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Watch the Clavilux, an ethereal light organ from 100 years ago

Long before trippy visualizers and computer animation, before liquid light shows or laser parties, Thomas Wilfred was building organs for visuals. He called the art they produced Lumia, and the instrument Clavilux – a keyboard for light. That first instrument was built all the way back in 1919. But unlike a lot of the spectacles of the era, this one is still hypnotic today, even after all the advances of cinema and computing. Drawing on a tradition that included displays of fire and fireworks, and the ability to place sound “at the command of a skilled player at a piano,” …

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animoog

Making a light sculpture a musical instrument, played with Animoog on iPad

Light organs have been in use for generations. But this is the first generation that has grown up in a world of image and sound in which expression across electronic media might seem simply second nature. And oddly, as screens have become more ubiquitous, so, too, has thinking beyond them. What we see here, then, isn’t a projection. It isn’t a display. It’s a big bundle of lightbulbs, making rhythmic poetry in off and on once connected to a jumble of wires. Play the Moog app Animoog on an iPad, and that mountain of electronic junk winks back at you …

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Ninja Jamm Android-07a-Play Matrix mixed clip and drill

Ninja Tune’s remix, creation app on Android after 300k iOS downloads

Before Ableton Live, before VJ apps, the AV act Coldcut were already making their own software for remixed audiovisual performance. Now, with the Ninja Tune label they founded, Matt Black is still championing the notion of performance that goes beyond pressing play. I’ve never seen anyone pick up Ninja Jamm and not immediately fall in love with it. It’s just a tremendous amount of fun working with the built-in effects and quick access to bits and pieces of music. The likes of Amon Tobin, Bonobo, and Roots Manuva are there, with a variety of genres. There’s also Loopmasters sound content, …

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electricindigo

Join Electric Indigo, Inner8 for an Immersion in Aesthetics

By way of follow up to our chat with Daniele Antezza yesterday, his Inner8 live act with sYn will meet up with another audiovisual collaboration – Susanne Kirchmyer (Electric Indigo), with visualist Thomas Wagensommerer. That takes place at Berlin’s Krake Festival next week, which means we get an extensive conversation with the two artists alongside a canal in the video below. They talk at length about aesthetics, collaboration, and connections to artistic practice: http://krake-festival.de/ Previously, on each of them: Outside dance music, systems of contemplation with Inner8, sYn Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo But …

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Inner8_KirilBikov

Outside dance music, systems of contemplation with Inner8, sYn

Daniele Antezza and Federico Nitti are seated in a patch of grass in the park, lost in reflection like giddy monks. The conversation turns to archaic geometries from lost civilizations, then to how to let loose unstable configurations of sound, then how to sweep away a party crowd in the whole experience. But, perhaps true to his Mediterranean roots, Daniele’s favorite English word for describing the elements of his work is “taste.” Inner8 is the project for people whose flavor palette turns to the experimental. Daniele is known to techno fans for his collaboration Dadub with Giovanni Conti. That act …

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This 3D Oscilloscope Drawing Music Might Make Your Brain Fall Out

You’ve seen oscilloscopes. You’ve heard sounds. You’ve seen oscilloscopes make visual representations of those sounds. You’ve maybe seen oscilloscopes used to make drawings while making sounds. And of course you’ve seen 3D models. But you probably haven’t seen oscilloscopes used to draw 3D models that make sounds while the sounds match the oscilloscopes in a 3D sound visual extravaganza … which then becomes an entire album with software that goes with the album so you can also use the oscilloscopes to draw 3D models to make sounds. Say what? Okay, let’s put it another way. Imagine an Etch-a-Sketch and a …

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krystall

Teaser: The Joy of Music with Light, From Russia and Beyond

::vtol:: “luminescence” workshop from ::vtol:: on Vimeo. Artists are, in endless cycles, rediscovering techniques that might otherwise have been discarded. And that includes performance concepts in the audiovisual realm. I’m this week in Moscow as a guest of the Polytechnic Museum (specifically their Polytech.Science.Art program. There is, I think, no more historically apt place on Earth to explore the connection between sound and image than the land of Scriabin, Kandinsky, Ballets Russes, and constructivist art, this epicenter of the audiovisual revolution. What you probably don’t know so well is audiovisual experimentation from the later Soviet period, and that was partly …

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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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redrectangle

This 1971 Dancing Rectangle from Poland Predicts Modern Techno, AV

Sonic history in electronic music may be made with technology, but it’s also the output of someone’s brain. As such, it’s natural that liberated creativity can produce all kinds of possibilities. And it should be no surprise that history sometimes comes in cycles. Or… make that rectangles. Speaking of Poland, this short animation, crafted in 1971, features spooky sounds that would be at home on any modern dark techno floor. Entitled “Prostokąt dynamiczny” – literally, “dynamic rectangle” – the animation is by experimental filmmaker Józef Robakowski, with music by the incredible Eugeniusz Rudnik. We saw Rudnik yesterday in our piece …

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shapednoise

Hear this Now: Shapednoise Does a Doom Mix And People are Listening

In the overabundant parade of mixes, you might easily grow weary of the sound-alike monotony of predictably-popular hits inserted back to back in a party-friendly groove. This is not that. The latest from Shapednoise is a mix for FACT that follows in a mold only in that it’s as violently depressing as you’d expect if you’d been following this artist. You know, depressing in a … stimulating way. Shapednoise begins by dropping you out an airlock for a zero-gravity dance of archaic tribal rituals. And from there, things more or less descend into an angry, room-clearing procession of reverbs and …

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