattle area-based company founded way back in 1981, will see new ownership with a buyout by giant inMusic (of Numark, M-Audio, Akai, and related). That means, if nothing else, a transformed landscape for DJ mixers. At one end, you’ve got the big conglomerates – Japan’s Pioneer DJ, America’s inMusic. At the other, boutique makers are staking out increasingly specialized, low-quantity product. This sheds still more light on the significance of the new mixer from Richie Hawtin and Xone creator Andy Rigby-Jones. With Rane out, …

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