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Novation Circuit Mono Station: paraphonic, feature packed, $499

Take the grid-based workflow of Circuit – and build a sequencer workstation with a paraphonic analog synth. That’s the formula of the Circuit Mono Station, one of two new synth products Novation are showing off this week in Berlin at Superbooth. We got a first look via leaked photos; now here are the full details. Physically, the Circuit Mono Station has the 32 RGB velocity-sensitive pads from the Circuit, plus hands-on controls. But in place of the drum machine / Nova digital polysynth combo (and limited macro encoder controls), what you get is: A three-track sequencer. Yeah, so makers are …

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The UAD just got OTO 8-bit effects, Moog filters, and booty-shaking bass

Universal Audio has been a name in recreations of classic studio gear for some time. But now, here’s something that will appeal directly to producers. Included in a slew of updates today, you get crunchy, wild 8-bit effects (emulating the now-discontinued boutique OTO BISCUIT hardware), Moog multimode filters paired with powerful modulation and filters, and a subharmonic synth from the disco age you can use to add booty-shaking low end to tracks. In other words, it’s like Christmas for producers with UAD, with a whole bunch of delicious stuff you might want. This isn’t a review, yet – will follow …

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$300 KORG Monologue synth is a sequel, not a mini Minilogue

A 25-key, monophonic version of Korg’s clever 4-voice Minilogue polysynth wouldn’t be a bad idea. And it’s what you’d expect, given the Minilogue came out only at the beginning of this year. But that’s not what the Monologue is. No, the Monologue is more a sequel to the Minilogue than it is just one with less keys and voices. And there are a number of smart ideas here. There’s a new filter. You want some different character with a monosynth than a polysynth, so here there’s a new 2-pole VCF and analog drive for what Korg says gives you “more …

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Comparing all the 303 recreations to each other and the original

Someday, I’ll realize my dream of gathering ethnomusicologists and neuroscientists and engineers and we can finally sit down and work out why it is that the 303 is so damned pleasing. In the meantime, we can obsess over the nuances of different 303 recreations. Kudos to ADSRsounds for putting that together. They not only compare the original Roland box to the new TB-03 and AIRA TB-3 renditions, but also the analog clone TT-303. These sorts of comparisons are ultimately subject to your own bias as you watch. But there’s still a lot to glean. The first video is interesting. The …

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Here’s how Roland improves upon the original 303 sequencer

If you pick up the new Roland Boutique Series TB-03, you get more than just an emulation of the squelchy 303 bass synth. As with the AIRA TB-3 before it, the hardware is also a sequencer. So that means it’s capable of creating basslines for the internal instrument – or external gear, too. What’s special about the new TB-03 is that it both recreates the classic original 303 sequencer, and introduces a new, modern “reboot” of the same. Now we get to see how they differ in a pair of videos released by Roland.

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The overview screen, for navigating - some overtones of both Kai's software from the 90s and the better stuff from Apple (Sculpture).

Substance is a new software approach to every kind of bass

There are those desserts that are subtle. And then there are the ones that are layered chocolate and peanut butter and cream that you drench in still more chocolate sauce, but in a way that holds together. You know – layering. Substance, a new soft synth from Output, is all about layering. It’s about making enormous bass things out of other already pretty-large bass things. And it represents a nice latest chapter in what the boutique software developer has been doing with sound design

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MeeBlip triode synth gets even bigger bass

Our MeeBlip synth is back. It’s still a tiny box you can add to a synth setup. It’s still just US$139.95. But now, it packs some improved features – and bigger-than-ever bass.

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Watch these video reviews of 303, 909 and comparisons to originals

Now, with the embargo lifted on new Roland gear, brace yourself for a lot of discussion. On some level, any comparison of a $349-$399 new gadget to anything before it is a bit silly – when original 909s start selling for three figures, let us know. And I think starting with a direct comparison misses the point: the TR-909 and TB-303 sound terrific, and you’re unlikely to record or play either totally dry. (Classic records, uh, used processing too, ya know?) Relax and go enjoy a great drum machine and bassline.

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Vocalists, track on your computer as if it were outboard gear

Maybe you’re tracking in a studio full of everything you want. But otherwise, it’s tough to argue with the appeal of being able to add tools freely, connecting just the cable from your mic to your computer. And so, for anyone recording vocals, this week’s news from Universal Audio is welcome indeed. It means that you can use a simulation of a powerful channel strip full of gear in software form – but track in real-time, as if you owned the actual hardware. And you can do it for a price that’s pretty humane.

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Hacking filter FM makes the volca bass sound amazing

Are you in a warranty-voiding mood? Have you got a soldering iron? The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times. Skip ahead to the end of the video above to hear what we mean.

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