Ryoji Ikeda's The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

READ MORE →

Ryoji Ikeda’s The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

READ MORE →
synthforxmas

“All I Want is a Synthesizer for Christmas”: Adorable Stop Motion Animation

Hyperbubble – A Synthesizer for Christmas from Ambar Navarro on Vimeo. Put the synth back in … Christm… um, Christmasynth. Synthmas. It’s the reason for the season. And that’s the message of a delightful video from animator Ambar Navarro. (Apologies if you’ve seen this already – Ambar sent her work to us last week – but I think it’s well worth another watch and mention.) It embodies the ethos of synth love right now, the adored, all-in-one electronic instrument in all its charm. And this is just one introduction to a lovely body of work my Ambar, in the experimental …

READ MORE →

In a Holiday Greeting, Digital Animators Turn Back to Folding Paper – and Vintage HBO

Holiday Card from Shilo on Vimeo. If hearing the tune from the vintage HBO intro/bump doesn’t send a little nostalgic chill down your spine, you probably didn’t grow up in the US in the 1980s. Looking back at this old animation earlier this year, I was struck by the old way of making motion graphics. As dramatic music swells in the background, the camera pulls back, sweeping theatrically over an intricate set of the American landscape as the sun casts its final light. It’s all shot real-for-real, real models, real, physical details, all with the kind of physicality that digital …

READ MORE →

Motion Improv: How Visuals for Audego Album Were Made with Quartz Composer

Audego Motion Graphics Medley from jeanpoole on Vimeo. Arrange, arrange … render. Wait. Wait. Given that you can jam along with music live, why not do the same with visuals? Quartz Composer’s real-time workflows still appeal for that reason. Australia’s Sean Healy, aka Jean Poole, writes to share how he worked with QC and a variety of other tools to make the process of adding visual accompaniment to music faster and more intuitive. “It’s great for prototyping ideas and developing them quickly,” he says of Quartz Composer, “and these can be recorded in realtime too (with Syphon Recorder).” Yes, that …

READ MORE →

Music Video: Emptyset 'Fragment' Continues to Fuse Image, Sound [Raster-Noton]

Emptyset: Fragment from The Wire Magazine on Vimeo. Through a thick layer of electronic grunge, “Fragment,” a track from the forthcoming Emptyset album on Raster-Noton, is transformed into hard-edged analog geometries. This is analog generation from some post-apocalyptic civilization, it seems: aggressive, percussive glyphs. The machines seem … angry. But it’s also the latest example in a long tradition at Raster-Noton of perfectly fusing visual and sonic aesthetic, so that one is the mirror of the other. And that makes it consistently more satisfying than a lot of what’s out there. It helps that one act (the Bristol-based duo) is …

READ MORE →

Music Video: Emptyset ‘Fragment’ Continues to Fuse Image, Sound [Raster-Noton]

Emptyset: Fragment from The Wire Magazine on Vimeo. Through a thick layer of electronic grunge, “Fragment,” a track from the forthcoming Emptyset album on Raster-Noton, is transformed into hard-edged analog geometries. This is analog generation from some post-apocalyptic civilization, it seems: aggressive, percussive glyphs. The machines seem … angry. But it’s also the latest example in a long tradition at Raster-Noton of perfectly fusing visual and sonic aesthetic, so that one is the mirror of the other. And that makes it consistently more satisfying than a lot of what’s out there. It helps that one act (the Bristol-based duo) is …

READ MORE →

Your Soul is Glitching: Impulse, a Chilling Visual Poem on Self and Tech

Impulse from gold extra on Vimeo. Don’t wait for the cyborg future. It’s here – embedded more deeply in ourselves than any googles or prosthetic. The words are from 1949 – Max Bense, a Cassandra on technology, talking about “technical existence.” The visuals are part stop motion, part digital effect and glitching edit. And the human actor is glitching, too – their face twitching with electrodes, a la Daito Manabe. (Don’t miss the beautiful, perfect sound score by Juan A. Romero, too.) But the sum of all these components is something chillingly poetic, a visual etude that imagines something hopeful …

READ MORE →

Stepping Up the Groove: Wire and Flashing Light Stop Motion Animation, CC Success Story

Professor Kliq – Wire and Flashing Lights from Patator on Vimeo. It’s digital stop motion – wire, flashing lights, and paper are animated in a crazy-catchy groove in this latest animation from Paris-based director (and CDM reader) Victor Haegelin. Working with music by Chicago electro artist Professor Kliq (Mike Else), the track name is also, conveniently, “Wire and Flashing Lights.” (If that didn’t call for this stop motion treatment, I don’t know what would.) Kliq’s music is released with just this kind of animation in mind, using Creative Commons:

READ MORE →

Cascading Topologies of Data, in 3D Surface and Projection Mapping

Yota Devices / Scenarios from onionlab on Vimeo. Beyond the tired repetition of look-alike work, collaborations between areas like architecture and visual design really can light up our cities in new ways. I spent some time today touring the Fab Lab Barcelona, a multi-disciplinary fabrication studio peopled by experts in architecture and design. What’s special about this space to me is not only the well-stocked array of tools, but a commitment to applying technology to new contexts. The campaign just wrapped up yesterday on a crowd-funded sensor board that will provide intelligent environmental data from around the world, called Smart …

READ MORE →