Watch Adriano Make Surprising Objects, Laser Beams into Triggers for Wild Music

Now that anything can become an instrument, musicianship can become the practice of finding the spirit in the unexpected. It’s what Matt Moldover championed in the notion of controllerism, what years of DIYers have made evident. It’s not just a matter of finding a novelty or two. It’s really taking those novelties and making them a creative force. Adriano Clemente, the Italian-born, Brooklyn-based artist (aka Capcom), is a shining light of just that sort of imagination. Regular CDM readers will see some familiar techniques. There’s a laser harp, a circuit-bent toy, mic transducers making objects into triggers, a Numark Orbit …

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diego-ain-juguete-web

Music That’s All Human Body and Objects, No Instruments: Biotronica with Ain TheMachine [Interview]

Music is all around us, yadda, yadda – we hear these aphorisms all the time, but to most, making music is still about the classical idea of instruments. Not so for this Madrid-based artist, who has transformed his body and all the objects around him into an instrument. The results are mad and magical – and CDM’s Matt Earp talked to the artist to find out just how he put this all together, and what it has to do with music like flamenco. There’s a noisy, lively spot for co-working in Neukölln, Berlin called Agora – a space full of …

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Max 7 Shows Off New Interface – And Explains What It’s For, with Mushrooms

Max 7 is the newest version of Cycling ’74 visual development to… um… erm… Well, actually, it’s really hard to explain what tools like Max, Pd, Reaktor, Plogue Bidule, and the like can do. Sure, they’re nerdy environments for making stuff. But because they’re open ended – because what they do is really up to you – just calling them a “development tool” doesn’t really say a lot. So, in a cute new video, Cycling ’74 shows off Max 7. It’s really stuff you could do with previous tools, showing visual and sonic capabilities. But if you didn’t fully grasp …

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Think Stormtroopers more than Diane Keaton when you hear her name. And don't expect her to give up any rebel secrets, really. Photo of the artist, courtesy the artist.

You Should Listen to Fuzzy Cut-up Goodness, Heavy Techno from Annie Hall [Detroit Underground]

Annie Hall – Random Paraphilia EP PROMO from annie hall on Vimeo. Spanish-born, Windsor-based producer/DJ Annie Hall is always something special, a gift to techno and experimental music. Pushing her digital sound to the edge, she can sharpen her sound to glitch, fuzz, but always with a sense of warmth and intimacy. It’s cut tightly, but manages to tread techno-electro paths in its asymmetrical grooves. There’s never an absence of forward motion: like one of those crazy new robotic insects, all the complex kinetic action somehow makes it sprint. And then, as she does this summer, she can head straight …

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Displacing sound is one of the illusions that figures into their work. Here, a field recording from another environment will later find its way into the Kraftwerk interior.

Exploring Sound in the Vertical, as Three Brothers Make New Sonic Architectures

Korinsky – Atelier für vertikale Flächen /// documentary from Korinsky on Vimeo. We imagine we see where we are. We even describe our eyes as being open as awareness. But perhaps that’s because we are so deeply connected to sound as to take that connection for granted. Perceptive research has revealed in profound relief that we hear where we are, too. And artists are beginning to take that knowledge and fuse it with art making. To quote The Outer Limits, “We will control the vertical. We can roll the image, make it flutter. We can change the focus to a …

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Your Demoscene Moment: Organic Geometries, Acoustic Sounds, Beating Heart

Ah, so it turns out that demoscene animations don’t all have to feature bad trance music. (Sorry, had to be said.) Srdce is simply exquisite, fluid animations of blades of grass, waveform vibrations, geometric tangles, and the exploding fragments of a beating heart set to a touching song. It came in second at the Outline 2014 demoparty. Trans-cultural bonus: you get a (Slovak or Czech?) rendition of Emily Dickinson. “Srdce” means heart in Czech; the team originates from Slovakia. With beautiful instrumentation (banjo!), it’s a lovely way to spend two minutes. And all of this fits in 8MB of Windows …

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Inside the Intense Audiovisual Collaboration of Drøp and FAX [unrender, Video + Interview]

Drøp feat. Fax @ UNRENDER / LEHRTER SIEBZEHN / BERLIN from CDM on Vimeo. Crackling and vibrating, Drøp featuring Fax is an intense bath of sound and light, webs of lines materializing and dissolving in Fax’s visuals like microscopic alien thunderstorms. The duo played live at our first unrender session, and captivated our crowd with improvised abstract etudes. But while it may look generative, this is all done with clever manipulation of video clips – mixing disguised as algorithmic geometries. The collaboration was so tightly-knit that I was keen to hear more about how it came together. Fax presented not …

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unrender 2: Visuals as Live Medium, in Installations and Performances, in Berlin [CDM presents]

Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows). What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces? unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work …

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Coding the Club: How the Sensory Experience of Electronic Music Could Expand [Video]

Coded Matter(s) #5: Coding the Club from FIBER on Vimeo. For so much of the world, the club experience is nothing if not predictable. The sound, the aesthetic, the entire evening fit to a predictable mold. But drawing upon decades of work in experimental audiovisual performance, a new generation of sound and light artists are applying today’s tools to build live creations that can transcend all of that, that appeal directly to the senses and transform the architecture of the musical environment. One highlight for me this year was the chance to moderate an installment in March of Fiber Festival’s …

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If Carsten Nicolai Had Designed the Lighthouse: Massive, Pulsing AV Installation in Hong Kong

The lighthouse’s white beam of light seems a perfect fit for a Carsten Nicolai (Alva Noto to music fans) makeover. α (alpha) pulse is a new audiovisual creation from Nicolai, commissioned by Art Basel for Hong Kong. And in a megapolis that does scale in a big way, the minimalist content gets a grand implementation in Hong Kong Harbor. The entire facade of the giant International Commerce Centre (ICC) – all 490 meters (1600 ft) of it – is illuminated. For fifty minutes, synchronized pulses of light and sound will beam across the harbor, connected and synchronized to mobile apps. …

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