stvincentpedals

The Harder Side of St. Vincent’s Live Rig: Custom Rack, Eventide Stompboxes, MIDI

St. Vincent is doing some amazing live shows, so it’s little wonder that a look inside the software rig and approach to computer-enhanced performance got some attention Friday. Eagle-eyed readers, though, weren’t only satisfied hearing from the band about the role of Ableton Live and Reason. That expansive rack of stompboxes, including some of my personal favorites from New Jersey-based maker Eventide, clearly matters, too. In comments, there’s a full explanation of what you’re seeing. As Dan writes: Mike Vegas of Nice Rack Canada (formerly Nice Rack NYC) built that board for Annie. The MasterMind provides switching for the analog …

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How St. Vincent Plays Live, ‘Through the Looking Glass’ [Video Behind-the-Scenes]

At the end of the day, what motivates extra technical preparation is the same thing that drives musicians to practice scales or work long hours in the studio: that extra discipline can pay off in real freedom of expression. So, it’s moving to hear St. Vincent talk about musicality as the end point for onstage computer-based coordination. In the behind-the-scenes video, you can see how the band combines Ableton Live, a loaded rack of instruments in Propellerhead Reason (presumably running via ReWire into Live), and a whole big mess of pedals. Interestingly, MIDI triggers for those pedals helped focus on …

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The Future’s Sonic History, And 14-Year-Old Dreams: In The Studio with Matthew Dear [Video]

A Studio Visit with Matthew Dear presented by AIAIAI and Ghostly International from Ghostly International on Vimeo. What does the future sound like? For musicians using technology, that question can resonate on two levels. It can be an attraction to imagined futuristic worlds, and the connection of synths and gadgets to that world. And, even each time we sit down to make music, it can be a dream of our own future self – if not the rockstar, that future self who has finished this track that right now is just an idea or a feeling. In a film that’s …

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Beyonce at the UN: Behind the Scenes of Epic Projection in the General Assembly Hall [Gallery]

The new world of projection is big – really big. Planet big. It’s not a dinky projector pointing at a ragged, wrinkled piece of cloth. It’s something that can stand up to one of the world’s great divas. When you’ve got Beyoncé, and you’ve got the General Assembly Hall of the United Nations in New York City, you’re on a whole new level. Lucas Werthein of SuperUber is kind enough to share with Create Digital Motion the effort that made this all possible. And, we have a photo gallery revealing how all of this came together. First, he rattles off …

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badhotel

In Bad Hotel, Addictive iOS Game, Composing Music to Tapped Interactions [Behind the Scenes]

What if a game made you both player and remixer/composer? What if that music plugged into your gameplay brain just like the interactive elements? This week, we get another try at just that – and find out how the whole thing works behind the scenes, with free software you can use, too. If you’re like me, you’ve loved the soaring, gaslight-style music soundtrack, as it makes its sweep across a film, swelling at just the right moments. Or you’ve closed your eyes and enjoyed the frozen narrative of a great score or great record as it washes over you. But …

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Can make the biggest acts' live shows tick - but can also rock a live performance like she's just landed from a flying saucer. Check. Laura Escudé, achieving superhuman levels of music-technological knowhow, can still share what she's learned with us Earthlings.

Live Music Tools at the Bleeding Edge: Laura Escudé, From Herbie Hancock Collabs to Solo (Live Berlin, Sat)

It’s one thing to talk about tools. It’s quite another to put them into action, to make them withstand the rigors of creative process and idiosyncracy, let alone the torture test of touring. Laura Escudé is as deep in the trenches, on a day-to-day basis, as just about anyone on the planet. The music tech guru has worked with some of the world’s best-known artists, bending technology to their imaginative desires and world-trotting live shows. (Think Herbie Hancock, Bon Iver, and Cirque du Soleil, among others.) But she’s still found time to develop her own, unique sonic voice and live …

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Mostly Robot, Behind the Scenes: When Electronic Masters Form a Band [Video, Panel Audio]

It began as a way to demonstrate Native Instruments technology. But watch the video above of Mostly Robot, and you’ll see what happens when some well-loved solo electronic stars work to form a band. This isn’t just about some cool toys: it’s about really playing electronics as an instrument. And as the Internet debates what it means to play, they ask a question that could be even more important: what does it mean to play together? Mostly Robot is an “all-star band” made up of some really amazing people. Jamie Lidell is known as the Warp artist who has gone …

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musicbranches

Music in the Browser: A Soundtrack from a Crowd, A Keyboard for a Mouse

Slowly but surely, the web audio API creeps toward being something that’s usable in more than one browser at a time. In the meantime, we get a glimpse of how generative music could be a part of what’s to come. It’s a long way from those horrid, looping audio files that plagued the Web in its heady 1990s adolescence. Today on Create Digital Motion, I look at the aesthetics of crowd-sourcing in work by Aaron Koblin and Chris Milk – and how the view of the significance of the crowd has changed over time. Substitute “music” for “motion,” and you’ll …

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Fusing Sound and Visuals with TouchDesigner and Ableton: One Behind-the-Scenes Video

As artists continue to seek out new, richer connections between audio and image, the marriage of Ableton Live and TouchDesigner becomes increasingly popular. Here’s a detailed look at how that connection can work, courtesy a detailed technical video revealing the process for one audiovisual collaboration. Description: A behind the scenes look at the collaboration between Elburz and nVoid Art-Tech Limited for Elburz’s “Escape” live audio-visual show that premiered at Om Festival 2012. A narrated walkthrough of how Ableton Live 8, Derivative TouchDesigner 077, and Cycling 74’s Max 6, all come together to create a fully interactive live audio-visual show. Elburz …

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In the Studio: Barker “Like an Animal” EP, Sam Barker + nd_baumecker [Stream + Gallery]

Surrounded by a whirlwind of gear, Sam Barker has been collecting musical tools – vintage and otherwise – since his first track, produced at age 13. Believe it or not, this is his old studio – the new one, with nd_baumecker, we profile below. Photo courtesy Leisure System Records. Being futuristic – really looking forward to music – has perhaps become less fashionable in some circles. Don’t tell that to people like UK-born Sam Barker, artist and co-founder of collective/label/party Leisure System. Sam is curating music tools and artists with the same electic passion, the same exploration of new sounds …

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