New Phon.o Music Video Makes Tripping Out to Cats Cool All Over Again

This shouldn’t work. A video full of lasers, mountain ranges inexplicably floating through space, and endless shots of cats should seem a cloying, annoying play for eyeballs. And yet … Can’t … take my eyes … away … somehow. (And I’m a dog person, darnit.) Thank Immo König. The solo director / motion graphics house did the visual production to the hypnotically-chilled rhythms of Phon.o in a matchup for the label 50 Weapons. König’s one-man band approach shows in a creation that’s inventive, but also tightly directed and paced. And he’s been doing this a while, in case you hadn’t …

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Wander a Garden of Light, Shape, and Sound, with ANTIVJ's THE ARK

We see audiovisuals routinely in darkened, air-conditioned room. The Ark invites viewers to wander a botanical setting, plant life bathed in hard-contrast light and shadowjo, architectural forms animated through the vegetation. Set in Mexico’s Ethnobotanical Garden of Oaxaca, multiple works from visual label ANTIVJ create an open-ended environment of image and sound. Concept & Visual design by Romain Tardy Music composed by Squeaky Lobster (we’ve heard his fine music before in Mapping Festival trailers, among other places) Project Management by Nicolas Boritch THE ARK from ANTIVJ is a visual label on Vimeo. Presented in April, ANTIVJ has just released their …

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Wander a Garden of Light, Shape, and Sound, with ANTIVJ’s THE ARK

We see audiovisuals routinely in darkened, air-conditioned room. The Ark invites viewers to wander a botanical setting, plant life bathed in hard-contrast light and shadowjo, architectural forms animated through the vegetation. Set in Mexico’s Ethnobotanical Garden of Oaxaca, multiple works from visual label ANTIVJ create an open-ended environment of image and sound. Concept & Visual design by Romain Tardy Music composed by Squeaky Lobster (we’ve heard his fine music before in Mapping Festival trailers, among other places) Project Management by Nicolas Boritch THE ARK from ANTIVJ is a visual label on Vimeo. Presented in April, ANTIVJ has just released their …

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Animating in Light, Hand-Carved Creations: The Stunning, Glowing Effects of Marilyn Myller

MARILYN MYLLER – Mini Making: Light Effects from Mikey Please on Vimeo. Mastering today’s digital media often means expertly melding optical and digital. One of the films that launched modern digital animation as we know it, ironically, developed its signature look primarily via optical effects. And resonances of that film, Tron, are certainly here. The six-minute short Marilyn Myller gets a bit of everything. It’s hand-carved physical forms, stop-animated. It’s light painting with optical effects, captured digitally. And it seems that optical/digital fusion holds a lot of promise for his medium, including live contexts. I’m certainly inspired watching. Description of …

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Critter & Guitari Cartoon Time: A Fanciful Animated Trip to Japan to Discover New Sounds

Amidst the drab gray-suit reality of the musical instruments industry, the tacked-on dubstep promotional music, here’s a rainbow-colored breath of fresh air. Critter & Guitari, the handmade American electronic instrument builder, are here featured in an adorable video that uses acid-bright, trippy animations to explore sound design comments. It’s like what sound lovers would watch, breakfast cereal in hand, all Saturday morning – young or old – given that chance. Even if you don’t own C&G gear (and this will certainly tempt you), you might find some fun ideas and you will absolutely be entertained.

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Ryoji Ikeda's The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

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Ryoji Ikeda’s The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

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synthforxmas

“All I Want is a Synthesizer for Christmas”: Adorable Stop Motion Animation

Hyperbubble – A Synthesizer for Christmas from Ambar Navarro on Vimeo. Put the synth back in … Christm… um, Christmasynth. Synthmas. It’s the reason for the season. And that’s the message of a delightful video from animator Ambar Navarro. (Apologies if you’ve seen this already – Ambar sent her work to us last week – but I think it’s well worth another watch and mention.) It embodies the ethos of synth love right now, the adored, all-in-one electronic instrument in all its charm. And this is just one introduction to a lovely body of work my Ambar, in the experimental …

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In a Holiday Greeting, Digital Animators Turn Back to Folding Paper – and Vintage HBO

Holiday Card from Shilo on Vimeo. If hearing the tune from the vintage HBO intro/bump doesn’t send a little nostalgic chill down your spine, you probably didn’t grow up in the US in the 1980s. Looking back at this old animation earlier this year, I was struck by the old way of making motion graphics. As dramatic music swells in the background, the camera pulls back, sweeping theatrically over an intricate set of the American landscape as the sun casts its final light. It’s all shot real-for-real, real models, real, physical details, all with the kind of physicality that digital …

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Motion Improv: How Visuals for Audego Album Were Made with Quartz Composer

Audego Motion Graphics Medley from jeanpoole on Vimeo. Arrange, arrange … render. Wait. Wait. Given that you can jam along with music live, why not do the same with visuals? Quartz Composer’s real-time workflows still appeal for that reason. Australia’s Sean Healy, aka Jean Poole, writes to share how he worked with QC and a variety of other tools to make the process of adding visual accompaniment to music faster and more intuitive. “It’s great for prototyping ideas and developing them quickly,” he says of Quartz Composer, “and these can be recorded in realtime too (with Syphon Recorder).” Yes, that …

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