arcmonome

A new arc and a new module from monome

Wheels were never as big as grids. Well – in this context, anyway. The arc was the spiritual successor to the monome from designer Brian Crabtree – ultra-high resolution encoders for turning, with lights, as continuous as the monome grid was binary. But despite some poetic, meditative videos the monome project produced, the arc was always mostly quiet on the scene. And then it disappeared, supplanted by other projects (like an entry into Eurorack). Now it’s back, on preorder.

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Reinventing the Wheel: Engineering arc2, Digital Instrument from monome Creator [Gallery, Interview]

Engineering a production instrument is a kind of study in compromise. For mass-produced musical instruments, it’s a fusion of practicality and economics, made affordable by a mass-market supply chain. What makes the monome creations special isn’t just that they look beautiful; the art isn’t aesthetic only. They are uncommonly uncompromising. They’re designed in such a way that tells a story about materials, one that weaves connections between suppliers – many of them local suppliers – and focuses the experience of the device on the interface. They have the kind of obsessive attention to detail associated with the finest acoustic musical …

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A Tranquil, Twinkling Set of Synthesized Cycles, Made for arc’s Wheels

We looked at the arc controller, and interviewed creator Brian Crabtree, early this year. In a way, the design is as much conceptual, kinetic sculpture attached to a computer as it is music hardware. It’s not for everyone, but it does inspire some sound designers and composers whose work I love, giving it a secondary advantage – without owning one, I can still see people doing interesting things with it and find musical discoveries in their work. stretta in his latest video turns the controller into synthesized sounds that reference in the title of the piece the Dharma Wheels, the …

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On arcs and monomes, a Loyal Community Makes Music Together

Grids and roots – a close look at the monome 128. Photo (CC-BY) bm.iphone. They’re not great in number – only a handful of producers have monome hardware, scattered across the globe. And their obsession is unique, the boutique grid (and now encoder) creations of Brian Crabtree and partner Kelli Cain. But in the latest signs of how committed this community of artists is to using these hardware interfaces for DIY software and to doing it with one another, the monome community has been busy. They have a new compilation, the first experiments (via monome maestro stretta) with the new …

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Arc: New Music Controller in Video, Detailed Q+A with monome Creator Brian Crabtree

Can minimalist controller design make even two knobs into a digital instrument? We’ll soon see. The arc, the new controller from monome designer Brian Crabtree, contains just two high-resolution encoders (known to us in everyday usage as “knobs”). It makes no sound; every minute rotation and a push-button action are telegraphed to a computer. Everything that would make it musically interesting, then, is up to the makers of interactive software on the computer. At their disposal are interactive, brightness-adjustable LED displays that ring those encoders. At US$500 (or $800 for a four-knob model), the results aren’t cheap, challenging even loyal …

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Arc, A New Design from monome Creator: After Grids, Encoders

You’ve just created the design that, more than any other, was the signature of electronic music making in the first decade of the 21st Century. What’s your second act? Having made the monome grid controllers the biggest design hit in music creation in the last few years, then moved to a farm in upstate New York to do some … farming (really), monome’s Brian Crabtree now and Kelli Cain have made public what’s next. Think really big knobs. The design makes some sense to me, intuitively, already. Livid tried the obvious solution of combining encoders with arrays in its Code, …

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