"Particles" by Daito Manabe & Motoi Ishibashi: A Pixel Roller Coaster

PARTICLES / Daito MANABE & Motoi ISHIBASHI from stereolux on Vimeo. Pixels, no longer merely abstract ephemera, become kinetic sculpture in the latest interactive installation work by masters of new media Daito Manabe and Motoi Ishibashi. The focus of the work, the creators say, is no less than the “field of vision.” In Nantes, France, at Stereolux, those pixels – in the form of LED-lit balls – take on a kind of roller-coaster ride along metal tracks, producing dazzling flashes of light in space as they roll. The effect becomes ephemeral again, and as your eyes struggle to process the …

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“Particles” by Daito Manabe & Motoi Ishibashi: A Pixel Roller Coaster

PARTICLES / Daito MANABE & Motoi ISHIBASHI from stereolux on Vimeo. Pixels, no longer merely abstract ephemera, become kinetic sculpture in the latest interactive installation work by masters of new media Daito Manabe and Motoi Ishibashi. The focus of the work, the creators say, is no less than the “field of vision.” In Nantes, France, at Stereolux, those pixels – in the form of LED-lit balls – take on a kind of roller-coaster ride along metal tracks, producing dazzling flashes of light in space as they roll. The effect becomes ephemeral again, and as your eyes struggle to process the …

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With 'This Exquisite Forest,' Animations That Evolve, Collaboratively

With all this talk about the future of art being in browser windows and such, you might forget to ask the question – why? What will it actually look like? Artist Aaron Koblin has been, perhaps more than any one artist, someone who has pondered what form art made by online crowds might take. His work has often revolved around data – the trails left by masses moving in the air, data set of Thom Yorke’s 3D face given to artists. When the crowd is the source of that data, Koblin has uniquely walked the line between optimism and criticism. …

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With ‘This Exquisite Forest,’ Animations That Evolve, Collaboratively

With all this talk about the future of art being in browser windows and such, you might forget to ask the question – why? What will it actually look like? Artist Aaron Koblin has been, perhaps more than any one artist, someone who has pondered what form art made by online crowds might take. His work has often revolved around data – the trails left by masses moving in the air, data set of Thom Yorke’s 3D face given to artists. When the crowd is the source of that data, Koblin has uniquely walked the line between optimism and criticism. …

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Nature, Through a Window: Moon, Fire, Water, in Light and Engravings, by Craig Dorety

Realizing the materiality of Earth and the Moon in new forms, artist Craig Dorety is rendering natural forms in light and engravings. For the Moon, he turns to carving techniques to mirror new data about the lunar surface – and, thanks to an SF Awesome Grant, he’s got some spare change to upgrade his CNC router. It’s a beautiful example of how art can make use of data, bringing together disciplines. (Okay, there isn’t any motion here to speak of, but the relevance of the 3D imaging technology here is clear and inspiring.) Lunar Topography Carvings http://craigdorety.com/lunar_topo.html Geeking out for …

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Beats Bits Atoms: Fish Play with Cameras, Paint and Pixels and Light Become Sculpture

◥ BEATS, BITS, ATOMS from ◥ panGenerator on Vimeo. Call it post-digital, call it tangible. But whatever you call it, there’s new work that skirts boundaries between the sculptural and the virtual, integrating physical media in ways that surprise and delight. In the latest projects of Polish-based collective panGenerator, shown recently in a solo show in a renowned Warsaw gallery, techniques are interwoven in projects that take on quirky, whimsical personality. Oh yeah – and fish finally get to play with camera tracking, too, not just humans. panGenerator member Jakub Kozniewski shares with CDM, and describes the projects thusly: kinetic …

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120 MB Picks Up Where MTV Experimental Vids Left Off [Berlin Launch Party + CDM, Videos]

It may be hard to recall, but back in its heyday, MTV was a champion of experimental audiovisuals, one that pushed the artwork further and spread new ideas, virally, to hungry creative masses. But no need to be nostalgic. We have seen the new MTV, and it’s the Internet. Pulling from YouTube, Network Awesome’s latest show explores that audiovisual goodness. And unsatisfied to leave this to a virtual-only experience, those videos will be live and in person in Berlin Thursday, June 28. Create Digital Motion is co-sponsoring the event, and we’ll be bringing you some of this energy to your …

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Cathode Rock: Kyle Evans Makes a TV Into an Oscilloscopic Axe of an Instrument

Pick up that TV and rock it, baby. While recalling a now-obsolete technology and the work of artists like Nam June Paik, de/Rastra is something of a (delightful) lie. In the form of a television, it appears to be a self-contained, vintage instrument. In reality, it’s a simulation, a CRT with “altered anatomy” that uses a computer to drive faux vintage cathode ray visualizations and to produce digital sound. But the synthesis of visuals with the body of a television is wonderful, a play on past and present technology that produces an impossible electronic now. The new soul of this …

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Music for Plants, Music by Plants, in Two Eco-Themed Album Releases [Listen, Galleries]

These green things, for once, are the stars, in Data Garden Quartet. From the installation version in Philadelphia. All Data Garden photos courtesy the artists. “On lead synthesizer, a philodendron …” (And the crowd goes wild…) Vegetation may not be the first association you have when thinking of electronic music. But two new albums, each released via Bandcamp, celebrate biological life of the green, leafy variety. One is a benefit compilation, with proceeds going to help trees and music inspired by that green goodness. The other uses plants as “performers,” generating its form from plant life in an installation and …

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Voltage into Generative Pixels, and Other Lo-Fi, Recycled Art

Today on Create Digital Music, we examine DeFunct/ReFunct, the latest installment of a touring (Ireland, France, Germany) collective working with repurposed, rescued refuse technology: Art From Trash, as ReFunct Media Makes a Symphony from Obsolete Gear [Videos] The group works both in sounds and image, so here I’ll echo what I say there in visual form. (I feel, far from conflicted, that I’ve done my job if I find things that fit into both sites.) Benjamin Galoun [aka Recyclism] makes work that, of all of these, is perhaps the most elemental. It’s just voltage applied to a screen, but in …

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