Ed.: There’s a record release entirely in etched glass, shaped like a pyramid. There’s an artist who is not only post-genre, but post-gender, and trans-… human. There’s a collective that steps calmly from grimy basement to global festival, talks about occulture and “magick,” and juggles queer partys and zines. For anyone sick of the predictable grinding machinery of the music industry running business as usual, this should be irrefutable evidence that UnReaL, and the artist Born In Flamez, are something different. We arranged a rare interview with the collective and BIF to enter that world – a science-fiction now that …
The piano has been living with a beautiful legacy, but that legacy can double as tyranny. The Steinway Model D, favorite instrument of mine that it is, has also frozen the technological development of the keyboard instrument. And that’s why the Una Corda is different. Built custom by David Klavins, and associated with that builder’s collaboration with pianist Nils Frahm, this lightweight piano is unlike any you’ve seen or heard before. And now, you can get a taste of playing the real thing with a software instrument.
The path from past to future has become delightfully twisted in our modern age. Some of the best new technologies mix old techniques with new. They treat the computer and electronics not as a separate entity, but for its potential hybridization. And one great example of that is gamut inc, a project that explores instrumental-electronic interactions. Founders Marion Wörle and Maciej Sledziecki came to visit us at the MusicMakers Hacklab we’re hosting at CTM Festival in Berlin. And they brought the most extraordinary inventions along.
With galaxies of new sounds out there, we return to certain hubs to point us in stimulating new directions. And Daniele has done it again. We’ve heard some of the upcoming noises from Holotone, a label whose name (no kidding) draws from particle physics, and we have reason to be excited. CDM’s Zuzana Friday goes all in for an in-depth interview with plenty of music to go with the words. Apart from his work as a half of Dadub and his mastering output with Artefacts Mastering studio, Daniele Antezza produces personal and spiritual musical experiments under his Inner8 moniker. Recently, …
The phrase “music technology” may not naturally go with hand percussion or “plywood” for you. But there are plenty of people wanting to jam and play on the streets. So, what’s the big news for them? I think it’s this, frankly. It’s the Roland EC-10 EL Cajon. It weighs just 6 kilograms (under 9 lb). It runs on just six AA batteries. And it could sell you on hand percussion – or be the one hand percussion box you covet this year.
We live in a world dominated by the mythos of the solo artist. And people can easily get down when they discover they can’t compete. But here’s one solution: cooperate, instead. That’s the story of LA’s TeamSupreme, documented in an extensive short put out over the weekend. And it might be better news than any new gear, especially if you yourself has been frustrated by the scene.
This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.
It’s an arbitrary division of time. But watching the calendar tick is a chance to review what really matters. And ignore the naysayers: this is a wonderful time for music, in quality and diversity, not just quantity. So, let’s use the beginning of the new year to queue up the best music from the old. We asked Zuzana and David from team CDM to contribute lists, too, as they’re each deep listeners. Let’s go back in time, and revisit the trends and sounds that we hope point to good things in 2016.
Much can be said and felt with the human voice without words – and that’s where Robert AA Lowe comes in. With his solo drone/improvisational project Lichens, or lending his talents as a singer, synthesist, and instrumentalist to the likes of OM, Lowe has carved out a unique and powerful space as an artist with a deep focus on vocal exploration.
It makes some people cringe each December as much as the appearance of WHAM! and Paul McCartney (oh, “Wonderful Christmastime”). It’s the end of year lists in electronic music. I have no particular problem with them, except that they’re limited in what they tell us. We get surveys that allow people to learn what the most popular music is by determining which music they … already think is the most popular. It’s like the musical equivalent of the Myers-Briggs test, or reading a horoscope. Sure, it’s entertaining, but the secret is, you’re basically just looking in a mirror and confirming …