Photo: Aoki Takamasa. Courtesy the artist.

raster-noton’s elusive Grischa Lichtenberger on creative sound

Grischa Lichtenberger is working with felt and stencils as well as sound. He’s speaking in hyperlinks, and misusing gear and feeding computers into other computers to form feedback loops. In short, he’s finding a unique and creative materialism in everything he does – and that means we really have to talk to him. So we sent Zuzana Friday to join in a delightfully esoteric conversation with the raster-noton artist. -Ed. Grischa Lichtenberger is a German musician and sound and installation artist, known for his releases on raster-noton. His immersive live performances oscillate between abrasive, aggressive compositions and intricate structures of …

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Adult Swim has a free noise album you don’t want to miss

It’s that time of the year again: weeks of hearing Christmas songs on repeat plus the untimely death of George Michael, and your ears are probably oozing peppermint goo while you cry yourself to sleep. This calls for some seriously aggressive noise album. You know – like a palette cleanser. Well, here’s one, and it’s free – from Adult Swim. “Noise” album? Cartoon Network? Okay, the combination sounds unlikely. But if you were expecting some lame hipster compilation that sounds like “noise music” just means someone fell asleep on their guitar pedalboard, think again. It’s actually damned good. And it’s …

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How a meetup space for female music makers is making a difference

Ed.: If we’re going to see more women or other underrepresented groups in music, one place to start is by creating new spaces. CDM contributor Zuzana Friday is involved in an effort in Berlin that does just that. The idea is an informal one: just have exclusively female-identified artists meet for a couple of hours, to give them an environment all their own, then open up to anyone interested thereafter – covering musicians but also quite a lot of visualists, too. Even the name is simple: “Meetup.” That approach has proven fertile enough that it’s fired up the music network …

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This extended techno mix will get you through any Wednesday

I hear from the Internets that there are some “top 1000 DJ lists” chosen by surveys or something. Suffice to say, I’m tired of letting people vote for things in 2016. So let’s talk about Erika. Do you need a DJ, playing some heavy, long techno set? Do you need an ambient/experimental something-or-other? Do you need it live? Do you need a combination of an Erika with BMG, for Ectomorph, also one of the best live acts out there? In this event, accept no substitutes. So, for anyone who’s been depressed lately about “fashionable” techno and expensive coordinated t-shirts and …

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Grieving for Oakland’s lost, imagining what comes next

“Community” is a word we use too much, until it doesn’t mean anything. “The dance music community.” “The electronic music community.” And then in extreme moments, it’s a word whose meaning again becomes plain. That was the sense for a lot of people over the weekend, as news rippled of the people lost in Oakland. Friends grieve their friends and lovers. They grieve lost role models and sources of music and inspiration. These events touch people who were intimate — and touch people who were strangers. A person you played with once, a person you heard once … or your …

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Look inside the world of cassette tape culture in this short film

The 21st Century is bringing a yearning for physical objects and low fidelity – two threads that perfectly combine in the anachronistic cassette tape. Now, I find talking about cassettes tends to get some chortles, perhaps people mumbling under their breath about hipsters. But as production times and costs rise for producing vinyl, cassettes are a way of producing consumable goods on the cheap, quickly. And that makes them a likely antidote to the ephemeral digital file, in a way that the bland office equipment of a USB stick is unlikely to accomplish. Burn to tape, then, and you’ve got …

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Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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Exploring wild sound experimentation on iOS, Mouse on Mars style

When you pick up an instrument someone has designed, without even thinking about it, you absorb a little thinking about how to make sound. And just like singing with other people is different some singing alone, that feeling can be a great one. So why shouldn’t software or hardware instruments give you the same experience? What I like about Mouse on Mars is that Jan St. Werner and Andi Toma have something to say beyond their own music. They’re fierce advocates for experimenting with sound – in their solo projects, in teaching and lecturing, in their personality. And that’s embedded …

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Photo, Lucas Genaro Rucci. Via SHAPE Network.

EQUALITY NOW, a raucous Peder Mannerfelt anthem at the right time

Good timing. Sweden’s Peder Mannerfelt delivers a triumphant single, “EQUALITY NOW” as the opening salvo of a 3-track vinyl/digital coming beginning of December. And it’s splendidly forceful. But wait, there’s more. Mannerfelt is a prolific producer and artist, solo under his own name, as The Subliminal Kid, or working alongside Van Rivers on production. That’s included collabs with the likes of Fever Ray, plus output on Digitalis, Avian, and his Peder Mannerfelt Produktion label, when he isn’t recapturing the sounds of central Congo (really). Okay, blah, blah. Here’s what I’ll tell you about seeing Peter Mannerfelt in person: every single …

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Here’s the easy thing you can do to support artists you love on Facebook

“The Algorithm.” It sounds like something ominous out of scifi – an AI character from The Matrix, maybe. It’s the name for the proprietary system by which Facebook shows you content. And this element of social media has been under fire lately, even on the global political scale. Computer rules are invisibly determining what you see. And they don’t necessarily work for you. Like a drug dealer, they’re there to keep you hooked. And since they can be bought, they’re also there to ensure publishers buy advertising to be noticed. Okay, that sounds scary. On the other hand, you’re sitting …

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