Resolume 4: What's New in AV VJ Tool, from Clip Handling to Projection Mapping and OSC Out

Resolume Avenue 4 has been announced today, with a beta version for Resolume owners due September 19. And it’s looking like a very nice upgrade, indeed. Having vastly improved stability, now functionality in Avenue is looking really mature, building on the almost Ableton-style audiovisual clip metaphor introduced in Avenue. I just played a short gig with version 3 and had a blast, and 4 could make this the tool to beat. Here’s what’s new: Clip Transitions and Effect Clips are especially big news. You can trigger effects as if they’re clips, and clip transitions allows you to automatically fade between …

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Resolume 4: What’s New in AV VJ Tool, from Clip Handling to Projection Mapping and OSC Out

Resolume Avenue 4 has been announced today, with a beta version for Resolume owners due September 19. And it’s looking like a very nice upgrade, indeed. Having vastly improved stability, now functionality in Avenue is looking really mature, building on the almost Ableton-style audiovisual clip metaphor introduced in Avenue. I just played a short gig with version 3 and had a blast, and 4 could make this the tool to beat. Here’s what’s new: Clip Transitions and Effect Clips are especially big news. You can trigger effects as if they’re clips, and clip transitions allows you to automatically fade between …

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ArKaos GrandVJ 1.5 Packs in Features; Talks to Music Apps via Plug-in

ArKaos is a long-standing name in VJ apps, as one of the tools that defined the genre in the 90s. GrandVJ has been gradually evolving with a more modern foundation, marked by a simple, musical, performance-oriented interface and high-performance playback. Its engine is the same as powers high-end media servers – but at a fraction of the price. Version 1.5 offers a new crop of features, but the biggest may be the ability to pipe in audio and MIDI from a music app via a plug-in. Using a VST for Windows and Mac, you can insert the new ArKaos Connect …

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Hypersampling, Whatever Your Grid: Free mlrv2 Instrument, to monome and Beyond

Owing to a tradition that goes back to the first samplers and hip-hop pioneers, sampling and digital performance have become a kind of instrumental technique. You might play well, you might play poorly, but even working with samples, you can actually play. You can look at the simple design of the monome as the hardware embodiment of digital, a reflection of an array of pixels. You can see it as an extension of Roger Linn’s MPC and other drum machine concepts. It’s probably both those things. But since the monome itself makes no sound, it’s been software that has made …

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A Monster Max for Live Patch Slices, Dices, and Controls Ableton

You have the con: for tactile control, the patch is fully integrated with Akai’s APC40 controller for Ableton Live. Photo courtesy Darren Cowley. Ableton Live may have “Live” in the name, but just as with any musical equipment, getting it ready for a show often involves elaborate configuration to make reliable control a reality. Over its decade-long life, Live has been tweaked, adjusted, and cajoled into road-ready digital rigs. With Max for Live a kind of software developer kit for Live users, that has led some users to share their configurations. I’ve been watching Darren Cowley iterate his own Isotonik …

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Hacking Ableton Live: Unofficial OSC, Scripting for More Control

Can you hack it? Yes. Yes, you can. Screenshot (CC-BY) Hens Zimmerman / 37Hz. Even before Max for Live was available, hackers had found a way of interacting with “secret” APIs inside Live for custom control, allowing them to customize Live’s behavior and make it work more seamlessly with hardware. That included providing something Ableton themselves had not: real, native control of Live via OSC, for more control than MIDI alone can provide. I was assured such hacks would continue to work, and sure enough, they have. Here’s how to get started. You may wonder, of course, why even bother …

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Akai APC20 Ableton Controller: Get Half an APC40, or an APC and a Half

Ableton Live-specific controllers just got another addition. You probably could have guessed this would come out, following the APC40 and Novation’s grid-only Launchpad last year, but the Akai APC20 is the new, smaller sibling to Akai’s APC40. The APC20 does basically everything the APC40 does on the latter’s left-hand side — it’s a grid of buttons, a set of mixers for your tracks, buttons for activating tracks (and solo/cue/record), and shortcuts for moving around and triggering the transport. Using the buttons, you can trigger clips or notes, with additional buttons for scenes and stopping clips around the outside of the …

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Exquisite Music Video Paints Sound, Rhodes, Moog in Light Paint

In the Pocket (Rhodes and Moog Light Paint) from Ethan Goldhammer on Vimeo. Fantastic, hip, soulful keys couple with brilliant stop-motion editing, as a Moog and Rhodes keyboard are splashed with light painting, in this new music video from Ethan Goldhammer. (See his blog for more.) It’s the perfect example of how a much-seen technique can retain its novelty when used creatively, especially as the sound itself seems to dance in light-up oscilloscope patterns. Background: Original music by Ethan Goldhammer and S. Burke. Time Lapse footage shot in August 2008 on Block Island, RI. Stop motion and light paint September …

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Out of Control APC40 Photoshop Thread on Ableton Forums

I really have no words for this one, other than there’s a hilarious APC40 meme happening on the Ableton forums. Is it love? Disdain? The APC as the new “All Your Base” for the Live warping set? Does it really matter? http://forum.ableton.com/viewtopic.php?f=1&t=116396 It’s good to know that, even as Ableton Live use has spread, us computer music folk are really not normal. Via Tara Busch on Twitter of AnalogSuicide.

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Live 8 Videos: New Warping Explained, APC + ReMOTE SL Integration

With Live 8 in the hands of Ableton fans, two big questions remain for a lot of aficionados: first, how the heck do you deal with this new warp marker interface, and second, how can you make controller mappings for hardware more effective? Thanks to some enterprising, expert users, we’ve got video solutions to each of those problems. Warp: Engage The new Warp Mode in Live may actually be friendlier to new users; it’s existing users, accustomed to the previous way of working, who seem thrown for a loop. (Erm… excuse the pun.) I’m at a bit of a disadvantage …

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