The music Web is now so closed, you can’t share your favorite song

Jam Supercut from Matthew Ogle on Vimeo. Call it a jam session that has completely fallen apart. Having Web services go dark is certainly not news in this day and age. We’ve come to expect that Internet services won’t be there forever. (Google Reader, anyone?) But if you pull apart some of the backstory behind the end of a service called “This Is My Jam,” you’ll come across an unnerving reality of the way music on the Web is evolving (or devolving). This Is My Jam began life as a kind of hack – pick your one and only favorite …


Convertible PCs Could Transform Windows Music Software, But Many Models Won’t Stick

What if your computer could do what tablets do – without having to kludge together multiple devices? That question probably doesn’t keep ordinary people up at night. But with music makers unusually ravenous users of touch software, they might just be at the vanguard of new convergences of creative computing. Picture this scenario. Your computer behaves the way it always has – with the usual complement of software and the same comfortable form factor and editing tools. You have the precision of the keyboard and pointer. Then, when you need it, that computer can also be a tablet. You pick …


Hands Off: Apple Wants to Pull Orphion Music App Over Touch APIs

Apple’s devices have earned praise from developers for consistently supporting multiple fingers in predictable ways. But to go further with expression, one developer made use of the size of contact area on the screen. Any time a developer goes beyond “public” or official APIs, there’s a chance Apple will eventually balk. We knew this was a risk to the excellent music app Orphion when we covered it, but hoped, in fact, that if the app were successful, Apple might reconsider. Unfortunately, today we learn from developer Bastus Trump that Apple will remove the app. And that means, at the very …


Music in the Browser: A Soundtrack from a Crowd, A Keyboard for a Mouse

Slowly but surely, the web audio API creeps toward being something that’s usable in more than one browser at a time. In the meantime, we get a glimpse of how generative music could be a part of what’s to come. It’s a long way from those horrid, looping audio files that plagued the Web in its heady 1990s adolescence. Today on Create Digital Motion, I look at the aesthetics of crowd-sourcing in work by Aaron Koblin and Chris Milk – and how the view of the significance of the crowd has changed over time. Substitute “music” for “motion,” and you’ll …


Face Sequencers, Sonic Databases, Automatic Dub Remixes, More Montreal Music Hackday Hacks

Hard at work at Music Hack Day Montréal. Ed.: Hacking Web databases to search sounds, remixing tools to automatically create dub tunes, cameras to sequence and analyze images in new ways, Montréal hackers have been busy. Trevor Knight writes from the event with full coverage from Canada, latest outpost of this global music coding phenomenon: Music Hack Day made its first appearance in Canada at the end of September, painting the event with a Montréal flavour, complete with bilingualism, Montréal-style bagels, and even an appearance of Stephen Harper in a hack. Over the Saturday-Sunday event, musicians, programmers, and hackers scramble …


At Music Hack Day, Amidst Listening Interfaces, Novel Performance Control a Winner

One top prize-winner: Stringer, which applied Kinect camera magic to simulated strings. More on how it was made below. Photo (CC-BY) Thomas Bonte. With Web data providers offering generous cash prizes and a strong emphasis on harnessing data to transform listening, music consumption took center stage at Music Hack Day’s debut in New York. But it was novel music controllers, the sort that once were commonplace only at academic music conferences, that stole the show. That suggests that whereas building the next MySpace was once the hot music tech, the future might look more like a race to build the …


Berlin Meet-up Tonight with SoundCloud, Web Sharing API, and a Wonderful Laptop Artist

Photo (CC) Till Krech. Forgive some seemingly train-of-thought connections between topics, but today is what I’d call a Nexus of Goodness while I’m traveling through Berlin. 1. Meetup tonight, starting at 7p. Tonight, if you’re in the Berlin area, we’re doing a little, informal meetup to get to know each other and talk Web tools for music and musical goodness in general. Come, say hi to me and other CDM readers and the SoundCloud developer and user communities, and hear some great music. (See #3) Rooftop plans are off given the chance of rain, but in the safety of a …


Round-up: Your Web-Connected Musical Future, at Music Hackday Stockholm

It’s like Woodstock for Web music tech nerds. Photo (CC-BY) Anton Lindqvist. “Okay,” you say to the Web geeks, “I’ve had enough. I don’t want another little app that looks at my iTunes collection and tells me that if I like Lady Gaga, I probably also like Madonna. I want to listen in new ways and, most importantly, make music. What have you got, Web 2.0… 3.0… whatever we’re on now, that I can actually use. I want some of the deliciousness of the future, now.” “Oh, and another thing – can I patch this Android phone of mine in …


Music Hackday Goodies: Robot-Driven Radio, Free Chordal Synth, Lyrics by Decade, More

The Music Bore – Video 2 from Nicholas Humfrey on Vimeo. “I’m sorry, Dave, I can’t allow you to listen to Coldplay.” What would radio be like if playlists were not only robotic, but had robot DJs pulling information from the Interwebs dynamically? That’s the question asked by the winning team at London’s Music Hackday last weekend, which created an epic mashup of data sources to produce a voice-synthesized IRC chatbot that researches and plays music for you. Music Bore Music Bore was just one of a number of projects developed in the weekend of musical hacking, some for listening, …


Apple Has a New QuickTime X, But We’re Not Allowed to Talk About It

Apple unveiled QuickTime X at the WWDC keynote. Here are their bullet point slides: Modern foundation Hardware Acceleration ColorSync HTTP Streaming I’m actually quite keen to know how the new QuickTime X works. What will it mean for live visualists? What does it mean for developers, not only on Mac but Windows? What does it mean for open source projects built on QuickTime, projects vital to music and visual applications and innovation? Here’s the problem: we’re not allowed to talk about that. Apple didn’t talk much about what’s in QuickTime at their public WWDC keynote. Now, they’ll start explaining all …