What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …


Tokyo Blip: A Chip Music Interlude for Blip Festival

How do you prefer to compose? Pen and manuscript paper? Recording ideas from a piano? Firing up your favorite music software? How about … coding in 65c816 Assembly language? The trio behind this video prefers the latter, more intensive approach, to get close to the chip hardware by communicating directly with the Super NES. It’s one heck of a way to make an invitation to an event, but that’s just what they’ve done, in celebration of Blip Festival Tokyo 2012, in a kind of audiovisual spectacular. With code by Batsly Adams, music by Zabutom, and graphics by KeFF, the result …


MeeBlip SE: Making Our Open Synth Hardware Better, More Available, Starting Now

The original vision of the MeeBlip was to make something affordable, something open and hackable, something anyone could get, something that could tell a story, and something we’d use to make some music. And since those are all goals of Create Digital Music, too, it’s a perfect physical compliment to what we do. For me, personally, it means putting my money where my (blogging) mouth is. It’s a chance to learn. So that makes this a really special week. It hasn’t been easy getting here, but now the MeeBlip begins its second chapter. This week, we’re announcing availability of the …