Here are 25 music selections to celebrate 25 years of Tresor

Tresor has left a rich legacy to electronic music – one that has defined a lot of what “techno” means – and not least of all through the Tresor Records imprint. So as follow up to our preview of the Tresor 25 festival, we’ve partnered with Beatport to share a set of 25 tracks that trace a small slice of that deep catalog. It includes some old classics, the younger generation carrying that torch, and gems like Objeckt’s terrific continuous mix Kern, Vol. 3 (with still more music, so… kind of more than 25 tracks, actually).


Here’s what’s happening at Beatport after the SFX bankruptcy

The media landscape is changing, from Apple moving to streaming and adding content on Apple Music and Apple TV, to SoundCloud adding paid subscriptions and signing deals with majors. Meanwhile, the biggest player in dance music, Beatport, is about to be untethered from the EDM conglomerate that bought it.


On women’s day, imagining a new future in sound

Let’s be clear: there should be no excuse for the press in our sphere, including this outlet, to treat International Women’s Day as a chance simply to talk about women in music. That obligation is year-round and daily, or we simply aren’t doing our jobs. But that’s not the origin of Women’s Day, anyway. The history, rather, is one rooted in organizing for change. (Like so much modern grassroots advocacy, indeed, it comes from the labor movement just after the turn of the last century.) It’s about people working finding fair opportunities for their work. Focusing energies around an annual …


djay Pro for Mac: A Serious DJ App with Spotify Integration, US$49

A full-featured DJ app can be yours for fifty bucks, and it can stream the songs you don’t have right off Spotify. djay Pro is here, and with it and a new generation of contenders come some serious shifts in digital DJing. Algoriddim have been making user-friendly DJ apps for a while. That started with a beginner-friendly Mac app, but extended to iOS and the until-recently-neglected Android platform (which is now at last fairly viable for mobile DJing). djay’s ease of use was already enough to make it appeal to casual DJs. Then, in May, Algoriddim pulled an ace out …


This Movie Clip Sums Up the SFX-Beatport Vision of the Future of Dance Music

Synergy. That’s the direction you can expect from Beatport and SFX Entertainment. And the speech above from the film In Good Company more or less fits. (The plot of that 2004 movie even includes an acquisition by a conglomerate.) Basically, SFX may have solved the problem of how to make money in the streaming business – by making its money elsewhere. Or, it seems that’s the plan. Here’s the problem: music streaming has razor-thin margins versus sales. The artists and labels eek out fairly small bits of change, generally. They can blame the streaming services, but with those services having …


Learn How to Get Your Drum Machine’s Soul Back with Mad Zach, Ableton Live

It’s “the science of being imperfect” – and Mad Zach is one heck of a mad scientist at it. We all know Ableton Live productions, even sometimes from fairly skilled music makers, can get painfully stuck on the grid. If that’s the disease, Mad Zach has the cure. Armed with Ableton Live and together with releasing a very special, very useful sound pack, this insanely-prolific DJ, producer, writer, and educator has some advice for how to get the soul and groove back in your machines. CDM teamed up with our friends at Beatport Sounds to work with Zach on an …


In the Age of Beats and Spotify, Winners – and Opportunities

There is an accelerating transformation of music listening; that much is clear. And if you change the way people listen, you will change the way people produce. So who and what wins in this brave new world? Let’s consider. The month of May brought still more signs of tectonic shifts, with Apple buying Beats and Spotify showing no signs of slowing. The Apple acquisition of Beats can’t really be measured in dollars, because Apple has so much cash on-hand. (US$150 billion – and expect that dry powder to start getting loaded into cannons.) At least unlike Facebook or Google, Apple …


Watch Amon Tobin on Exploring Sound, Labors of Love

This Tuesday, we’ve lined up a trio of video interviews for your viewing pleasure. But one is rarer than the others. Amon Tobin tends to shy away from interviews, generally, let alone those on camera. Here, he agreed to talk to Beatport about his work. Flanked by racks of very lovely gear from Moog and others, plus a computer running Steinberg Cubase as the central digital hub and recording center, Tobin emphasizes mainly the philosophy behind his approach. He emphasizes in particular his passion for experimentation, contrasting “entertainment,” which “depends on the approval of other people,” with what he describes …


Insane Colors, Touch, Knobs: Ander’s Crazy Custom Live Controller, and Some New Music

What if software could leap off the screen, transforming into physical form? Ander’s custom controller for live performance looks like just that. An epic array of candy-colored buttons, with a dizzying arrangement of knobs atop it, it’s the opposite of what many live performances these days can be. Rather than a spectacle that distracts from the live performance, it is a spectacle that embodies the performance – not only Ander’s physical gestures, but the way he conceives his music. By making all of his set touchable – even though that involves a lot of advance preparation – the performance it …


Selling and Promoting Music: When You Come to a Fork in the Road, Take It?

I believe it’s possible to be a responsible business, and to be a responsible consumer. When you’re the business lecturing your consumers on what they should be doing, well, that can produce an awkward situation. Let’s leave it at saying that a certain blog post stating obvious things has resulted in what can best be described as a kerfuffle, and, since you’ve heard it all before, it’s probably not worth repeating. Better than lecturing music lovers, then, is finding out better ways to reach them. I know plenty of artists and even people whose day job is running a label …