Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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Micro-ritmos turns bacteria and machine learning into spatialized sound

In the patterns generated by bacterial cells, Micro-ritmos discovers a new music and light. From the Mexican team of Paloma López, Leslie García, and Emmanuel Anguiano (aka Interspecifics), we get yet another marvel of open source musical interface with biological matter. Micro-ritmos from LessNullVoid on Vimeo. The raw cellular matter itself is Geobacter, an anaerobic bacteria found in sediment. And in a spectacular and unintentional irony, this particular family of bacteria was first discovered in the riverbed of the Potomac in Washington, D.C. You heard that right: if you decided to literally drain the swamp in the nation’s capital, this …

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Watch Myriam Bleau’s beautiful work with glass and discs

The beautiful thing about performance life in the post-digital age is that it opens up what musical practice itself can be. It means an AV artist might draw as much on the tradition of painting or sculpture as on music. It might blur the boundaries in such a way that it’s hard to say which medium you’re looking at at all. SONAR and MUTEK as festivals have grown in their brand to present AV work, but to me they’re at their best in those particular magical moments when you feel as if the performer has invented their own medium. By …

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Watch a breathtaking fusion of laser light and sound in the Deep Web

In the audiovisual field, it’s hard to top the virtuosic collaboration of Christopher Bauder and Robert Henke. Robert Henke, known to many as Monolake, has himself taken on lasers as visual instrument alongside his signature electronic sounds (controlled in Ableton Live, the software he co-founded). But pair him with long-time collaborator Christopher Bauder (of WHITEvoid), and you have an epic duo.

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From "Grid Index," Carsten Nicolai catalog, raster-noton.

raster-noton founders on how they found visual inspiration

Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as the label has expanded in its musical scope in recent years, it has retained a sense that aesthetics themselves matter, that its artist roster are capable of painting with sound and exposing the process of using technology. Understanding where that comes from visually is key …

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New tech makes it easier to connect audio on Windows, Mac

If you think computers aren’t advancing for audio, you haven’t been paying attention to connectivity. The latest generation of OSes, computer architectures, and audio interfaces can combine to give you lower latency and easier connectivity. They can even connect over long distances and networks. MOTU and RME this month unveiled cross-platform Thunderbolt support that works on Windows – and MOTU have been focused on connectivity in a series of updates.

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‘Gaze’ is a surreal, face-melting AV mirror for your browser

The interactive mirror has been a long-running staple of digital art, but its form came in galleries – Mac minis and the like stuck to walls. Now, transposed to the browser, the form becomes oddly personal and intimate. We stare into our computer screen all day. For a fleeting moment, it can look back.

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MICKEYPHON is a terrifying giant robot head that’s also a musical instrument

Inside the computer, music software very often looks like it always did – faux mixers and multitracks and piano rolls. But in the hands of designers, musical objects are appearing as something very different. And those iconic mouse ears seem to be … following you.

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Dark, unexpected sounds of Triple Sun, Jonáš Gruska (Berlin Wednesday)

Triple Sun – Sprint from Martin Blažíček on Vimeo. From Bratislava, the duo Triple Sun are making spontaneous, ethereal music with a combination of modular and computational tools. Against a flickering black-and-white film, this video last year is one of my favorites. We’re inviting Triple Sun this week to Berlin along with Jonáš Gruska as part of a live program, so I want to take a second chance to explore what they’re doing.

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Watch the Clavilux, an ethereal light organ from 100 years ago

Long before trippy visualizers and computer animation, before liquid light shows or laser parties, Thomas Wilfred was building organs for visuals. He called the art they produced Lumia, and the instrument Clavilux – a keyboard for light. That first instrument was built all the way back in 1919. But unlike a lot of the spectacles of the era, this one is still hypnotic today, even after all the advances of cinema and computing. Drawing on a tradition that included displays of fire and fireworks, and the ability to place sound “at the command of a skilled player at a piano,” …

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