edit-0-01-42-16

How Dutch archives turned into a Lakker AV show about water

Wade in the water, indeed. Set the Irish duo Lakker loose in a Dutch film archive, and what you get is a dense, heavy experimental techno album and a live show exploring the Netherlands’ ongoing battle with the sea. It’s a 2016 album, but even if you caught it before, now we get some insight into its evolution into a live audiovisual show. Even before you get the sense of the historical narrative behind it, the music itself is evocative, dark, and rich. I actually like that we’re calling all this music “techno” now – this isn’t in the four-in-the-floor …

READ MORE →
TouchDown Houston at Day For Night Festival; photo Roger Ho.

A bunch of tricks and tools for generative visual tool TouchDesigner

TouchDesigner, the visual development environment for interactive media, is a not-so-secret weapon for the artists creating some of the best eye candy today. And it’s likely to earn more attention now that it’s available for both macOS and Windows. (It was previously Windows-only.) But it’s not just the power of the tool itself that makes it stand out. It’s just as much a community behind it, sharing resources with one another. That says something, really. People working on interactive and event visuals often pull in some pretty hefty fees, and they justify those fees by making sure their tech tricks …

READ MORE →
dsc00118

Demian Licht on transmitting knowledge, being a demon of the light

Demian Licht is building a portal – one connecting us to a new future, one scrapping the parts of society holding people back, one linking the world. She’s not just making techno – she’s making a statement about the future with her music and practice, one that resonates with Detroit’s pioneers and the bleeding-edge aspirations of a new generation today. Oh, and there’s some strange physical portal involved, too, one purportedly located at the geographic center of Mexico – uh, maybe. But you might want to watch that spot. So, not only did we want to hear more about Demian …

READ MORE →
robinfoxrgb_closeup

Robin Fox talks epic AV performances and rare synthesizer archives

There’s barely a performance medium that Robin Fox hasn’t touched, not a form with which he hasn’t moved us. From laser AV spectacles to exhibitions to work with contemporary dance (including the wonderful Chunky Move), this Australian artist is the kind of multi-faceted mind we adore. And so we sent Anahit Mantarlian for a marathon interview, so we can all geek out accordingly. -Ed. Audiovisual experimentalist Robin Fox has been busy. In 2016, the Australian composer and laser charmer toured Europe, presented his latest show RGB to Atonal Festival, performed at the inaugural MUTEK.JP Tokyo, and opened an organization (alongside …

READ MORE →
zenostill1

Inside Zeno van den Broek’s raw immersive AV architectures

Strap on headphones, and the sixteen minutes of Shift Symm is a brain-tickling assault. Even just within the stereo field, raw textures rumble and dance until you feel the sound’s structures inside your head. I was attracted to Zeno van den Broek’s work partly because that sense of patterning in sound and visual formed a work I thought deserved special integrity as a release. This is to me an encouraging sign that there are new frontiers for archaic, exposed AV minimalism in the post raster-noton age. Shift Symm by Zeno van den Broek Shift Symm therefore saw a digital release …

READ MORE →
hysteresis-screenshot

Transmissions from the magnetic ooze, in new oqko video premiere

Let’s take an unsettling journey into some black goo. No, trust me – it’s going to be a good time. “Hysteresis” is the new underground audiovisual release from the anonymous duo “-N.” The only way to get the music release is on cassette tape. There was never even a digital master made; they went straight to tape master via analog. And then there’s the video, which premieres exclusively here on CDM – because we’ve got our finger on the pulse of the world’s tastemaker black goo fans. But the video is otherworldly and beautiful. Shot with the grainy quality of …

READ MORE →
Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

READ MORE →
myriambleau

Watch Myriam Bleau’s beautiful work with glass and discs

The beautiful thing about performance life in the post-digital age is that it opens up what musical practice itself can be. It means an AV artist might draw as much on the tradition of painting or sculpture as on music. It might blur the boundaries in such a way that it’s hard to say which medium you’re looking at at all. SONAR and MUTEK as festivals have grown in their brand to present AV work, but to me they’re at their best in those particular magical moments when you feel as if the performer has invented their own medium. By …

READ MORE →
29209551350_726920c1b5_k

Watch a breathtaking fusion of laser light and sound in the Deep Web

In the audiovisual field, it’s hard to top the virtuosic collaboration of Christopher Bauder and Robert Henke. Robert Henke, known to many as Monolake, has himself taken on lasers as visual instrument alongside his signature electronic sounds (controlled in Ableton Live, the software he co-founded). But pair him with long-time collaborator Christopher Bauder (of WHITEvoid), and you have an epic duo.

READ MORE →
From "Grid Index," Carsten Nicolai catalog, raster-noton.

raster-noton founders on how they found visual inspiration

Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as the label has expanded in its musical scope in recent years, it has retained a sense that aesthetics themselves matter, that its artist roster are capable of painting with sound and exposing the process of using technology. Understanding where that comes from visually is key …

READ MORE →